Vibrato practice piece. Take the first step toward becoming a great singer!
Among karaoke lovers, many people are probably thinking, “I want to become a better singer.” While researching how to improve your singing, quite a few of you may also be thinking, “I want to master vibrato.” Vibrato refers to a singing technique that oscillates pitch and/or volume up and down, and it enhances expressiveness in your singing.
In this article, we’ll introduce a selection of songs that are perfect for practicing vibrato.
Different artists and songs feature various styles of vibrato, so study many performances and use them as material to help you improve.
We look forward to the day you showcase your wonderful singing.
- Songs that make it easy to practice vibrato / Recommended songs for those who want to practice
- Vibrato practice piece. Take the first step toward becoming a great singer!
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- [For Women] A roundup of enka songs that can score high in karaoke
- Recommended for great singers! A collection of impressive songs if you can sing them
- [Karaoke] A compilation of Vocaloid songs that are easy to sing even for people with low voices
- I want to sing songs that use a lot of falsetto—tracks that are also good for practicing falsetto at karaoke.
Vibrato practice songs. Take the first step toward great singing! (11–20)
remain ~ The Key to the HeartKoyanagi Yuki
It seems this was the theme song for the TBS drama “How Many Years Will You Take a Break from Love?” and was performed at the 52nd NHK Kouhaku Uta Gassen.
The arrangement highlights Yuki Koyanagi’s signature combination of a rich tone and delicate vibrato, so it’s highly recommended as a practice piece for vibrato.
The overall vocal range is G3–D5, and the song builds toward the latter half.
Since there are many sustained notes, singing with a lingering resonance will make it easier to apply vibrato.
Also, while Yuki Koyanagi’s voice is powerful, try not to overstrain; use ample breath and aim to resonate through your body when you produce sound.
The Beginningayaka
Because it’s a ballad with many long sustained notes and was used as the ending theme for Nippon TV’s “Sukkiri!!,” it’s highly recommended as a vibrato practice piece.
The overall vocal range of the song is F#3 to F5, and the chorus gets quite high, so it’s good to sing as if you’re using your breath generously.
Ayaka’s singing style is known for its “naturally occurring vibrato,” and if you make the oscillation too wide it can start to sound like enka, so aim to let just the tail end of the notes shimmer.
The A melody sits in the lower register and is very easy to give a light vibrato.
If you sing as though you’re pushing your breath forward, your voice will gently waver and a light vibrato will appear.
Give it a try!
I’d rather die.Fuji Kaze
Released in May 2020 and included on the 1st album “HELP EVER HURT NEVER,” this stylish track blends Showa-era kayōkyoku with contemporary trap beats.
Around 2022, it went viral on TikTok—particularly in Thailand—and racked up major overseas streams.
The overall vocal range is F#3 to G4, which isn’t too high, so many male singers may find it comfortable to sing.
A hallmark of Fujii Kaze’s style is a generally wavering delivery with breathy vocals, which makes it very easy to apply vibrato.
It might be best to start by imitating his approach when you sing.
ALONEB’z
A smash-hit single released in 1991.
Its abundance of long tones, the way the melody sustains, and Inaba’s vocal phrasing all make it a perfect song for practicing vibrato.
Compared to other B’z tracks, there isn’t much shouting, so it seems easier to sing straightforwardly without over-imitating.
The chorus is full of long tones, but instead of adding vibrato right away, it pairs well with the song to hold the note straight for about two seconds, then gently introduce a breathy vibrato.
Since it’s rock, be mindful of the vibrato width, too.
If it’s too wide, it starts to sound like enka-style kobushi; a moderate width—not too small, not too big—is best.
Give me a gentle kiss.DREAMS COME TRUE
Yasashii Kiss o Shite has the vibe of an adult kayōkyoku song.
With Miwa Yoshida’s breathy, soft vocals and beautiful lingering endings, it’s perfect for practicing vibrato.
Start with clear, firm diction, then gently add a breathy, spoken feel and a light wobble.
If you keep too much tension, your throat will tighten on the high notes before the chorus, so relax and avoid tensing your body.
For the A melody, imagine placing the voice right in front of you as you sing; your tone will naturally start to shimmer.
An endlessly continuing storyMISIA
The grand orchestral ballad “A Story That Never Ends,” which became the theme song for NHK’s Salt Lake City Olympics.
It features many long, sustained notes at the ends of phrases, leaving plenty of space for vibrato.
For the A verse, sing as if speaking, letting a thin stream of breath flow to capture MISIA’s style.
The melody gradually ascends toward the chorus, but it doesn’t go that high, so you should be able to sing it without forcing.
In the expansive final chorus, don’t push with your throat—resonate in your chest! Rather than relying on diaphragm shaking techniques, try opening your mouth vertically to open the throat, and slightly vary the mouth size; your voice will naturally vibrate, so give it a try.
Vibrato practice pieces. Take your first step toward great singing! (21–30)
beetle (specifically, a rhinoceros beetle)aiko
Kabutomushi has a relaxed tempo.
If you want to practice vibrato, I recommend starting with a tempo this laid-back.
Most people probably sing the A verse without belting, but because you can sing softly while adding a slight wobble, even those who aren’t sure how to do vibrato can get a feel for that “gently wavering” sensation.
As a rule, it’s good to slightly sustain the ends of phrases.
When you breathe out, try to make a fine wobble by consciously articulating from the consonant through to the vowel.