Karaoke songs that are sure to get a 60-something man fired up

The lights of Sakhalin do not go outZa Jenoba

The Genova / The Light of Sakhalin Never Goes Out (1968)

A crowning achievement of 1960s Group Sounds from Crown Records.

With a bittersweet melody and lyrics in the style of a Russian folk song that weave in images of the northern provinces, this soul-stirring track moves every listener.

It builds a one-of-a-kind world that feels both nostalgic and fresh.

The Genova’s debut single from February 1968 is known as a unique outlier within the 1960s Group Sounds scene, and it recorded an astonishing sales figure of over 100,000 copies.

Seamlessly blending electric guitar and band-driven sound with elements of kayōkyoku, this work lingers as a gem of a ballad that stands beside the aching hearts of those who’ve lost their hometown or their love.

It’s a classic to be heard on a quiet night by anyone who has known heartbreak or parting, or who carries deep feelings within.

No-No BoyZa Supaidāsu

The Spiders — No No Boy (1966)

This song fuses sophisticated chord progressions influenced by the British beat with a soul-stirring rock ’n’ roll sound.

The musical style crafted by Hiroshi Kamayatsu opened up new possibilities for Japan’s rock scene at the time.

Released as a single by Philips Records in February 1966, it was also featured in the Nikkatsu film Youth A-Go-Go that same year.

With catchy, love-themed phrases repeated throughout, it leaves a deep impression on listeners.

Boasting an innovative melody line and a stylish vibe, this track is recommended for those who want to relive the bittersweet memories of their youth, as well as music fans eager to savor a classic that represents the golden era of Japanese rock.

Galaxy Express 999Godaigo

Galaxy Express 999

Godaigo’s “The Galaxy Express 999” is a song that transcends generations—enjoyed by people in their 60s, those even older, and younger listeners alike.

Released in 1979, it was used as the theme song for the film Galaxy Express 999 and has become a classic beloved across eras.

EXILE also covered it featuring VERBAL from m-flo, which helped introduce it to younger generations.

With lyrics and a mood that evoke the image of walking forward with hope while keeping a fresh spirit, it’s guaranteed to liven up any karaoke gathering! For those in their 60s who also know the anime, lead the charge and get everyone excited!

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Run, Kotaro!Sorutī Shugā

Run, Kotaro!

A masterpiece packed with humor and satire, modeled after a live horse race broadcast.

Released in July 1970, Salty Sugar’s work began as a joke about a chronically late band member and blossomed into superb popular entertainment.

The production weaves in race-style narration, horse names that parody popular buzzwords of the time, and even an impersonation of Governor Minobe, resulting in uproarious comedy.

It was adapted into a Toho-distributed film in February 1971, starring Shunji Fujimura.

The song sold around one million copies and won the New Artist Award at the 12th Japan Record Awards.

It’s a perfect pick to liven up parties and drinking gatherings with friends.

Ah, I’m so fed up.Maki Shinji

“Ah, I’m Fed Up” by Shinji Maki, 1964

Makishinji’s unique style—delivering a memorable chorus phrase alongside lively ukulele playing—cheerfully sings about the social satire and everyday contradictions of the time.

Set to the melody of the Hawaiian classic “Tahu-a-Faai,” this single portrays relatable scenes everyone experiences, such as outings with a sweetheart, family leisure, and hierarchies among relatives.

Released by Nippon Columbia in December 1964, it’s a heartwarming song that shines in settings where everyone can laugh together, like banquets and dinner gatherings.

Open! TulipAkiyama Kanpei

Open, Tulip# Kanpei Hazama: 'Speaking of Showa-era pastimes, it's got to be pachinko!' (Japanese song)

A signature satirical comedy song symbolizing pachinko culture, this is Kanpei Hazama’s hallmark work released in August 1975.

Vividly depicting Showa-era entertainment—like the Warship March playing in pachinko parlors of the time, hand-cranked machines, and the smoky, permissive atmosphere inside—the song reached a peak of No.

25 on the Oricon charts and became a massive hit with over one million copies sold.

In December of the same year, it was also chosen as the theme song for the Nikkatsu film “Wet Lust: Open, Tulip,” enriching the world of director Tatsumi Kumashiro’s work.

Its bright, sprightly melody and Hazama’s distinctive vocals create a humor that’s sure to liven up parties and family gatherings alike.

The Song of KemekoZa Dātsu

The Darts / Kemeko’s Song (1968)

This work transforms a poem about feelings for a ninth-grade classmate into a charming yet bittersweet pop song.

Sung from the perspective of someone enamored with a girl who excels at chemistry, the song’s unique appeal lies in its twist: the love confession initially succeeds, only to take an unexpected turn.

The intro, which boldly quotes the scat from a Neil Sedaka classic, is also striking.

The Darts’ version, released by Nippon Columbia in February 1968, reached No.

2 on the Oricon chart and sparked a major craze, being featured on Fuji TV’s “Owarai Tag Match” and even adapted into a film.

It’s a perfect pick for those who want to bask in sweet-and-sour memories or liven up a party.