Spitz’s classic songs covered by popular artists
Speaking of Spitz, they’re such a staple in Japan’s music scene that their songs have even appeared in music textbooks.
They have so many popular tracks that you might think, “Is there anyone who’s never heard their music at all?”
They’re loved not only by listeners but by many musicians as well, and plenty of artists openly call themselves fans.
In this article, we’ll introduce songs of theirs that have been covered by these popular artists.
We’ve picked out their signature tracks that are frequently covered, as well as some hidden gem covers—be sure to give them a listen!
- A classic song covered by major artists: cover versions of Spitz’s “Kaede.”
- That all-girl band covered it too! Popular cover versions of Spitz’s “Sora mo Toberu Hazu” (“I Should Be Able to Fly in the Sky”)
- A cover of Spitz’s classic song “Haru no Uta” (“Spring Song”)
- Masterpieces by Spitz: A list of recommended popular songs and signature tracks
- A beautifully mad world: Amazing lyrics! Spitz’s masterpiece — the Masamune Kusano world
- Spitz songs that are easy to sing at karaoke and popular tracks
- Songs to Play at My Own Funeral: Timeless Gems to Make Farewells Uniquely My Own
- Spitz Commercial Song and Popular Song Rankings [2026]
- Spitz Popular Songs Ranking [2026]
- Spitz Support Songs and Popular Song Rankings [2026]
- [Songs of Bereavement] Songs about losing someone dear. Tracks to listen to while thinking of a loved one.
- Spitz Graduation Songs, Entrance Ceremony Songs, and Popular Song Rankings [2026]
- That popular voice actor is doing that song!? A roundup of cover songs by voice actors
Spitz’s classic songs covered by popular artists (1–10)
MapleNEW!Tomei
This is the version by the much-talked-about singer-songwriter Tomyo, produced as an insert song for the film “Kaede.” Discovered by RADWIMPS’ Yojiro Noda, her voice overlaps with Yaffle’s understated arrangement to draw out the story’s poignancy even more deeply.
In the film, which premiered in December 2025, the piece is used repeatedly as a key motif, moving audiences to tears.
As director Isao Yukisada chose her for evoking “the boundary between life and death,” her singing is marked by a translucent clarity tinged with shadow.
It’s also included on the “Kaede” soundtrack album—one you’ll want to savor slowly along with the film’s afterglow.
Different from Spitz’s original, its delicate, storyteller-like resonance is part of its charm.
MapleNEW!Natsuiro Matsuri & Rikka
This is a duet version sung by Natsuiro Matsuri and Rikka, who belong to the virtual talent agency hololive production.
The original song is a single by Spitz released in 1998, widely known as an insert song for a TV drama.
The poignant lyrics, themed around parting and memory, are beautifully expressed by Natsuiro Matsuri’s clear, translucent high notes and Rikka’s gentle, enveloping low tones.
Released in September 2020, this work features professional-grade production—Bernis handled the mixing—and it’s crafted so finely that simply listening feels purifying.
The overlap of male and female vocals brings out a different narrative breadth from the original.
MapleNEW!Goto Maki
This is the version sung by Maki Goto, who supported Morning Musume’s golden era and commands an overwhelming presence as a solo artist as well! Released in August 2022 as part of her own YouTube project, this piece is a gem.
The original song, released in 1998, is a treasured ballad by Spitz and well-loved as a TV drama theme.
With her crystal-clear voice, she breathes a new life into it—tender yet aching.
It’s a departure from the powerful impression of her idol days, moving instead with delicate breaths and a mature warmth that truly touches the heart.
The way she carefully weaves each word brings the scenes of parting into even sharper relief.
It’s a deeply resonant cover you’ll want to listen to alone on a long autumn night, when you feel like quietly losing yourself in thought.
Spitz’s classic songs covered by popular artists (11–20)
MapleNEW!Shibuya Ryuta
This is the version by Ryuta Shibutani, the frontman of SUPER BEAVER who has won support with his fiery live performances.
It was featured as an insert song in a film released in December 2025, and, with an arrangement by Yaffle—who handled the film’s music—it’s expressed with a grand, expansive sense of scale.
Different from the expressions he shows with the band, his vocals resonate as if closely accompanying the film’s worldview, vividly reflecting the story’s sense of loss and hope.
The album “Kaede (Film) Original Soundtrack” also includes a cover by Tomaki and the original song by Spitz, letting you compare the nuances woven by each singer’s voice.
Why not immerse yourself in the gentle yet powerful vocals while picturing the scenes from the film?
MapleNEW!Takebuchi Kei × Kanda Rioka
This is a collaborative version featuring two accomplished singer-songwriters from the same music project, Kei Takebuchi and Rioka Kanda, layering their voices.
It’s an iconic ballad by Spitz, released as a single in 1998 and also included on the album “Fake Fur,” and the story of the two singing it at a secluded station in Nagano is also striking.
With a film inspired by the song slated for release in 2025, this work carries added anticipation.
The original’s sense of poignancy and loss resonates with a newfound warmth in their crystal-clear harmonies, as if they’re sharing memories.
This cover, which also connects to Takebuchi’s album “Kono Uta o Anata ni” (“This Song Is for You”), has an atmosphere that feels like an autumn breeze, and when you listen on a quiet night, it can make you feel as though your heart is being gently cleansed.
MapleNEW!Hana＊Hana
This is a cover version by Hana*Hana, a female duo from Takasago, Hyogo Prefecture.
It’s characterized by a simple setup consisting only of Makiko Ono’s piano, Izumi Kojima’s melodica, and their two voices.
Preserving the original song’s poignancy, the arrangement conveys a warmth and depth of life that are distinctly theirs.
Born from a live project, it was released digitally in February 2024 and later included on the album “Good Song Laboratory,” released in August of the same year.
The piece also carries a sense of “returning the favor,” as Spitz had previously covered a Hana*Hana song.
It’s perfect for savoring heartwarming harmonies alone on a quiet night.
MapleNEW!Noda Megumi
This is a version by singer-songwriter Emi Noda, who rose to prominence through her activities on video-sharing platforms and has also provided theme songs for TV dramas.
Her hallmark gentle, empathetic voice tenderly envelops the poignant melody and lyrical worldview of the piece.
While preserving the delicate, ephemeral atmosphere of the original by Spitz, her clear, grounded vocals ring out powerfully in the chorus, stirring the heart just by listening.
Originally released as a video in March 2021, it was officially included on the album “THE COVERS EP vol.3,” released in November 2022.
While conveying respect for the original, this rendition is imbued with her own unique colors—perfect for a quiet night when you want to spend time alone.