Debussy’s masterpiece. Popular classical music.
We introduce the works of Claude Debussy, a composer who represents France.
You can immerse yourself in the world of Impressionist music, which evokes abstract images of landscapes and people, through pieces such as Clair de Lune, Rêverie, and The Girl with the Flaxen Hair.
While he is often associated with piano and orchestral compositions, there are also many vocal works in which Debussy’s youthful talent shines—such as Nuit d’étoiles—composed when he was just 18.
Let yourself be captivated for a while by the beautiful melodies crafted by this great master of modern French music.
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Debussy’s masterpieces. Popular classical music (31–40)
Suite ‘Mirrors’: A Boat on the OceanClaude Debussy
How about a piano piece that carries a cool breeze on a summer afternoon? The opening movement of Claude Debussy’s Petite Suite for piano four hands offers a gentle, beautiful melody that evokes a small boat gliding gracefully across the water and sinks deep into the heart.
Sparkling light and the rippling of water seem to come into view, as if enjoying an Impressionist painting rendered in sound.
First performed in February 1889 in a piano four-hands rendition with the composer himself participating, the work is said to have been influenced by the poetry of Paul Verlaine.
It was later arranged for orchestra in 1907, which has its own distinct charm.
Rich in poetic atmosphere that helps you forget the heat, this piece is perfect for those who wish to enjoy music quietly or add a beautiful accent to everyday life.
The gentle resonance of the piano is sure to bring a most pleasant time.
Symphonic Poem “La Mer”: Three Symphonic Sketches — III. Dialogue of the Wind and the SeaClaude Debussy
This is the climactic movement from Claude Debussy’s orchestral masterpiece La Mer, a work that brilliantly renders the ocean’s grandeur and mystery in sound.
In this piece, a powerful yet beautiful natural drama unfolds as if the wind and sea are conversing.
The surging strings, the piercing timbres of the woodwinds, and the brass and percussion in unison create a vividly compelling sonic tableau.
Premiered in October 1905, the work carries a refreshing coolness that seems to make one forget the summer heat.
It is recommended for those who wish to immerse themselves in the orchestra’s rich palette of colors, as well as for listeners who want to experience the grandeur of classical music through wind band arrangements and other adaptations.
Symphonic Poem “La Mer” — From Three Symphonic Sketches, II. “Play of the Waves”Claude Debussy
An orchestral piece composed by Claude Debussy, it feels like a scene cut from the sea.
The lightly bouncing melodies woven by the strings and woodwinds vividly evoke sunlit, glittering waves and the playful motion of the surf.
Simply listening makes you feel as if a cool sea breeze were brushing your cheeks.
The cover of the first edition featured a ukiyo-e print by Katsushika Hokusai.
While its 1905 premiere received mixed reactions, a 1908 performance conducted by the composer himself earned high acclaim.
The sonorities of this work are said to have influenced later pieces, including the film Jaws.
It is recommended for those seeking a refreshing experience in the hot season or anyone who wants to immerse themselves in a richly colored world of sound.
dreamClaude Debussy
Composed in 1890 by the French composer Claude Debussy, the allure of this piece lies in its gentle, dreamlike sonorities.
Structured in an A–B–A ternary form, it features a singing melody that flows over beautiful arpeggiated accompaniment.
In the middle section, chorale-like harmonies appear, offering a dramatic character before returning to tranquility.
The work’s tonality is ambiguous, and its soft, fade-out ending leaves a dreamy afterglow.
It is recommended for those seeking peace of mind on a hot summer day or for anyone who wants to enjoy the rich colors of Impressionist music.
With a performance time of about four minutes, it’s an ideal piece for a relaxing moment.
Petite Suite: I. En bateauClaude Debussy
In the heat of summer, let me introduce a piano duet by Claude Debussy that feels like a refreshing breeze for the soul.
First performed together by Debussy and his publisher’s representative in February 1889, this work opens a suite of four short pieces.
Its gentle, beautiful melody evokes a small boat gliding serenely over the water—utterly enchanting.
Though it has no lyrics, it is said to have been inspired by poems of Verlaine, and it conjures images of a boat drifting under moonlight, along with an elegant atmosphere from a distant era.
The shimmering piano timbres wrap the listener in a pleasantly cool calm.
The orchestral version is also well known, offering an even richer palette of colors, and you might even hear it as background music in public spaces.
Do give it a listen when you’re a bit worn out from the heat or when you want to settle your mind in quiet.
As Debussy intended for the salon—‘not too heavy and not too short’—it allows you to slip easily into a graceful mood.
Debussy’s masterpieces. Popular classical music (41–50)
Golliwog’s CakewalkClaude Debussy
“Golliwogg” is a fictional black boy character featured in a picture book created by the British children’s author and illustrator Florence Kate Upton in the late 19th century, and “cakewalk” is a type of dance originating in Black communities.
As a dance piece, it is characterized by a lively, upbeat, and lighthearted atmosphere, but in the middle section a melody with unusual motion appears.
There is syncopation in the right-hand movement, and this syncopated rhythm represents the rhythm of the cakewalk.
As it later connects to what became blues, jazz, and gospel, it’s a piece you can enjoy even more when listened to in that broader context.
Bergamasque Suite No. 4 “Passepied”Claude Debussy
Claude Debussy is a popular composer in Japan as well.
Among his many masterpieces, one I particularly recommend is “Suite bergamasque, No.
4: Passepied.” In terms of difficulty, if you can play Czerny’s Op.
40, you should be able to perform this without much trouble.
Because this piece must be played lightly with crisp staccato throughout, missed notes are of course unacceptable, and rhythmic instability is also strictly off-limits.
Though it’s a relatively minor work, I believe it’s even better than the “Menuet” for showcasing your technique.
