[2026] Easy J-Pop and Japanese Rock Songs Recommended for Beginner Bassists
The idea that bass is a plain, background position is a thing of the past.
In fact, there have always been countless stars—both overseas and in Japan—who show us the appeal of low-end with their incredibly cool bass playing.
That said, recent J-POP and Japanese rock often feature complex rhythm patterns, and some of you may have tried picking up the bass only to find it too difficult and ended up giving up.
So this time, we’re introducing classic J-POP and Japanese rock tracks that feature simple yet cool bass lines—perfect for beginner bassists who’ve gotten the basics down and are ready for a challenge.
Master these songs and take the next step beyond beginner!
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[2026] Easy J-POP and Japanese Rock Recommendations for Beginner Bassists (51–60)
Jet CarrotGO!GO!7188
GO!GO!7188 is a three-piece rock band that won fans with songs that fuse a wide range of musical styles with melodies that evoke traditional Japanese vibes.
Their second single, “Jet Ninjin,” sticks in your ears with impactful lyrics and a somewhat nostalgic ensemble.
The bass line moves around a lot, so it’s important to learn it thoroughly—but it’s a perfect new challenge for beginner bassists.
If you also sing the chorus like in the original, the difficulty goes up even further, making it a rock tune that will definitely level you up if you can play it through.
Crimson Lotus FlowerLiSA
This is the 15th single by female singer LiSA, written as the opening theme for the TV anime Demon Slayer: Kimetsu no Yaiba, which became a social phenomenon.
Backed by the anime’s popularity, the song drew huge attention and became a massive hit—you practically couldn’t go a day without hearing it between 2019 and 2020.
The bass line is basically simple root playing, but because there are many unison lines and accent hits with the guitar and drums, it’s important to play without falling behind the tempo.
Be conscious of when to let notes ring and when to cut them off; playing tightly will give the bass more presence.
For beginner bassists, practice with attention to dynamics as well as technique.
Since I was littleJUDY AND MARY
JUDY AND MARY were explosively popular in the 1990s, announced their breakup in 2001, and are still talked about today in the Reiwa era as a legendary presence.
Their sound, born from the clash of four members with distinctly different looks and personalities, is catchy yet far from straightforward, and many people likely found it difficult when they tried to cover their songs.
A track I’d recommend with the assumption that you’re a beginner on bass is the 1995 single “Chisana Koro Kara.” It’s a beloved song that was performed even in their later live shows, and a masterpiece of a bittersweet medium-tempo ballad.
Bassist Kaoru Ondo, who also composed the song, sticks to a very simple root-based approach here, making it approachable even if fast, complex fingering is still tough for you.
As for the bold glissando playing before the guitar solo—go all in and nail it with no hesitation!
TRUE BLUELUNA SEA
Formed in 1989, LUNA SEA is a band that created numerous legends in the 1990s music scene, transcending the so-called visual kei framework.
Although they disbanded in 2000, after regrouping they gained many fans among younger generations as well, and today they are a living legend, earning overwhelming support not only from music fans but also from fellow musicians.
J, LUNA SEA’s bassist, is one of the figures who shattered the stereotypical image of the bassist as “somewhat a subdued position,” and even now in the Reiwa era, there are surely many people who started playing bass because they admire him.
J’s bass playing can either remain firmly supportive as the foundation or move around like a lead instrument.
For beginner bassists, the recommended song is the classic TRUE BLUE.
Composed by J himself, it’s an aggressive, uptempo track characteristic of his style, yet the bass line is largely built on root notes and kept relatively simple.
It’s a great piece to challenge yourself with to get accustomed to fast tempos.
For pick players, it also serves as practice for precise alternate picking, and in the accent hits, be sure to lock in tightly with the drums for a crisp, tight performance.
Kaiju no Hanabuta (Monster’s Flower Song)Vaundy
In May 2020, Vaundy delivered an uplifting anthem of youth that stirs the heart toward a hope-filled future.
Featured on the album “strobo,” the song weaves a story that revisits innocent dreams and passions, using a “song” that lingers in the heart alongside precious memories as its motif.
Its sound—marked by powerful beats and catchy melodies—was also used in commercials for Maruha Nichiro’s WILDish series, and its live-ready energy is a major draw.
It was performed at the 2022 year-end Kohaku Uta Gassen, captivating many listeners.
It’s also great for bass practice; check out practice videos on YouTube and other platforms!