A stylish and cool Android commercial song [2026]
Android, the smartphone OS developed by Google, has now become indispensable for many users.
With new features being added daily and new Android smartphones being released, we often see Android commercials on TV each time.
Many Android commercials use stylish, sophisticated visuals, and the music played in them is often cool as well, frequently becoming a hot topic among viewers!
In this article, we’ll introduce all the songs featured in Google’s Android commercials and in commercials for Android-equipped smartphones.
If there’s a song you heard on TV that caught your attention, try looking it up!
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Stylish and Cool Android Commercial Songs [2026] (61–70)
C.O.S.M.I.C LoveKawaguchi Yurina

Yurina Kawaguchi, who is active as a model, actress, and singer, appears in the commercial “Smartphone Debate – Both” for the foldable smartphone Galaxy Z Flip4.
Kawaguchi also performs the CM song, with her track “C.O.S.M.I.C Love,” released digitally in July 2023, being featured.
The lyrics are entirely in Korean, and the retro-pop melody line, which evokes a hint of nostalgia, sticks in your ears.
Kawaguchi’s cute vocals match perfectly, making it a number that naturally gets your body moving to the rhythm.
TOUCH MEMaya Hatch
This is the ‘TOUCH ME’ edition of the GALAXY Note Edge.
The CM song features ‘TOUCH ME’ sung by Seattle-born singer Maya Hatch.
The guitar is played by Takeshi Honda, guitarist of the rock band PERSONZ.
It matches the stylish and elegant vibe of the commercial very well.
Satomi Ishihara looks beautiful…
Don’t Cha ft. Busta RhymesThe Pussycat Dolls

In the Galaxy Z Flip5 commercial titled “Now, Toward Freedom,” it’s highlighted that “With the Galaxy Z Flip5, you can even do things like this!!,” showcasing capabilities that weren’t possible with previous smartphones.
The stylish visuals are accompanied by a high-sense BGM: an arranged version of “Don’t Cha ft.
Busta Rhymes” by The Pussycat Dolls.
The mood differs greatly from the original track, giving a more refined impression.
Sunshine Girlmoumoon

In the Xperia campaign Transform Your Xperia, rolled out by Sony Ericsson and MTV, collaborations with artists and designers from around the world were realized.
Through customizable covers, numerous TV commercials, and giveaways for purchasers, the campaign conveyed the impression that Xperia was showcasing the breadth of its support.
One of the songs used in the Transform Your Xperia commercials was Sunshine Girl, a signature track by moumoon.
Its structure—layering a deep, resonant drum sound with a buoyant, light vocal—creates a uniquely floating sensation.
VOICES Hatsune Miku ver.tilt-six feat. Hatsune Miku

Speaking of Xperia, it evokes the image of being packed with Sony’s latest technology, and the term “cutting-edge technology” also sparks the imagination of the digital world.
This commercial conveys that evolution in technology with a mysterious worldview where Hatsune Miku darts between the realms of digital and reality.
For this imagery that evokes digital advancement, the Hatsune Miku version of “VOICES,” a staple Xperia CM song, has been used.
By layering a digital vocal over a floating, digital sound, it expresses a sense of expanding world.
Reefa (feat. AD.AM, i.t, IzzyOT & M1llz)Ekayz

A commercial introducing the translation feature built into chats on the Galaxy S24 Ultra.
When a Korean person shows a chat on the Galaxy S24 Ultra to an American man, it demonstrates how simply tapping “Tap to translate” instantly translates the conversation.
It’s a handy feature that removes language barriers.
The first half features the beautiful vocals of “Vissi d’arte, vissi d’amore,” and the second half uses “Reefa (feat.
AD.AM, i.t, IzzyOT & M1llz)” by Manchester rapper Ekayz.
It’s a stylish track with a strikingly cool beat.
Sky of GugutasuAKB48

This is the song used in the 2012 SAMSUNG docomo NEXT series Galaxy Nexus Pure Google “Google+ AKB48 Gugutasu Senbatsu” commercial.
Sixteen members of AKB48 selected for Gugutasu appear in the ad and also perform the song.



