Karaoke songs that are sure to get a 60-something man fired up
If you’re a man in your 60s, you probably have plenty of chances to go to karaoke with coworkers or friends.
One of the biggest challenges at karaoke is choosing the right songs, isn’t it?
Many people may feel, “I know tons of songs, but I can’t recall them on the spot,” or “Among the songs from our generation, which ones are broadly easy to listen to?”
In this article, we’ve gathered lots of songs that men in their 60s love and that are great picks to sing at karaoke!
Younger readers can also use this as a reference when enjoying karaoke with older people, such as your boss or family members.
It’s packed with timeless classics that defined their eras!
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Karaoke Songs That Will Get a 60-Something Man Fired Up (91–100)
TSUNAMISazan Ōrusutāzu
Known as a masterpiece that likens the pain of heartbreak to a tsunami, this work is a moving love song celebrated as one of Southern All Stars’ signature pieces.
It’s a gem of a ballad that expresses the sorrow of losing someone dear through a grand melody, fully showcasing Keisuke Kuwata’s exceptional songwriting and composing talent.
Released in January 2000, it topped the Oricon weekly charts and won the Japan Record Award the same year.
It was also selected as the theme song for the popular segment “Mirai Nikki III” on the TV program “U-nan no Hontoko!,” becoming a classic beloved across generations.
As a heartwarming song that offers comfort to those carrying the pain of losing someone special, it’s also highly recommended for karaoke.
WON’T BE LONGBaburugamu Burazāzu
A track marked by an irresistibly catchy, upbeat groove and a festival-like, uplifting rhythm.
Inspired by the Awa Odori dance, its forward-looking message—filled with a powerful resolve to give your all for someone—really strikes a chord.
It features the Bubblegum Brothers’ signature breezy sound and approachable lyrics.
Released in August 1990, it initially drew little attention, but after being broadcast on a TV program in March 1991, it exploded in popularity and became a million-seller.
In 2006, it was also covered by EXILE and Kumi Koda.
It’s an encouraging anthem that gives energy and courage—especially recommended for those worn out by work or daily life.
It’s also perfect for livening up a karaoke session with friends.
Please, God!Za Tenputāzu
A youthful prayer, staking sweet feelings on God, resounds alongside a heartfelt longing for love.
The Tempters’ passionate message is vividly colored by Kenichi Hagiwara’s husky voice and the band’s unified performance.
Released in March 1968, the song reached No.
2 on the Oricon chart and was also used in a Kanebo cosmetics commercial.
Its sound, infused with blues and R&B elements, continues to shine as a symbol of the golden age of Group Sounds.
This classic, which gently embraces the hearts of youth troubled by love, is perfect for moments when you want to be honest with your pure feelings or reaffirm your thoughts for someone special.
A world without youZa Bībāzu
A masterpiece woven from a psychedelic rock sound and a wistful melody, this is The Beavers’ second single, released in November 1967.
Its heartrending tune vividly portrays the pain of a broken heart.
Showcasing beautifully balanced twin vocals and the twin-guitar virtuosity of Hideki Ishima and Masayuki Hirai, the track reached No.
57 on the Oricon chart.
The band also appeared on the TV program “Young 720” that same year.
It’s a song to play on nights when you want to soothe a love-broken heart, or on a quiet afternoon when you’re nostalgic for your youth.
With the setting sunZa Wairudowanzu
A refreshing melody that captures scenes shining against the blue sky makes this song especially memorable.
Drummer Yoshiaki Ueda takes the lead vocal, captivating listeners with his distinctive style of singing while playing.
Released in May 1967 as The Wild Ones’ third single, it’s also known for having lyrics written by all the members.
The bright, open sound of the 12-string electric guitar remains unfaded, a classic that symbolizes the golden age of Group Sounds.
It’s a track you’ll want to play on an evening drive or while spending time with friends.
blue eyesJakkī Yoshikawa to Burū Komettsu
A masterpiece where a wistful melody merges with a stirring band sound.
First released during the dawn of the Group Sounds era—its English version in March 1966 and Japanese version in July—the song portrays a bittersweet romance with a woman encountered at the end of a journey through northern landscapes.
Following the English version’s sales of over 100,000 copies, the Japanese version became a massive hit, surpassing 500,000.
It earned Jackie Yoshikawa and the Blue Comets a spot in the 17th NHK Kōhaku Uta Gassen and helped ignite the GS boom.
With its polished performance and harmonies, this sonic world is a perfect pick for anyone wishing to bask in memories of first love and youth.
Let’s go, Shake!Terauchi Takeshi & Banīzu
A happy tune from March 1967 that weaves together a seaside coming-of-age romance and the explosive sound of electric guitar.
A classic that epitomizes the golden era of Group Sounds, it won fervent support in dance halls and go-go clubs, symbols of youth culture.
Known as a signature work by Takeshi Terauchi and the Bunnys, it was included on the album “Let’s Go ‘Fate’” and won the Arrangement Award at the 9th Japan Record Awards.
The energetic sound born from Terauchi’s exceptional guitar technique and the band’s tight cohesion makes this a gem that conveys the essence of surf rock.
Highly recommended for anyone who wants to relive the radiance of youth or explore the history of Japanese rock.