Do you ever think, “If only I could master vibrato, my singing would sound so much better…”? Vibrato—the technique of gently oscillating the voice—is an essential expressive tool that adds depth and emotion to a song.
However, not every song is suitable for practice.
In fact, songs that make it easier to produce vibrato share certain traits, and the right song choice can significantly speed up your progress.
In this article, we’ll introduce a wide range of songs with plenty of long tones that make applying vibrato easier, as well as numbers that are ideal for practice in terms of vocal range.
Find the one song that adds a new layer of expression to your voice!
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Songs That Make It Easy to Do Vibrato / Recommended for Those Who Want to Practice (1–10)
I LOVE YOUkurisu haato

Chris Hart’s “I LOVE YOU” has a constant, overall vibrato feel.
It’s a great match as a vibrato practice piece! Because the range is very wide—from A#2 to D5—if you adjust it to a key that suits your voice, you might master vibrato just by mimicking the vibe as you sing.
In general, when adding vibrato in higher ranges, you need to use more breath and diaphragm support than you think, so it will likely be difficult at first.
That said, the gently entering melody line in the first verse has vibrato at the end of every phrase.
Start by consciously adding a slight wobble right as you land on the note, and try to “place” your voice as you sing.
sign; mark; symbol; omenMr.Children

It was the theme song for the drama “14-sai no Haha” (14-Year-Old Mother) and became a big hit along with the show.
The song is 7 minutes and 12 seconds long, and because it features many long sustained notes, you might naturally develop vibrato if you manage to sing the entire piece.
For male singers, the verse (A-melo) is probably the easiest place to add subtle vibrato.
Also, the chorus is in a high range, so be careful not to strain.
To avoid tensing your throat, keep your gaze focused into the distance when you project your voice.
Although the song is 7 minutes and 12 seconds long, it doesn’t feel that long when you actually sing it, so definitely try practicing with “Shirushi.”
Give me a gentle kiss.DREAMS COME TRUE

Yasashii Kiss o Shite has the vibe of an adult kayōkyoku song.
With Miwa Yoshida’s breathy, soft vocals and beautiful lingering endings, it’s perfect for practicing vibrato.
Start with clear, firm diction, then gently add a breathy, spoken feel and a light wobble.
If you keep too much tension, your throat will tighten on the high notes before the chorus, so relax and avoid tensing your body.
For the A melody, imagine placing the voice right in front of you as you sing; your tone will naturally start to shimmer.
beetle (specifically, a rhinoceros beetle)aiko

Kabutomushi has a relaxed tempo.
If you want to practice vibrato, I recommend starting with a tempo this laid-back.
Most people probably sing the A verse without belting, but because you can sing softly while adding a slight wobble, even those who aren’t sure how to do vibrato can get a feel for that “gently wavering” sensation.
As a rule, it’s good to slightly sustain the ends of phrases.
When you breathe out, try to make a fine wobble by consciously articulating from the consonant through to the vowel.
ALONEB’z

A smash-hit single released in 1991.
Its abundance of long tones, the way the melody sustains, and Inaba’s vocal phrasing all make it a perfect song for practicing vibrato.
Compared to other B’z tracks, there isn’t much shouting, so it seems easier to sing straightforwardly without over-imitating.
The chorus is full of long tones, but instead of adding vibrato right away, it pairs well with the song to hold the note straight for about two seconds, then gently introduce a breathy vibrato.
Since it’s rock, be mindful of the vibrato width, too.
If it’s too wide, it starts to sound like enka-style kobushi; a moderate width—not too small, not too big—is best.
honest / frank / straightforwardMakihara Noriyuki

Noriyuki Makihara’s classic “Sunao.” It might be a slightly lesser-known song among his works, but it’s perfect for practicing vibrato.
The standout feature that makes it easy to sing is its richly expressive vocal line.
It’s not just that it has dynamic shading—there are many long sustained notes throughout, so even those who struggle to add vibrato during small pitch movements can feel at ease.
Because it’s an emotionally rich piece, it’s not only good for practicing vibrato itself, but also for training to maintain expressiveness while applying vibrato.
Last LoveKato Miria

A ballad single released in 2010.
The melody leans toward R&B, with breath flow and nuance being crucial.
There are many long notes at the ends of phrases, and if you can express emotion as if you’re diving into the song, natural vibrato tends to come out and it matches the track perfectly.
The arrangement builds toward the latter half, and because you keep the breath flowing as you sing, there are always sustained parts.
You can lightly add a wavering tail from the very beginning, of course, but if you want to practice vibrato while sustaining, the melody line after the last chorus is recommended.
Try singing with a touch of heartache, imagining yourself gently swaying along with the feeling.


