Songs that make it easy to practice vibrato / Recommended songs for those who want to practice
Do you ever think, “If only I could master vibrato, my singing would sound so much better…”? Vibrato—the technique of gently oscillating the voice—is an essential expressive tool that adds depth and emotion to a song.
However, not every song is suitable for practice.
In fact, songs that make it easier to produce vibrato share certain traits, and the right song choice can significantly speed up your progress.
In this article, we’ll introduce a wide range of songs with plenty of long tones that make applying vibrato easier, as well as numbers that are ideal for practice in terms of vocal range.
Find the one song that adds a new layer of expression to your voice!
- Vibrato practice piece. Take the first step toward becoming a great singer!
- [Karaoke] Songs That Make It Easy to Score High | From Classics to the Newest Hits
- Songs that make you sound good at karaoke
- No worries even if you’re not confident in your singing! Simple, easy-to-sing songs for karaoke.
- [Enka/Kayōkyoku] Challenge! A collection of songs that make it easy to put in kobushi (melismatic embellishments)
- [For Men] These Songs Will Make You a Better Singer! Tracks That Are Effective for Karaoke Practice
- Practice Songs Helpful for Learning Mixed Voice (Middle Voice) [For Women]
- [Teens] Easy-to-Sing Karaoke Song Rankings [2026]
- Karaoke songs where even men with low voices can aim for high scores
- Songs to Help Women Sing Better: Practice Tracks for Improving at Karaoke
- [Karaoke] A compilation of Vocaloid songs that are easy to sing even for people with low voices
- A must-see for low-voiced women! Popular songs that are easy to sing at karaoke
- Karaoke songs that are easy to sing even if you’re not confident in your pitch (for women in their 50s)
Songs that make it easy to practice vibrato / recommended for those who want to practice (21–30)
An endlessly continuing storyMISIA
The grand orchestral ballad “A Story That Never Ends,” which became the theme song for NHK’s Salt Lake City Olympics.
It features many long, sustained notes at the ends of phrases, leaving plenty of space for vibrato.
For the A verse, sing as if speaking, letting a thin stream of breath flow to capture MISIA’s style.
The melody gradually ascends toward the chorus, but it doesn’t go that high, so you should be able to sing it without forcing.
In the expansive final chorus, don’t push with your throat—resonate in your chest! Rather than relying on diaphragm shaking techniques, try opening your mouth vertically to open the throat, and slightly vary the mouth size; your voice will naturally vibrate, so give it a try.
petalback number
Released in 2011, this is back number’s major-label debut single, featuring themes of breakup, lingering feelings, springtime scenery, and bittersweetness.
The overall vocal range is D3–A4, which many male singers may find comfortable.
However, the range rises sharply midway through the pre-chorus, so be careful not to tense up.
There are many phrases that extend at the ends of lines, making it a good opportunity to add pleasant vibrato.
Since the “i” vowel tends to cause tension, the key is to avoid over-enunciating it.
Lamp of HappinessTamaki Kōji
I think Koji Tamaki is characterized by his deep voice.
In fact, a deep-sounding voice uses a lot of breath, which generally makes it easier to add vibrato, so his songs are highly recommended.
Overdoing a voice imitation can make vibrato difficult, but being somewhat mindful about using breath also helps you relax.
Rather than simply extending the ends of phrases, if you imagine placing the voice and letting it gently waver, you’ll get a slight tremble and a nice vibe.
Try not to belt too much—sing gently.
Roses and Rosesakaiyuu
Released in 2010, this is one of Yu Sakai’s signature songs.
It’s an R&B-flavored mid-tempo ballad that’s easy to groove to—some of you may have heard it before.
The melody has pronounced contrasts—narrative lines, bouncy phrases, then sustained long tones—making it easy to focus on adding vibrato to the tail ends of notes.
The smooth, distinctive transitions from chest voice to falsetto are notable as well, along with a technique of gently shaking the voice.
If you sing while really feeling the groove in your body, vibrato should come naturally.
In fact, leaning into the groove a bit exaggeratedly might be just right!
fireworksSandaime Jē Sōru Burazāzu fromu Eguzairu Toraibu
A mid-tempo ballad with themes of bittersweet love, the end of summer, and lingering aftertaste.
There are many long notes at the ends of phrases, and the structure naturally invites vibrato.
As expected, compared to upbeat songs, melancholic ones bring out a more breathy quality in your voice, so a relaxed ballad is recommended.
When singing, lean slightly forward; it helps release tension in your shoulders and lets your breath flow more easily.
Keeping a gentle singing image is important too.
Try using more breath than you think you need and aim to sing with a beautiful tone.
remain ~ The Key to the HeartKoyanagi Yuki
It seems this was the theme song for the TBS drama “How Many Years Will You Take a Break from Love?” and was performed at the 52nd NHK Kouhaku Uta Gassen.
The arrangement highlights Yuki Koyanagi’s signature combination of a rich tone and delicate vibrato, so it’s highly recommended as a practice piece for vibrato.
The overall vocal range is G3–D5, and the song builds toward the latter half.
Since there are many sustained notes, singing with a lingering resonance will make it easier to apply vibrato.
Also, while Yuki Koyanagi’s voice is powerful, try not to overstrain; use ample breath and aim to resonate through your body when you produce sound.
The Beginningayaka
Because it’s a ballad with many long sustained notes and was used as the ending theme for Nippon TV’s “Sukkiri!!,” it’s highly recommended as a vibrato practice piece.
The overall vocal range of the song is F#3 to F5, and the chorus gets quite high, so it’s good to sing as if you’re using your breath generously.
Ayaka’s singing style is known for its “naturally occurring vibrato,” and if you make the oscillation too wide it can start to sound like enka, so aim to let just the tail end of the notes shimmer.
The A melody sits in the lower register and is very easy to give a light vibrato.
If you sing as though you’re pushing your breath forward, your voice will gently waver and a light vibrato will appear.
Give it a try!