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Recommended karaoke songs for male vocalists with high voices

In recent years, the number of male artists with high-tone voices has increased significantly.

Some naturally have high voices, while many others use techniques like mixed voice and belting to hit high notes.

This time, we’ll introduce a wide range of karaoke songs recommended for people with high voices!

Of course, they’re great for men with naturally high voices, but also for those who want to be able to sing in the higher range or practice their mixed voice.

These tracks are perfect as practice songs, too!

Why not use the songs we introduce as a reference and belt out high-tone vocals at karaoke to your heart’s content?

Recommended karaoke songs for male vocalists with high voices (261–270)

Emeraldback number

It’s the ending theme song for TBS’s Sunday drama “Dangerous Venus,” available for streaming since October 2020.

As of the time of writing, no CD release schedule has been announced.

It’s a medium-tempo rock song with a slightly wistful melody, and Shimizu Iyori’s vocals—skillfully making extensive use of falsetto—are arranged to further highlight the song’s appeal.

The way falsetto (head voice) is used offers many points that male vocalists in bands can learn from, so be sure to pay attention to the switching and differentiation of vocal registers as you listen.

yellowback number

It’s back number’s 21st single, released on September 29, 2021.

It was chosen as the theme song for ABEMA’s original romance reality show “Don’t Be Fooled by the Wolf and the Rainbow.” back number’s vocalist Iyori Shimizu has an exceptionally charming, boyish singing voice, and I feel that his appeal really shines in medium-tempo songs with a slightly wistful melody like this one.

In sections like the D-melody that center on the mid-to-low range, he also shows a very masculine tone—another one of his strengths.

For those with a boyish voice, this is a top pick to sing at karaoke, so I hope you’ll try it and enjoy.

Just be careful not to let your voice get weak when switching to falsetto.

From Me to Youflumpool

flumpool “Kimi ni Todoke” Music Video
From Me to Youflumpool

This is flumpool’s fifth major single, released in September 2010.

It’s a refreshing song whose chorus features a very smooth, soaring, high-pitched melody, but the A-melody sections actively use fairly low notes.

That might be a bit of a hurdle for those who aren’t confident with low tones.

To produce low notes well, try relaxing your throat and mouth as much as possible, expand your abdominal muscles, and sing with a broader abdominal area.

If you’d like to know more, come to my vocal training session!

It’s okayflumpool

flumpool “Daijoubu” Lyric Video
It's okayflumpool

A song by the Japanese four-piece rock band flumpool, released digitally in December 2020.

The vocalist, Ryuta Yamamura, is known for an exceptionally clear voice rich in high overtones, making it an ideal piece for male singers with higher ranges.

However, his singing isn’t just about hitting high notes—he delivers stable, powerful high parts—so it definitely requires solid vocal technique to perform well.

If you sing with the sensation of placing the voice toward the upper palate, it will likely sound very good.

Give it a try! Musically, it’s a mid-tempo track with a straightforward melody, so once you develop proper vocal production, it should be very singable.

Happy Order?imase

【imase】Happy Order?(MV)
Happy Order?imase

Imase is a male singer-songwriter with a downer-style sound who enjoys overwhelming popularity among listeners in their teens and twenties.

He has many hit tunes, but the one I especially recommend is Happy Order?.

The track stands out for its prominent low end.

You might wonder, does it suit men with higher voices? If so, listen closely to the chorus.

Did you notice the same vocal line is sung an octave higher? If you’re confident in your upper range, try singing the chorus part that functions as the harmony rather than the main melody.

If your voice is reasonably high, you should be able to sing it even without falsetto.