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A collection of nostalgic hit songs and classics from the 70s

The 1970s, which began with the Osaka Expo, were a tumultuous decade of change, marked by the reversion of Okinawa, the first oil shock, and the opening of the first McDonald’s and Seven-Eleven stores in Japan.

In this article, we’ll introduce hit Japanese songs that energized the music scene during that dynamic era!

Many of these tracks have continued to be featured in commercials and more long after their release, so even younger listeners may find many of them familiar.

Whether nostalgic for those who lived through the era or fresh for younger generations, please enjoy these hit songs from the 1970s!

Compilation of nostalgic hit songs and classics from the ’70s (41–50)

Mother on the QuayFutaba Yuriko

Yuriko Futaba’s “Mother on the Quay”: at 92, her singing voice remains strong.
Mother on the QuayFutaba Yuriko

This song is a cover of Akiko Kikuchi’s piece released in 1954, shortly after the war, and this version was released by Yuriko Futaba in 1971.

It became a huge hit and was adapted into films and TV dramas; it tells the story of a mother who stands on the pier, waiting for the ship that will bring her son home from demobilization.

It may be a situation that’s harder to picture today, but at the time it was easy to imagine.

Futaba’s straightforward, rokyoku-style singing may have resonated with the image of the mother’s single-minded devotion.

Please take this opportunity to revisit this page of history we must not forget.

17 years oldMinami Saori

Amateur singer-songwriter performance: 17 Years Old by Saori Minami
17 years oldMinami Saori

It was released in 1971 as Saori Minami’s debut single.

Despite being her debut song, it reached No.

2 on the Oricon charts, and Minami laid the foundation for the “young female idol” archetype.

By the end of 1971, she had won numerous awards, including the New Artist Award at the 13th Japan Record Awards, and was selected to perform in the 22nd NHK Kōhaku Uta Gassen just six months after her debut, serving as the opening act for the Red Team.

Bound for the North CountryShuri Eiko

“Kitaguni-yuki” (Bound for the Northern Country) is Eiko Shuri’s 11th single, released in 1972.

It was her first major hit and led to an appearance on NHK’s Kōhaku Uta Gassen.

Although Eiko Shuri was a highly skilled vocalist, she was not widely appreciated in Japan at the time due to the idol-focused music scene.

She has been highly regarded outside Japan, including in the United States.

Burn, you fine womantsuisuto

“Moero Ii Onna” (Burn, Beautiful Woman) is the fifth single by The Twist, released in 1979.

It reached No.

3 on the Oricon charts.

The song became a hit after being used in a Shiseido advertising campaign.

The Twist is a band formed around Masanori Sera; they won the Yamaha Popular Song Contest (Popcon) and made their professional debut.

The season the sun gave usaoi sankakujougi

The Season the Sun Gave Us is the second single by Aoi Sankaku Jōgi, released in 1972.

It reached No.

1 on the Oricon chart and won the New Artist Award at the Japan Record Awards.

Used as the theme song for the TV drama Fly Out, Youth, it became a major hit.

Although Aoi Sankaku Jōgi was formed as a folk group, they performed pop-oriented songs with youth as their theme.

night skyItsuki Hiroshi

This song was released in 1973.

Like the 1971 smash hit “Yokohama Tasogare,” it was created by the same team: lyrics by Yoko Yamaguchi and music by Masaaki Hirao, and with this song Hiroshi Itsuki won the Japan Record Award.

Although it’s enka, beyond the traditional enka groove and string arrangements, it layers in synthesizer sounds and introduces an R&B-like 16-beat in the latter half, giving it a pop-leaning feel.

It’s also a track where you can fully enjoy Itsuki’s youthful, soaring vocals.

lingering regretHosokawa Takashi

Kokoro Nokori stirred up a whirlwind in the enka scene of the 1970s as a single by Takashi Hosokawa, who was based in Sapporo and won numerous new-artist music awards.

Its appeal lies in Hosokawa’s high-tone voice and the overwhelming vocal power born of the rich lung capacity he honed through folk singing.

The distinctive lyrics, voiced from a woman’s perspective, are still beloved by many.

The tearful saxophone in the intro, the heartrending words, and his vocals blend into a number that deeply moves the Japanese heart.

Please enjoy the fresh voice of Mr.

Hosokawa, who continues to reign as a major figure to this day.