Spitz’s classic songs covered by popular artists
Speaking of Spitz, they’re such a staple in Japan’s music scene that their songs have even appeared in music textbooks.
They have so many popular tracks that you might think, “Is there anyone who’s never heard their music at all?”
They’re loved not only by listeners but by many musicians as well, and plenty of artists openly call themselves fans.
In this article, we’ll introduce songs of theirs that have been covered by these popular artists.
We’ve picked out their signature tracks that are frequently covered, as well as some hidden gem covers—be sure to give them a listen!
- A classic song covered by major artists: cover versions of Spitz’s “Kaede.”
- A cover of Spitz’s classic song “Haru no Uta” (“Spring Song”)
- Masterpieces by Spitz: A list of recommended popular songs and signature tracks
- That all-girl band covered it too! Popular cover versions of Spitz’s “Sora mo Toberu Hazu” (“I Should Be Able to Fly in the Sky”)
- A beautifully mad world: Amazing lyrics! Spitz’s masterpiece — the Masamune Kusano world
- Spitz songs that are easy to sing at karaoke and popular tracks
- Songs to Play at My Own Funeral: Timeless Gems to Make Farewells Uniquely My Own
- Spitz Commercial Song and Popular Song Rankings [2026]
- Spitz Popular Songs Ranking [2026]
- Spitz Support Songs and Popular Song Rankings [2026]
- [Songs of Bereavement] Songs about losing a loved one. Tracks to listen to while thinking of someone dear
- Spitz Graduation Songs, Entrance Ceremony Songs, and Popular Song Rankings [2026]
- That popular voice actor is doing that song!? A roundup of cover songs by voice actors
Spitz Masterpieces Covered by Popular Artists (21–30)
MapleUeda Momoka
A singer-songwriter who has won numerous singing audition shows and drawn attention for her “soothing voice,” Monaka Ueda delivers a stripped-down, solo acoustic rendition.
The original is a classic by Spitz released in 1998, but her cover further brings out the poignancy of the lyrics’ world.
In the video released in October 2021, each word is carefully woven over a simple performance with just an acoustic guitar.
Although Monaka Ueda has an extensive track record of original work—including composing the theme song for the Chunichi Dragons support program “Doranavi”—here her true-to-life expressiveness shines.
It’s something I’d recommend to those who want to quietly sink into their memories at dusk or in a slightly chilly season.
A gentle singing voice that warms the heart just by listening.
MapleCrystal Kay
This is the version sung by Crystal Kay, who has been active on the front lines since her debut at 13.
Featured at the very beginning of her first cover album, “I SING,” released in April 2021, this track offers a fresh, synth-driven electronic arrangement that contrasts with the original.
Arranged by Kazuhiko Maeda, the warm yet dance-influenced sound design brings out the charm of her voice.
Beneath the poignancy, a core strength quietly emerges, making it perfect for a night drive or moments of solitary reflection.
Savor a sophisticated, urban atmosphere that’s distinct from Spitz’s take.
I should be able to fly (in the sky).negoto
Negoto, a girls’ band that sadly disbanded in 2019, covered Spitz’s classic “Sora mo Toberu Hazu” (“I Should Be Able to Fly in the Sky”).
You’ll be drawn in by their clear, gentle vocals that feel so delicate they might shatter at a touch.
The mood fits this song perfectly.
The tempo is a bit faster than the original, making it easier to get into and almost instinctively get your body moving.
Song of SpringFujihara Sakura
This is Sakura Fujiwara’s cover that was used as the theme song for the film March Comes in Like a Lion.
With an arrangement that makes the most of her smoky voice, she truly makes the song her own.
The intro is sung softly, but once the chorus hits, it grabs your heart like a sudden gust of wind.
It’s a track you’ll want to listen to alongside the film.
MapleNakamura Emi
This is the NakamuraEmi version, hailing from Atsugi City in Kanagawa Prefecture, whose powerful vocals are unimaginable from her petite frame.
Together with producer Hiroshi Kawamura, she crafted an arrangement notable for its simple tones of acoustic guitar and piano.
Her signature style—carefully savoring each and every word—beautifully overlaps with the bittersweet worldview of Spitz’s classic.
After being performed as part of a live project in October 2022, it was recorded and included on the single “Haruku,” released in March 2024.
It’s a track where warmth and loneliness coexist, one you’ll want to listen to at autumn dusk or when you want to quietly immerse yourself in music alone.
MapleNinomiya Ai
This is an acoustic cover by singer-songwriter Ai Ninomiya, whose talents also shine in the musical Les Misérables and the stage production My Neighbour Totoro.
She delivers a heartfelt rendition of a classic: a 1998 single by Spitz that will also serve as the theme song for a film slated for release in 2025, interpreted with her uniquely expressive style.
While she’s known for her vocals in matthews and appearances on TBS’s UTAGE!, this March 2021 release stands out for its stripped-down, self-accompanied performance, where the guitar’s melodies and her breathing are palpably present.
Infused with feelings drawn from her time living in Vietnam, it carries a bittersweet sense of foreign atmosphere distinct from the original.
On a quiet night when you want to settle your heart, why not immerse yourself in her expansive, soothing voice?
MapleYūri × Sekitori Hana
This is a collaborative version sung by Yuuri and Hana Sekitori of one of Spitz’s signature songs, whose heartrending lyrics and melody deeply touch the heart.
Released on Yuuri’s YouTube channel in September 2025, this work features an appealing acoustic sound recorded at Amazon Music Studio Tokyo.
The original song was included on the 1998 album “Fake Fur,” and it has been loved for so long that it even inspired a film based on the track.
Yuuri’s powerful vocals interweave with Hana Sekitori’s lyric-focused singing, creating a must-hear harmony that showcases their individual styles.
It’s a track with warm, resonant vocals that I’d recommend to anyone trying to move forward while carrying the pain of heartbreak or parting.