[Ghibli] Timeless Ghibli Classics in Classical Arrangements: The charm of Ghibli music performed with live instruments
Classical music and Ghibli.
At first glance, this combination may seem worlds apart, yet it’s quietly sparking a boom among music fans.
Ghibli’s beloved melodies, performed on classical instruments like the piano and violin, bring us new allure and profound emotion.
While preserving the warmth and tenderness of the originals, the grandeur and delicacy unique to classical music are added, creating a fresh experience that feels like listening to an entirely different story.
Experience for yourself how those famous tunes you know so well are reborn through classical arrangements.
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[Ghibli] Classic arrangements of Ghibli’s famous songs: the charm of Ghibli music performed with live instruments (21–30)
Que Sera, Sera (Whatever will be, will be)Jay Lavingston & Ray Evans

From “My Neighbors the Yamadas.” Used as an insert song.
The original is by Doris Day, the lead actress of the 1956 film “The Man Who Knew Too Much.” It is also known as “Whatever Will Be, Will Be.” Peggy Hayama covered it in Japanese and performed it at the 7th NHK Kōhaku Uta Gassen.
In the same film, versions by the Yamada family members and by Mr.
Fujiwara with the classmates are used as insert songs.
Set to a cheerful triple-meter rhythm, it delivers an uplifting message that “whatever will be, will be,” making it a song that gives you energy.
Fine On The OutsidePriscilla Ahn

From When Marnie Was There.
Priscilla Ahn is an American singer-songwriter who debuted in 2008.
A devoted fan of Studio Ghibli’s films, she was invited to perform a Christmas concert at the Ghibli Museum, Mitaka in 2013, and through that connection was chosen to sing the theme song for the film.
The lyrics, which mirror the feelings of a girl who doesn’t fit in—echoing the film’s protagonist—reflect the loneliness Ahn herself felt during her school years.
It’s a memorable piece, marked by a whispery vocal delivery and a tone tinged with melancholy.
[Ghibli] Timeless Ghibli Classics in Classical Arrangements: The Allure of Ghibli Music Performed on Live Instruments (31–40)
Arrietty`s SongSimon Caby

From The Secret World of Arrietty.
Cécile Corbel is a French singer-songwriter and harpist—an artist who sings while playing the harp.
She also wrote the lyrics and composed the music for this piece.
She became responsible for the film’s theme song after she sent Studio Ghibli a letter saying she had long been a big fan of Ghibli films and that her music was influenced by them, along with a CD of her work.
She also handled the score for the film, and the sound of the Celtic harp creates a fantastical atmosphere.
Because she sings in Japanese, her pronunciation sometimes sounds indistinct; paradoxically, that enhances the otherworldly feel and results in a song unlike any before.
Cécile’s clear, pure vocals and the slightly wistful melody fit the film beautifully.
Symphonic Poem“NAUSICAÄ”Hisaishi Joe

Ghibli music usually gives a heartwarming impression, but this Nausicaä piece feels completely different no matter how many times I listen to it.
Even so, it’s filled with gentleness and poignancy, and it moves me to tears.
The piano delivers an incredibly beautiful melody.
THE WIND RISES The Wind Rises From the film “The Wind Rises”Hisaishi Joe

This one also has a nostalgic feel that brings to mind scenes from a movie.
It’s sweet and bittersweet, and I find myself wanting to listen to it over and over.
With the imagery from the film in mind, every time I hear the music I can’t help but think of it, and the tears naturally start to flow.
I want to listen to it again.
“Princess Mononoke” Fantastic Scene (Wind Orchestra)Hisaishi Joe

This one is easy to listen to and has turned into really great music.
This version is also one of my favorites.
It’s a cool piece of classical music that I really like.
It reminded me of the movie scenes and made me watch Princess Mononoke again without thinking.
“Nausicaä of the Valley of the Wind” – Highlights –Hisaishi Joe

There may be no piece more perfectly suited for orchestral performance than Nausicaä.
It’s great that we can enjoy so many different versions.
This one is a well-rounded piece of music that feels reassuring to listen to.
It has a lovely melody.


