Even beginners can play them easily on the piano! A curated selection of popular and latest J-POP songs.
The piano has such a beautiful tone, and depending on how you play it, it’s a captivating instrument that can produce a grand, resonant sound.
These days, we’re seeing more videos of people casually playing popular J-pop songs at home, as well as impressively performing on street pianos.
Maybe some of you are thinking, “I want to play like that too!”
In this article, we’ll introduce easy-to-play J-pop songs on the piano—perfect for complete beginners or those who’ve just started—along with some of the latest hits.
If you want to try playing your favorite songs or expand your repertoire, be sure to use this as a reference.
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Even beginners can easily play these on the piano! A curated selection of popular and latest J-pop songs (41–50)
Kanata HarukaRADWIMPS

Kanata Haluka by RADWIMPS, the theme song for Makoto Shinkai’s film Suzume, features a simple, warmly nostalgic melody that pairs beautifully with the piano.
Start by practicing the right-hand melody, which is easy on the ears and memorable, then add the left-hand bass notes to keep the beat.
To build to a powerful chorus, play the other sections gently; adding clear dynamics will help evoke the film’s emotional grandeur in your performance.
Biri MillionYuuri

Yuri’s “Biri Million,” with lyrics that charmingly portray a heartwarming exchange between an old man and you, leaves a strong impression.
It’s a simple song that makes you reflect deeply on life.
Because it repeats the same melody often and has a relatively narrow range, it should be fairly easy to play on the piano.
The instrumental interlude and the section later on where the sense of beat changes are a bit more challenging, so first master the opening part thoroughly, then steadily polish the whole piece.
Also, be careful not to make the mood too heavy by playing too cautiously—keeping it light and airy is key!
SubtitleOfisharu Higedan Dism

Official HIGE DANDism’s “Subtitle,” with its melody full of poignant emotion, captivates listeners’ hearts.
Released in 2022, the song was chosen as the theme for the much-talked-about drama “silent.” Because the groove is a shuffle and the vocal line features many triplets, you need to be careful with how you play it.
It’s important to follow the sheet music closely, but practicing while listening carefully to the original track is recommended, as it makes it easier to form a clear image.
Keep the A and B sections quiet, then build to an explosive lift in the chorus for a performance that truly moves the audience.
Family SongHoshino Gen

Gen Hoshino’s number “Family Song,” which wishes for the happiness of a cherished family.
Released in 2017, this song was used as the theme for the TV drama “Overprotected Kahoko.” With its perfectly balanced tempo—not too fast and not too slow—and its bright melody, it’s a piece you can enjoy practicing.
Start by having your left hand play just the root notes, which are the foundation of the chords, keeping time with the rhythm.
There are a few intricate melodic lines, but it’s fine to begin by practicing the whole piece slowly; once you get used to it, gradually work up to the original tempo.
Senbonzakura feat. Hatsune MikuKurousa-P

Senbonzakura is a piece that every keyboardist wants to try playing at least once.
Released in 2011, it was produced by the Vocaloid producer Kurousa-P.
The flurry of sixteenth notes within its fast tempo gives it an exhilarating feel—satisfying both to play and to listen to.
The melody leaves a strong impression that sticks with the audience, which is another noteworthy point.
Because the tempo is so fast, you need to be careful not to drop any notes.
Until you’re comfortable, practice slowly so you can reliably hit every note.
Once you get used to it, watch out for rushing.
Aim to perform with both sparkle and a sense of exhilaration—like beautiful cherry blossoms in full bloom.
MiracleGReeeeN

Kiseki,” a song by GReeeeN released in 2008 and used as the theme for the drama ROOKIES.
For the left-hand accompaniment, start by practicing simple patterns like striking the chords or holding them.
Once you’re comfortable, try breaking up the chords and adding your own arrangement.
What often feels difficult is the slightly tricky interplay between the right-hand melody and rhythm.
At first, it’s a good idea to simplify the melody to make it easier to play.
If you start by practicing the tough rhythms at a slow tempo, you’ll gradually get used to them.
By the time you can play this piece, your sense of rhythm will have improved a lot!
Always With MeKimura Yumi

Always With Me by Yumi Kimura—the theme song from Studio Ghibli’s Spirited Away, which held the top spot in Japan’s box office history for many years—is a huge hit.
It’s in 3/4 time, which you don’t hear as often in J-pop, so it’s a bit challenging, but you’ll be fine if you practice slowly.
To get used to the 3/4 rhythm, it’s best to use a metronome when practicing.
For the left hand, until you’re comfortable, play sustained single notes or chords.
Once you’ve gotten used to playing the vocal melody, try breaking up the chords and fitting three notes per measure.



