Debussy’s masterpiece. Popular classical music.
We introduce the works of Claude Debussy, a composer who represents France.
You can immerse yourself in the world of Impressionist music, which evokes abstract images of landscapes and people, through pieces such as Clair de Lune, Rêverie, and The Girl with the Flaxen Hair.
While he is often associated with piano and orchestral compositions, there are also many vocal works in which Debussy’s youthful talent shines—such as Nuit d’étoiles—composed when he was just 18.
Let yourself be captivated for a while by the beautiful melodies crafted by this great master of modern French music.
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Debussy’s masterpieces. Popular classical music (41–50)
Bergamasque Suite No. 2 “Minuet”Claude Debussy

One of the pieces from Claude Debussy’s Suite bergamasque that exudes a light, charming character.
Marked by its elegant 3/4 rhythm, it draws on a classical dance form while incorporating Debussy’s distinctive impressionistic elements.
Conceived around 1890 and published in 1905, this work showcases the brilliance of Debussy’s early talent.
Gentle melodies alternate with powerful chord progressions, instilling in listeners a sense of elegance and transience.
Even piano beginners can fully savor Debussy’s unique sound world through this piece.
Debussy’s masterpieces. Popular classical music (51–60)
Petite Suite No. 4 “Ballet”Claude Debussy

A work for piano four hands by Claude Debussy, a composer who epitomizes French Impressionist music.
Characterized by sparkling rhythms and elegant melodies, this piece is imbued with an atmosphere reminiscent of a courtly ballet ball.
The fourth movement, “Ballet,” stands out for its vivid musical expression and a waltz rhythm that shifts partway through, drawing listeners into a world of graceful dance.
When Debussy premiered the work at a Paris salon on March 1, 1889, its bright and lively musicality surely captivated the audience.
It’s a recommended piece not only for those who enjoy piano duets but also for anyone seeking festive, approachable classical music.
Two Arabesques No. 1 in E majorClaude Debussy

A graceful piece in which a gentle triplet melody is elegantly voiced, with striking chords weaving a beautiful sonority within a flowing, relaxed pace.
The polyrhythms between the right and left hands create a sense of vitality, and the middle section is enveloped in a dreamlike atmosphere.
Composed in 1888, this work achieves a splendid balance between light rhythms and lyricism, making it an ideal choice for those aiming to improve their performance technique.
The natural flow indicated by the tempo marking Andantino con moto is sure to captivate audiences at recitals.
Although it features somewhat complex chord progressions and independent motion in both hands, its difficulty level can be mastered with careful practice.
Consider adding it to your repertoire.
Little Suite, Movement I: “En bateau” (In a Boat)Claude Debussy

This piano duet features an elegant melody floating over wave-like broken chords.
Composed by Claude Debussy in 1886, the piece draws inspiration from the poetry of the French poet Verlaine, delicately depicting a boat drifting on the water’s surface and the shimmering play of light on the waves.
Its appeal lies in the rich sonorities woven by two performers and the colorful expressiveness born of freedom in interpretation.
The gently lyrical melody and softly undulating accompaniment blend beautifully, creating a poetic world like a painting.
Offering both the dynamic range unique to four-hand performance and finely nuanced breathing, this gem of a piece commands presence in concerts and recitals.
Enjoy a work that invites you to immerse yourself in the allure of Impressionist music as the performers synchronize their breath and phrasing.
Little Suite: IV. BalletClaude Debussy

Composed between 1888 and 1889, this work for piano four hands captivates with its brilliant, flamboyant atmosphere.
Its lively rhythms and bright melodies evoke the elegant ballroom scenes enjoyed by the aristocracy of the Rococo era.
Though rhythmically energetic and full of vitality, the piece’s graceful expression is heightened by a clear awareness of rests and a steady tempo.
Later arranged for orchestra by Henri Büsser under the supervision of Claude Debussy, it gained new allure.
This work, which fully showcases the appeal of piano duet playing, is perfect for performance with close musical partners who can listen closely to each other, as it demands well-matched ensemble.
Préludes, Book I: Sails/VeilsClaude Debussy

This piano piece, rich in resonance and imbued with a dreamlike atmosphere, evokes images of billowing sails and the shimmering of veils.
Published in 1910, it is characterized by distinctive harmonies employing the whole-tone scale, beginning with gentle parallel thirds and concluding with a serene afterglow.
Its free form and innovative harmonic progressions create a floating sound world liberated from traditional tonality.
With a relaxed tempo, few virtuosic demands, and a simple structure that nonetheless offers abundant expressive depth, this work is recommended for those seeking narrative music or wishing to explore the allure of Impressionism.
Its approximate duration of three minutes and thirty seconds makes it approachable, and it provides a full taste of Claude Debussy’s musical world.
Preludes, Book I: The Sunken CathedralClaude Debussy

This is an evocative piano piece that depicts a majestic cathedral emerging from a mysterious mist.
Inspired by the “Legend of Ys” from Brittany, France, it was composed in 1910.
Beginning in deep silence, distant bells resound and a solemn chant seems to be heard, creating a fantastical scene rendered in rich timbres.
The work’s allure lies in its layered chords that combine gentleness with strength, and in the natural flow of shifting sonorities.
A quintessential piece by Claude Debussy, who paints painterly worlds through music, it lends itself to being performed at a relaxed tempo while cherishing the resonance of the harmonies.
It is recommended for those who wish to experience music rich in narrative or savor the beauty of overlapping sounds.


