A collection of Western songs with titles that start with “W”
When it comes to songs with titles that start with “W,” do any come to mind?
We don’t usually pay attention to the first letter of a song title, so it might be hard to think of examples right away.
That said, when it comes to English words starting with “W,” there are interrogatives like “What,” “Where,” and “Who,” and just from those alone, there must be plenty of songs!
There are also words like “Walk,” “Wonder,” and “Word,” which all sound like they could appear in song titles.
In this article, I’ll introduce lots of songs with titles that start with “W.”
By searching for music from a perspective you might not have considered before, you may discover new tracks.
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Compilation of Western songs with titles starting with “W” (91–100)
would’ve been yousombr
A painfully beautiful love song about realizing that the only thing that could have saved you was the love you lost.
Released in November 2023 by New York–based singer-songwriter Sombear, the track features dreamy guitar tones and richly layered soundscapes, resulting in an indie-rock piece that evokes influences like The 1975 and Bon Iver.
The lyrics repeatedly voice a regretful resignation—“If anyone could have saved me, it would’ve been you”—laying bare a persistent longing for what might have been.
Started from a drum loop in a home studio and completed with producer Flawed Mangoes, the song has surpassed 100 million streams on Spotify.
It’s the kind of track you’ll want to play when memories of past loves and dear ones surface, gently cradling the aches of youth.
Wishing WellTerence Trent D’Arby
Terence Trent D’Arby shocked the late-’80s Western music scene with his overwhelming vocal prowess and multifaceted talent.
Embracing a progressive soul style that fluidly traversed R&B, soul, funk, and rock, he released his debut album, “Introducing the Hardline According to Terence Trent D’Arby,” in 1987, which reached No.
1 in the UK.
In 1989, he won the Grammy Award for Best Male R&B Vocal Performance and also took home the BRIT Award for International Newcomer.
As a multi-instrumentalist who handled songwriting, composition, arranging, and production, he established international acclaim with his charismatic stage presence.
As a pioneer of crossover soul who opened up new possibilities for Black music, his work is highly recommended for anyone seeking a soulful yet sophisticated sound!
Where Do Broken HeartsWhitney Houston
It’s a ballad from the 1987 album “Whitney,” and in fact, the lyrics portray November as a pivotal time.
Memories of a former lover are tied to November, and while carrying a wounded heart, the song poignantly asks, “Could we start over again?” Released as a single in 1988, it reached No.
1 on the Billboard Hot 100, marking Whitney’s unprecedented seventh consecutive chart-topper.
Her vocals, starting restrained and gradually opening up, convey both the pain of heartbreak and the hope of reunion.
It’s a perfect song for the atmosphere of November, as autumn fades into winter.
What You Won’t Do for LoveBobby Caldwell
Bobby Caldwell is one of the singers who represents AOR and blue-eyed soul.
Although he was white, he gained popularity with an authentic R&B sound.
Among his works, this song is surely the timeless classic that continues to shine.
Its straightforward and passionate message—doing anything for the one you love—really strikes a chord.
The smooth melody and distinctive horn section create a sophisticated, romantic mood.
Released as a single from his debut album “Bobby Caldwell” in September 1978, it’s also famous for the anecdote that it was written in just two days.
I think it’s a perfect song for a leisurely holiday atmosphere.
Weep for NothingMayhem
Mayhem, known as the progenitors of Norwegian black metal, have continued to pursue extremity in their music even more than 40 years after forming in 1984.
Released in November 2025, this work was unveiled ahead of the album “Liturgy of Death,” slated for release in February 2026.
Centered on themes of nihilism and an ode to death, the track slices through the air with Attila Csihar’s vocals—shifting between feral growls and operatic singing—and Hellhammer’s precise blast beats.
The structure, which transitions from a breakneck opening section into a doom-laden latter half, brilliantly fuses the band’s cold-blooded precision with their experimental edge.
It’s a must for black metal fans and a compelling listen for anyone interested in extreme musical expression.