Female vocal songs where women with low voices can shine
In Japan, where a high voice is often considered “good,” the reason originally lies in the country’s agrarian roots.
To communicate by voice with farmers working at a distance, a higher, more intelligible pitch was more convenient; thus, in Japan and other agrarian Asian societies, people with higher voices have traditionally been preferred.
However, when it comes to singing, higher is not always better!
In fact, lower voices have overwhelming advantages in overtones and resonance.
So this time, we’ve picked out songs that bring out the maximum charm of women with lower voices!
Of course, we also selected them with karaoke appeal in mind, so if you’re a woman with a drinking party or group date coming up, this is a must-see.
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- [For women] Songs with a narrow vocal range that are easy to adjust the key for!
- Karaoke songs that are easy to sing even with a low voice (for women in their 30s)
- [If You Can Sing These, You're Amazing!] Cool Karaoke Songs for Women
- Karaoke songs that are easy to sing even if you’re not confident in your pitch (for women in their 50s)
- [Songs I'd love women to sing!] Popular ballads performed by female artists
- Easy-to-sing songs recommended for women in their 20s with low voices | Also great for getting a good reaction at karaoke!
- [Karaoke] A compilation of Vocaloid songs that are easy to sing even for people with low voices
- [Karaoke] A roundup of songs that are easy for women to sing!
- Songs Men Want Women to Sing at Karaoke: Irresistible Tracks [2026]
- Great for karaoke song selection! Recommended easy-to-sing songs for Gen Z women
- [Healing & Cool] Female Vocalists with Captivating Husky Voices
Female vocal songs where women with low voices can shine (111–120)
A Midsummer Night’s DreamMatsutōya Yumi

It was Yumi Matsutoya’s 24th single, released in July 1993.
It served as the theme song for the drama “Dare ni mo Ienai,” the sequel to the much-talked-about series “Zutto Anata ga Suki Datta,” which became a hot topic thanks to the character Fuyuhiko.
Speaking of Yuming, she’s known for a rich, low-register vocal style that never sounds like she’s straining, and that appeal is on full display in this song as well.
In a sense, it could be seen as a model example of a female vocal that doesn’t rely on high notes as its selling point.
While I think it’s very difficult to recreate her unique atmosphere when singing it at karaoke, the range itself is easy for anyone to handle, so I hope you’ll enjoy it in your own expressive way.
Musically, it’s a pretty cool track that incorporates a slightly Latin-flavored rhythm and melody.
CrystalsYuka

This is a digital-only single by singer-songwriter Yukau, released in October 2023.
It was selected as the theme song for the ABC TV drama “Even If I Forget You.” Within this very gentle, ballad-style track, Yukau’s rich, resonant voice sinks deep into the heart.
It’s a song I’d especially love for women who are strong in the lower register to try singing at karaoke! For the high notes in the chorus where falsetto is used, practice to ensure you can switch smoothly between registers.
ReebokShibata Satoko

Satoko Shibata is a female singer-songwriter who also has the sensibility of a poet.
While she’s not exactly a low-voiced artist, many of her songs have an ennui-laden feel, which actually pairs surprisingly well with lower female voices.
Among her tracks, the one I especially recommend is Reebok.
It blends elements of 1970s neo-soul and city pop, creating a smooth vibe throughout.
The vocal range is narrow, so if you set the key a bit lower, it can really bring out the potential of a low female voice.
snakeYorushika

Yorushika’s latest song, “Hebi” (“Snake”).
Since releasing “Aporia,” Yorushika has continued putting out lower-key tracks, and this new song is also arranged within a narrow range that’s easy for anyone to sing.
This work doesn’t feature the extremely low phrases that are characteristic of Yorushika.
Rather than being a “low” song, it feels more like a piece with a limited vocal range, and in keeping with that, the vocal line is crafted to be gently shaped with minimal rises and falls.
Because the instrumentation is somewhat subdued, be mindful of fade-outs and breathing when singing so the vocals don’t stick out awkwardly.
bergamotTomonari Sora

Sora Tomonari is known for an enchanting, fantasy-like musical style.
While he’s often associated with a distinctly Japanese-inspired, ethereal sound, he also has smoother tracks.
One of them is Bergamot.
It features a somewhat city pop-like finish, delivering an adult, smooth feel throughout.
Among Tomonari’s works, this song has a particularly narrow vocal range, so as long as you set an appropriate key, it won’t be too low.
Consider adding it to your repertoire.
I’m crazy about youUtada Hikaru

This is a song by Hikaru Utada wrapped in a sweet, sensual atmosphere.
It vividly portrays the aching pull of drowning in love and the intoxicating power of passion that unravels reason.
The emotions shine with a sensual, dangerous glow, like a city shrouded in the darkness of night.
Released in November 2021 and written as the theme for TBS’s Friday drama “Saiai,” the track is also included on the album “BAD Mode.” While grounded in club music, its elegant production weaves a beautiful, memorable melody.
It’s perfect as background music for a quiet night drive or intimate moments with someone special.
With its refined, adult allure and delicate emotional expression, it’s an exquisite track that truly resonates.
The wind is callingGLIM SPANKY

This is a digital-only single by the Japanese duo Glim Spanky, released on June 16, 2021.
It appears to have been produced as the theme song for the 30th anniversary of abn Nagano Asahi Broadcasting.
It’s a very Glim Spanky-style, simple mid-tempo rock song, and in that sense, I think it’s relatively easy to sing if you pick it for karaoke.
That said, while I’m recommending it as a song for women who aren’t confident with high notes, I should mention that Remi Matsuo’s vocals in the chorus are impressively powerful in chest voice at a fairly high range—so if possible, I’d love for everyone to give that part a real try.
If you practice producing your voice as if you’re placing it against your upper palate and avoid squeezing your throat as much as possible, even those who struggle with high notes will surely be able to sing it!



