Popular Japanese songs among men in their 60s: recommended masterpieces and classic tracks
We’d like to ask men in their 60s: What’s your favorite Japanese song?
“Those songs you listened to all the time in your youth,” “the ones you still sing at karaoke”—all sorts of tracks probably come to mind.
In this article, we researched and compiled songs that are popular among people in their 60s.
We’ve selected a wide range, from timeless classics to tracks that have enjoyed a recent revival.
If you love music or just want to check out popular tunes, be sure to take a look!
It might just fill you with nostalgia!
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- Recommended Japanese karaoke songs for men in their 60s
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- [Ages 60s] Popular Japanese Music / J-POP Rankings [By Generation]
- [60s] Karaoke Popularity Rankings by Generation [2026]
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Popular Japanese songs among men in their 60s: Recommended masterpieces and classic tracks (21–30)
Memories SakeKobayashi Sachiko
The melancholic melody and gentle vocals are wonderful.
This is a song by Sachiko Kobayashi, a popular enka singer from Niigata Prefecture.
It was released in 1979 as her 28th single.
The lyrics, told from a woman’s perspective as she remembers a former lover, are heart‑wrenching.
youthMorita Kōichi to Toppugyaran
Many men in their 60s probably feel nostalgic when the lyrics link with memories of their youth.
It’s a song by the six-member music group Koichi Morita & Top Gallants, released in 1976.
The up-tempo style is really cool.
Popular Japanese songs among men in their 60s. Recommended masterpieces and classics (31–40)
scarecrowsadamasashi
Among people in their 60s, those in the latter half of the decade likely experienced the heyday of folk music.
Many of you may have been particularly struck by Masashi Sada’s lyrics, overflowing with originality and narrative depth.
Of all his songs, the one I especially recommend is Kakashi.
Its range is an average mid1 A# to mid2 F#, and because the pitch movement is fairly steady, it’s easy for anyone to sing.
The melody has an ennui-like mood, so be sure to sing it together and get the vibe going.
Burn, you fine womantsuisuto
For men in their 60s, rock bands were likely an important part of the pages of their youth.
Among them, many probably felt their hearts race at the full-on masculinity of The TWIST’s sound.
That’s why I recommend “Moero Iiyo-na” (“Burn, Lovely Woman”).
Sera Masanori is known for his striking shouts, but he keeps them moderate on this track.
The range spans mid1 C# to hi A, which is on the slightly wider side for a male song, but not unmanageable—adjust the key and you should be able to sing it without trouble.
It’s a surefire crowd-pleaser, so consider adding it to your repertoire.
Legend of DreamsSutādasuto☆Rebyū
Since Stardust Revue’s Mr.
Kaname Nemoto has a wide vocal range and a high voice, men in their 50s—even if they’re fans of his generation—may tend to avoid singing his songs.
That’s why I recommend Yume Densetsu.
In this song, the lowest note is mid1 F# and the highest is high B.
While it’s on the higher side overall, the low range is narrow, so the overall range required is about average.
In other words, as long as you can adjust the key, it’s quite singable.
It may still feel a bit high, but the vocal line itself is simple, making it a song with solid potential for a high score.
In the night sky after the rainImawano Kiyoshirō
Speaking of Kiyoshiro Imawano, his musical style is striking for evoking nostalgic scenes within a punky vibe.
Among his works, “Ameagari no Yozora ni” especially showcases his musical character.
While the highest notes aren’t very high, the pitch mid2F# appears frequently, so when adjusting the key, it’s best to center your tuning around that note.
The lyrics are a bit risqué, but it’s a song that tends to get the crowd going at karaoke, so consider adding it to your repertoire.
CheersNagabuchi Tsuyoshi
Speaking of Tsuyoshi Nagabuchi, I think he’s most popular among men in their 60s.
In fact, many of his fans seem to be from that generation, don’t they? His signature song “Kanpai” has a fairly narrow vocal range of mid1 D to mid2 G.
The tempo is relaxed as well, making it relatively easy to aim for a high score.
However, because low notes appear frequently, a certain degree of depth and low-end is required.
For men with higher voices to make it sound appealing, it’s best if they can produce a natural shout at the highest notes.