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Vibrato practice pieces. Recommended easy songs that make it easier to get the hang of it.

You want to make the endings of your notes ring beautifully at karaoke…

Even when you practice with that in mind, it can be hard to get the hang of it, right?In fact, choosing the right songs is really important for building technique without strain.So in this article, we’ll introduce plenty of songs that make it easy to produce vibrato, along with recommended tracks for practicing vibrato!We’ve picked selections that are easy to sing, focusing on pieces with a relaxed tempo.Be sure to find some favorites and use them as a reference to further polish your expressive singing!

Vibrato practice pieces. Recommended easy-to-sing songs for getting the hang of it (31–40)

Lamp of HappinessTamaki Kōji

Koji Tamaki “Lamp of Happiness” (HD)
Lamp of HappinessTamaki Kōji

I think Koji Tamaki is characterized by his deep voice.

In fact, a deep-sounding voice uses a lot of breath, which generally makes it easier to add vibrato, so his songs are highly recommended.

Overdoing a voice imitation can make vibrato difficult, but being somewhat mindful about using breath also helps you relax.

Rather than simply extending the ends of phrases, if you imagine placing the voice and letting it gently waver, you’ll get a slight tremble and a nice vibe.

Try not to belt too much—sing gently.

ALONEB’z

B’z Live from AVACO STUDIO “ALONE”
ALONEB'z

A smash-hit single released in 1991.

Its abundance of long tones, the way the melody sustains, and Inaba’s vocal phrasing all make it a perfect song for practicing vibrato.

Compared to other B’z tracks, there isn’t much shouting, so it seems easier to sing straightforwardly without over-imitating.

The chorus is full of long tones, but instead of adding vibrato right away, it pairs well with the song to hold the note straight for about two seconds, then gently introduce a breathy vibrato.

Since it’s rock, be mindful of the vibrato width, too.

If it’s too wide, it starts to sound like enka-style kobushi; a moderate width—not too small, not too big—is best.

StoryAI

AI’s 12th single, released on May 18, 2005.

It’s a classic ballad in which AI, known for her slightly husky voice, delivers a deeply emotional performance.

The vocal melody features a broad flow with extensive use of long tones, within which AI showcases a beautiful vibrato technique.

The backing track is arranged simply, making the subtle nuances in the vocal part very easy to hear, and I think it’s an ideal piece for studying vibrato.

One of the pleasures of this song is the contrast between the quiet, delicate wavering of the sound in the first verse and the straight, sustained long tones sung in the climactic chorus.

searchlightTamaki Kōji

Koji Tamaki “Searchlight” – Ending theme of the NTV drama series “Tokyo Bandwagon: A Downtown Extended Family Story.”
searchlightTamaki Kōji

This is Koji Tamaki’s 25th single, released on November 27, 2013.

It was the ending theme for the drama Tokyo Bandwagon, in which Tamaki himself appeared.

Tamaki is known for his very distinctive singing style, and his characteristic use of vibrato is especially enjoyable in this song—particularly in the lower register of the A section.

Practicing that low-register vibrato will likely yield many benefits.

There’s also a lot to learn from the brief falsetto moments you can hear in the latter half of the chorus, including how he applies vibrato there.

The song itself is a simply arranged slow ballad, making it an ideal piece not only for studying vibrato but also as reference material for a wide range of vocal expressions.

A melody instead of a bouquetShimizu Shota

Shota Shimizu 'A Melody Instead of a Bouquet' MV (Full Size)
A melody instead of a bouquetShimizu Shota

It’s Shota Shimizu’s 20th single, released in October 2015.

It was used as the ending theme for the TV drama “Designer Baby: Detective Hayami’s Difficult Case Before Maternity Leave.” The ballad-like style and Shimizu’s slightly boyish vocals are very striking.

Not only is vibrato used effectively on the long tones, but there are also many passages where the pitch changes continuously to connect the vocal melody in a curved, flowing way.

This makes it an ideal track for studying and practicing pitch-inflection techniques.

Through this song, discover how to use rich vibrato.

Vibrato practice pieces. Recommended easy-to-produce songs for grasping the knack (41–50)

Becoming a Thousand WindsAkiyama Masashi

Released on May 24, 2006 as Masafumi Akikawa’s first single.

It’s a masterpiece where you can enjoy the resounding voice of tenor singer Akikawa.

Having rigorously studied classical vocal music, Akikawa delivers singing that keeps the throat well open while freely controlling his vibrato—truly outstanding.

While it may be quite difficult for the general listener without experience in vocal studies or formal voice training to reproduce this, it’s an ideal piece for practicing singing with a fully open throat and developing a well-controlled vibrato tailored to your intended expression.

As mentioned, it’s a selection for advanced learners, but by all means, give it a try!

glass windowKing Gnu

A digital-only single by King Gnu, released in September 2023.

I believe this song has many aspects that will be highly informative for anyone practicing and studying vibrato technique.

Its structure features rich melodies and is centered around long sustained notes, making it ideal for practical vibrato training.

While the overall vocal difficulty is somewhat high, the sense of accomplishment you’ll feel once you master it is all the greater.

In addition, because it has a ballad-like feel and a relatively slow tempo, you can take your time and truly enjoy your vibrato.

Through this song, why not hone your vibrato skills and aim for a high score at karaoke? Mastering this one piece should significantly boost your musical expressiveness.

With patience and practice, cultivate a beautiful vibrato.