Popular Japanese songs among men in their 60s: recommended masterpieces and classic tracks

ultra soulB’z

B’z / ultra soul【B’z LIVE-GYM Pleasure 2018 -HINOTORI-】

This is a hard rock number by B’z that powerfully expresses a soul’s cry to keep pushing the limits.

The lyrics, which portray facing oneself and chasing dreams, brilliantly capture the doubts and inner struggles we all encounter at life’s crossroads.

Takahiro Matsumoto’s dynamic guitar and Koshi Inaba’s soaring vocals blend perfectly, injecting a strong surge of energy into the listener’s heart.

Released in March 2001, it was chosen as the official theme song for the FINA World Swimming Championships in Fukuoka that same year.

Also included on the album “GREEN” and performed on NHK’s Kōhaku Uta Gassen, this track gives a boost to anyone striving in their work or life.

It’s the perfect cheer song to belt out with close friends when you get together.

To the most important personTonneruzu

To the most important person

The classic Tunnels song “To the Most Important Person.” When it comes to Tunnels’ tracks, this is probably the first one many people think of.

Contrary to its masculine melody, the vocal line is surprisingly straightforward.

Its narrow range is particularly notable, keeping every part in the low to lower-mid register.

This is the easiest range for men in their 50s to sing, so it should be perfectly manageable for karaoke at after-parties or late-night gatherings.

Consider adding it to your repertoire.

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The Last RainYasushi Nakanishi

The Last Rain

An ultimate, heart-stirring ballad that vividly portrays a farewell in a rain-soaked city.

Yasushi Nakanishi’s clear, gentle vocals beautifully express the pain of heartbreak and lingering attachment.

This song dramatically captures complex emotions like the fear of losing someone you love and possessiveness.

Released in August 1992, it was used as the theme song for Nippon TV’s “Hitachi Ashita P-KAN Kibun!” Its popularity steadily grew, ultimately becoming a major hit with total sales of about 900,000 copies by 1998.

It has been covered by numerous artists, including Kumi Koda and EXILE ATSUSHI.

For anyone who has experienced heartbreak, it’s a timeless ballad that resonates deeply and begs to be sung along to at least once.

homeKiyama Yusaku

Yusaku Kiyama - Home

A moving ballad filled with warm father-to-child love and hopes for growth has been delivered by Yusaku Kiyama.

His gentle, calm voice conveys deep affection for family, and despite its straightforward storytelling, it leaves a lasting resonance in the listener’s heart.

Released in February 2008, the song was featured as the ending theme for Nippon TV’s “UtaSta!!” and Yomiuri TV’s “Joho Live Miyane-ya,” and it also led to his appearance at the 59th NHK Kohaku Uta Gassen that same year.

For karaoke, it’s recommended when you want to reflect on family memories or express gratitude to someone special.

It’s a tender, warmth-filled song—like softly returning someone’s hand squeeze under a bright sky.

Please, God!Za Tenputāzu

God, please.

A youthful prayer, staking sweet feelings on God, resounds alongside a heartfelt longing for love.

The Tempters’ passionate message is vividly colored by Kenichi Hagiwara’s husky voice and the band’s unified performance.

Released in March 1968, the song reached No.

2 on the Oricon chart and was also used in a Kanebo cosmetics commercial.

Its sound, infused with blues and R&B elements, continues to shine as a symbol of the golden age of Group Sounds.

This classic, which gently embraces the hearts of youth troubled by love, is perfect for moments when you want to be honest with your pure feelings or reaffirm your thoughts for someone special.

A world without youZa Bībāzu

A world without you

A masterpiece woven from a psychedelic rock sound and a wistful melody, this is The Beavers’ second single, released in November 1967.

Its heartrending tune vividly portrays the pain of a broken heart.

Showcasing beautifully balanced twin vocals and the twin-guitar virtuosity of Hideki Ishima and Masayuki Hirai, the track reached No.

57 on the Oricon chart.

The band also appeared on the TV program “Young 720” that same year.

It’s a song to play on nights when you want to soothe a love-broken heart, or on a quiet afternoon when you’re nostalgic for your youth.

Blind BirdZa Moppusu

Blind Bird

This is the debut work released in November 1967 by The Mops, known as pioneers of the psychedelic movement during the tumultuous 1960s.

Its innovative arrangement—melding heavy guitar riffs with a dreamlike sound—shocked Japan’s music scene at the time.

Drawing attention for performances featuring outlandish costumes and light shows, this piece was also included on the album “Psychedelic Sound in Japan,” spawning numerous legends.

With the April 2014 release of the complete edition “Psychedelic Sound in Japan +2,” it became available on CD, prompting a renewed appreciation of its innovation.

It’s a must-listen for those who want to explore new musical possibilities or who are interested in the history of Japanese rock.