[2026] Easy J-Pop and Japanese Rock Songs Recommended for Beginner Bassists
The idea that bass is a plain, background position is a thing of the past.
In fact, there have always been countless stars—both overseas and in Japan—who show us the appeal of low-end with their incredibly cool bass playing.
That said, recent J-POP and Japanese rock often feature complex rhythm patterns, and some of you may have tried picking up the bass only to find it too difficult and ended up giving up.
So this time, we’re introducing classic J-POP and Japanese rock tracks that feature simple yet cool bass lines—perfect for beginner bassists who’ve gotten the basics down and are ready for a challenge.
Master these songs and take the next step beyond beginner!
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[2026] Easy J-POP and Japanese Rock Recommendations for Beginner Bassists (51–60)
orangeChatto Monchī
In the J-POP scene—where girl bands are often equated with idols—Chatmonchy, a rock band known for their powerful sound and high-quality songs, gained strong support with their sixth single.
Used as an ending theme for the TV anime BLEACH, this track moves the heart with its lyrical lyrics and melody, along with dynamic arrangements.
With a relaxed beat and bass lines centered on root notes, it’s beginner-friendly for bassists.
If possible, playing with fingerstyle will produce a rounder tone, but if that’s difficult, it’s a good idea to start by learning with a pick.
Third eyethe pillows
This is the 23rd single by the three-piece rock band the pillows, which has gained popularity overseas and continues to influence many bands through unconventional activities—such as producing the film “Become the King” for their 30th anniversary as a way to convey the band’s appeal to future generations.
It’s a lead single from their 13th album, “MY FOOT,” featuring an ear-catching, catchy guitar riff and a cool, emotional melody.
It’s generally easy to play with simple root-note bass lines, but because there are many breaks and the rhythm can easily go off, it’s important for beginner bassists to focus on staying locked to the beat rather than the phrasing.
With its driving feel, it’s also a great number for live performances.
Shangri-LaChatto Monchī
Chatmonchy was a rock band that had a major influence on the girls’ band scene after 2000 but sadly disbanded in 2018.
Their third single, Shangri-La, is one of their signature songs and was used as the ending theme for the TV anime Hataraki Man.
The phrases themselves aren’t difficult, but if you’re not used to the octave technique in the chorus, it’s hard to keep the rhythm, so practice is necessary.
Also, in the chorus’s irregular time section, be sure the whole band stays locked in so you don’t drift apart.
GLAMOROUS SKYNakajima Mika
Mika Nakashima is a singer-songwriter who showcases her talents across a wide range of fields, including music, acting, and voice acting.
The song “GLAMOROUS SKY,” released under the name NANA starring MIKA NAKASHIMA, became a major hit as the theme song for the film NANA.
While the bassline is based on root notes, it also includes intricate phrases; since the tempo isn’t very fast, it’s approachable even for beginner bassists.
It’s a song where ensemble cohesion is essential, so be sure to listen to the other parts and play carefully to keep the tempo steady.
Supernova9mm Parabellum Bullet
This is the debut single by 9mm Parabellum Bullet, a four-piece rock band that energetically delivers songs blending nostalgic melodies with aggressive sounds like metal and punk.
Released as a double A-side single with “Wanderland,” the track was used as the opening theme for the music variety show “Music Fighter.” The bass features many lines that add accents within root-note playing, and the fast tempo means beginner bassists need to pay attention to keeping the rhythm steady for each phrase.
Additionally, the bass is responsible for outlining the harmony during sections like the interlude, so be sure to practice thoroughly.