A Must-See for the Heisei Generation: Nostalgic Songs That Were Popular in the Heisei Era
It’s only been a few years since the Reiwa era began, but trends like “Heisei-era clichés” are already popular.
Among them, music is especially loved as nostalgic oldies.
So this time, we’re introducing “classic Heisei-era songs we recommend to people born in the Heisei era”!
The Heisei period was a time when many new music genres were born, with club music—especially UK garage and dubstep—undergoing major changes.
In addition to dance music and mainstream J-pop, we’ve also picked standout tracks from lesser-known genres like R&B and jazz rock.
If you were born in the Heisei era, be sure to check them out!
- Emotional songs from the Heisei era. Nostalgic tracks that really hit you.
- Heisei-era masterpieces. Hit songs that represent the Heisei period.
- All big hits! A roundup of classic J‑Pop songs that were popular in 2000
- A collection of nostalgic hits from the Heisei era: Let’s look back at iconic songs from the 1990s and 2000s.
- Songs from the Heisei retro era that will get any generation excited! Timeless tracks you’ll want to listen to now.
- Cool songs of the Heisei era. Hit tracks that energized the times.
- Heisei Song Collection: Iconic Hits That Colored the ’90s and 2000s
- [Heisei Love Songs] A carefully selected collection of gem-like love songs that continue to be cherished even in the Reiwa era!
- Love songs that were hits in the 2000s. Classic and popular Japanese songs.
- Nothing but iconic hits that defined an era! 2000s classics popular on TikTok
- From emotional tracks to exhilarating tunes! Heisei-era youth songs
- A revival hit driven by social media! Heisei-era masterpieces that are resonating with Gen Z today
- Heisei-era masterpieces: Easy to sing! Carefully selected songs recommended for karaoke choices!
[For those born in the Heisei era] Nostalgic songs that were popular in the Heisei era (1–10)
human power plantBUDDHA BRAND
The legendary hip-hop group BUDDHA BRAND’s debut single, released in 1996.
This track led to their major-label debut and had a huge impact on the Japanese hip-hop scene.
With its distinctive lyrics and sound, it was innovative, featuring English-like flows and a new style of Japanese rap.
DEV LARGE’s track-making and NIPPS’s provocative lyrics shaped the group’s unique worldview.
It’s a must-listen not only for hip-hop fans but also for anyone interested in ’90s music.
I should be able to fly (in the sky).supittsu
This song is packed with the charm of Spitz, a band that defined the Heisei era.
Its lyrics, which portray the fragility of youth and the glimmer of hope, and its clear, translucent melody resonate deeply.
Released in April 1994, the track was also used as the theme song for the drama “Hakusen Nagashi,” capturing the hearts of many.
The lyrics are simple yet profound, and their openness allows for personal interpretation—another part of its appeal.
It carries a range of emotions, from the joy and anxiety of love to a sense of discomfort with society.
It’s perfect for calm moments, like chatting with friends or taking a quiet nighttime drive.
Swallowtail Butterfly ~Love Song~YEN TOWN BAND
A track marked by a poignant melody and CHARA’s distinctive vocals.
Released in July 1996 as the theme song for the film Swallowtail, it reached No.
1 on the Oricon chart.
Included on the album MONTAGE, the song’s lyrics about people chasing their dreams leave a deep impression.
As they continue to pursue dreams that remain out of reach like a mirage, “the song of love” becomes a beacon of hope.
The lyrics, which convey the strength to keep facing forward amid harsh realities, have resonated with many.
It’s a recommended song for quiet nights when you want to listen to a ballad that sinks into the heart.
[A Must-See for the Heisei Generation] Nostalgic Songs That Were Popular in the Heisei Era (11–20)
SakurazakaNEW!Fukuyama Masaharu
A bittersweet yet warm classic ballad that I can’t help but want to listen to when spring arrives.
The lyrics, which wish happiness for a former lover, are deeply moving.
It’s said that Masaharu Fukuyama wrote it based on his own real-life experience, and it’s also famous for being set on an actual slope in Ōta Ward, Tokyo.
Released as a single in 2000, it drew attention as the theme song for the popular segment “Mirai Nikki V” on the variety show “U-nan no Hontoko!” It became a massive hit with over two million copies sold, truly one of the defining songs of the Heisei era.
The tempo is relaxed, so if you sing it carefully, savoring each word, it will surely resonate with the hearts of those around you.
Ringo Sheenahonnō
Shiina Ringo’s fourth single “Honnō” is characterized by an aggressive sound that centers on impulsive desire.
Released in October 1999, it was used as the ending theme for NTV’s “FUN.” The work strongly expresses a stance of rejecting social constraints and pursuing one’s own desires.
In the music video, a scene where Shiina appears as a nurse and smashes glass became a hot topic; the glass used for filming was reportedly a special order from Hollywood.
The track is also included on the album “Shōso Strip,” and it vividly solidified her image as an artist unbound by conventional frameworks.
Recommended for those who want to liberate their emotions and desires.
WhateverOasis
Released in 1994, this Britpop milestone by Oasis is known as one of the defining songs of Japan’s Heisei-era music scene.
Celebrating individuality and self-expression, the track is notable for its orchestration, including a string section arranged by Nick Ingman.
It reached No.
3 on the UK Singles Chart and earned a Gold certification, marking major success.
Singing about freedom and the power of choice, it’s recommended for anyone who wants to live authentically without being bound by societal constraints.
If you were born in the Heisei era, be sure to give it a listen.
come againm-flo
A dance classic depicting young people passionately enjoying their weekend nights.
This m-flo track incorporates 2-step, a club music style that was popular in the UK at the time, and brought a fresh breeze to the Japanese music scene.
LISA’s gentle vocals and VERBAL’s stylish rap are a perfect match, making it impossible for listeners not to dance.
Released in March 2001, it peaked at No.
4 on the Oricon singles chart.
It’s an energetic tune that vividly conjures up images of DJs and crowds becoming one on the dancefloor.
Highly recommended for anyone who wants to go all out on the weekend.