A masterpiece by William Walton. Popular classical music.
Sir William Walton, a composer of modern British music in the 20th century.
Not limited to pure classical music, his works—often arranged as concert suites of film scores or performed by wind bands—are frequently played, earning him tremendous support from a wide audience beyond just classical music fans.
Drawing on a variety of contemporary musical styles, his pieces are crisp, stylish, and richly expressive, yet approachable.
Here is a list of Walton’s works.
I’d be delighted if you discover just how many masterpieces there are beyond the well-known ones.
Now, please enjoy the world of William Walton!
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Masterpieces by William Walton: Popular Classical Music (11–20)
From the Viola Concerto, Movement III: Allegro moderatoWilliam Walton
Let me introduce a famous piece that features the viola, created by the British composer Sir William Walton, well known for his film scores and wind band works.
This Viola Concerto was composed for Lionel Tertis, one of the leading violists of the early 20th century.
Although the viola plays an important role in the orchestra, it rarely takes the spotlight, and despite some notable works, the frequently performed repertoire was not extensive.
Walton, however, produced a memorable, accessible, and stylish masterpiece.
The concerto is in three movements, and this is the third and final movement.
It begins with a solo passage for timpani and bassoon with orchestral accompaniment, after which the viola solo enters, taking over the melody.
A forceful tutti section appears in the middle, and the piece concludes by returning to the viola solo, ending with double stops.
It’s an especially recommended masterpiece for players looking for a viola concerto.
Suite ‘Henry V’William Walton
A masterpiece by a composer who represents the British music scene.
It is based on music written for the film Henry V and showcases William Walton’s talent to the fullest.
It superbly captures the gravitas of Shakespeare’s work and its historical setting, further enhancing the film’s most moving scenes.
Since the film’s release in 1944, it has also been popular as a standalone suite, widely loved by classical music fans.
Characterized by grand, powerful orchestration, it skillfully depicts the film’s world through music.
The work is praised for its artistic quality that transcends the bounds of film music, making it a highly recommended piece even for those new to classical music.
façadeWilliam Walton
This work brilliantly captures the vibrant bustle of a British port town through music.
With extensive use of irregular rhythms and syncopation, it vividly portrays the lively lives of 18th-century sailors.
One can sense the influence of Stravinsky and jazz, bringing a fresh breeze to the musical world of its time.
Since its premiere in Zurich in June 1926, the piece has earned international acclaim and continues to be cherished by many orchestras today.
It is a recommended choice for those seeking new allure in classical music or wishing to savor the atmosphere of a port town through sound.
Overture “Richard III”William Walton
Composed by William Walton for the film Richard III, this piece expresses a grand and tragic narrative through music.
Based on Shakespeare’s play, it portrays Richard III’s ambition and intrigue—and his final catastrophic fate—through powerful orchestration.
With skillful use of brass and percussion to depict the chaos of war and struggles for power, it also weaves in melodies that symbolize the characters’ tragic destinies.
Since the film’s 1955 release, it has become a beloved work in classical concert halls.
Highly recommended for those interested in Shakespeare or historical drama, and for anyone who wants to experience the allure of film music.
Symphony No. 1 in B-flat minor, Movement II: Scherzo: Presto con maliziaWilliam Walton
A masterpiece that breathed new life into the world of classical music—this is that piece.
Marked by powerful, razor-sharp rhythms and an instruction to play “with malice,” it conveys a sense of irony and mockery.
Dominated by a rapid tempo and incisive pulses, it exudes instability and an ominous atmosphere.
At its premiere on November 6, 1935, at London’s Queen’s Hall, it received high praise from both audiences and critics.
It’s recommended not only for fans of classical music but also for those interested in contemporary music.
It is acclaimed as a work of deep expressiveness that reflects the turbulent social climate of the 20th century.
Symphony No. 1 in B-flat minor, Movement III: Andante con malinconiaWilliam Walton
The third movement of William Walton’s Symphony No.
1 is a masterpiece that exudes a serene, introspective atmosphere.
As indicated by its title, which means “with a sorrowful tread,” the movement has a melancholic character.
The orchestration, rich in expressive nuance, draws out complex emotions, with the string, woodwind, and brass sections intertwining skillfully.
The work received its premiere at Queen’s Hall in London in November 1935.
Encouraging quiet introspection, this movement is recommended for those who wish to savor deep emotional expression.
The Jewel and the ScepterWilliam Walton
This is a march composed to celebrate the coronation of Elizabeth II.
It is characterized by a brilliant and majestic atmosphere, beginning with a trumpet fanfare and building a grand sonority with the full orchestra.
The middle section unfolds into a gentle passage led by the string ensemble, and the piece concludes with a rapid coda.
Cherished as ceremonial music associated with the British Royal Family, it has been performed at many official events.
This work is a masterpiece that leaves a powerful impression, evoking the dignity of the monarchy and a sense of national unity.
It is recommended not only for classical music enthusiasts but also for those interested in British culture and history.
Funeral March from the film HamletWilliam Walton
This is one of William Walton’s signature works, whose majestic melodies strike straight to the heart.
Composed for the film Hamlet, it accompanies the funeral scene of the protagonist’s father.
Notable for its weighty orchestration, it powerfully conveys grief and a sense of loss.
The piece communicates emotion through music rather than words, heightening the film’s tragic atmosphere.
Used in the 1948 release, it was later arranged for concert performance.
It’s a recommended listen for those interested in Shakespeare’s works or the allure of film music.
Variations on a Theme by HindemithWilliam Walton
Composed as an homage to Hindemith’s music, this set of variations can be considered a masterpiece from the late period of William Walton’s output.
Consisting of nine variations and a finale, it incorporates Hindemith’s musical elements while showcasing Walton’s distinctive expressive voice.
Premiered on March 8, 1963, by the Royal Philharmonic Orchestra, the work conveys the deep friendship between Walton and Hindemith.
Its masterful orchestration and the individuality of each variation are particularly compelling, making it a must-hear for anyone interested in twentieth-century classical music.
Major BarbaraWilliam Walton
This work magnificently captures the essence of the film through its grand music.
Rooted in classical forms, it features striking melodies and harmonies that closely follow the story.
William Walton’s mastery of orchestration is on full display, unfolding music that is at times brilliant and powerful, and at other times quiet and lyrical.
Although the film has never been released in Japan, this piece—composed for the 1941 British film “Major Barbara”—was completed as planned despite the impact of the war.
It’s a highly recommended piece not only for classical music enthusiasts but also for those interested in film scores.