A must-see for low-voiced women! Popular songs that are easy to sing at karaoke
These days, many songs for both women and men are in higher keys, so there are probably many women with lower voices who feel, “I can’t find songs I can sing because my voice is low,” or “I’m looking for lower-key songs for karaoke.” Forcing yourself to sing songs that don’t suit your natural voice can hurt your throat, and it can be stressful when you can’t sing the way you want.
But don’t worry! There are plenty of songs that sound captivating even with a low voice.
In this article, we’ll introduce lots of songs that women with lower ranges can sing comfortably and confidently.
Find your new favorite track!
- [Karaoke] A roundup of songs that are easy for women to sing!
- Female vocal songs where women with low voices can shine
- Karaoke songs that are easy to sing even if you’re not confident in your pitch (for women in their 50s)
- [For women] Songs with a narrow vocal range that are easy to adjust the key for!
- Easy-to-sing songs recommended for women in their 20s with low voices | Also great for getting a good reaction at karaoke!
- Karaoke songs that are easy to sing even with a low voice (for women in their 30s)
- [Calling all low-voiced women in their 40s!] Songs that are easy to sing at karaoke
- [Women in Their 40s] Even If You’re Tone-Deaf, You Can Sing! Karaoke Songs That Fit a Woman’s Vocal Range
- Recommended for teenage girls! Easy-to-sing karaoke songs
- Even if you’re tone-deaf, it’s okay! Easy karaoke songs for women
- Karaoke songs that make it easy to score 100 points [for women]
- [For Women] Easy-to-Sing and Crowd-Pleasing Karaoke Songs
- [Karaoke] A compilation of Vocaloid songs that are easy to sing even for people with low voices
Women Artists (151–160)
No Makeup Star feat. UtaJenīhai

Jenny High is a band formed by an unconventional lineup.
While it may be a project-based band, their songwriting sense is exceptional, and their high-level musicality has earned strong acclaim within the industry.
Their collaboration with Uta, known from Wednesday Campanella, is this track: “No Make Star feat.
Uta.” The song has a slightly jazzy flavor and sits overall in the upper-mid to lower-mid vocal range.
In particular, it features many lower-mid parts, making it an ideal piece for showcasing the charm of lower-voiced female singers.
Never Grow Upchanmina

Female rapper Chanmina, who enjoys overwhelming support from women in their teens and twenties.
Released in 2019, this track gained popularity with its tropical house-inspired sound and downbeat, whisper-like vocals.
The song’s range is mid2A to hiD#, which is high but relatively narrow overall.
Since the key can be lowered sufficiently, it’s one of the more singable songs among Chanmina’s works.
Because of the nature of rap, there tend to be fewer breakpoints, so it’s recommended to adjust your vocal output to align with the sections where you can take proper breaths.
dollHitsuji Bungaku

Hitsujibungaku is an alternative rock band notable for its Western-influenced musical style.
Among bands of this type, they stand out for their especially wide stylistic range, consistently delighting listeners with songs that showcase different charms each time.
Their track “doll” is crafted with a post-punk flavor, achieving a tempo that’s upbeat yet retains a chill vibe.
The vocal line is grounded mainly in the low–mid to mid range throughout, making it very easy to sing in terms of vocal range.
As for the falsetto in the chorus, it’s a pitch you can definitely hit in chest voice as well, so try not to imitate the original too closely and sing it in your own way.
NOT NATURALShigemori Satomi

After making a name for herself on variety shows, Satomi Shigemori went on to succeed as a rapper as well.
In contrast to her ditzy variety-show persona, her songs feature strikingly sexy lyrics and music videos.
Among her works, the track I especially recommend for low-voiced women is NOT NATURAL.
The song leans heavily on melodious rap, so it doesn’t include what you’d call traditional rap sections.
Because Shigemori’s voice is high, you might think it wouldn’t suit lower female voices, but the piece is arranged within a very narrow range, which actually brings out the strengths of low-voiced female singers.
The wind is blowing.ikimonogakari

This is Ikimono-gakari’s 24th single, released in July 2008.
It’s one of their signature songs, known for its slightly poignant melody.
In terms of vocal range, it should fall comfortably within a range that most women can sing without strain.
The melody is also very easy to sing and remember, so even those who don’t sing often should be fine.
Try to listen carefully to the karaoke drum track and avoid letting the vocal rhythm rush ahead.
Also, practice singing the high notes with an open, relaxed tone, doing your best not to tighten your throat.
On nights when cherry blossoms fallaimyon

It’s Aimyon’s second digital-only single, released in February 2021.
The melody and tempo flow very gently, so it should be easy for just about anyone to sing.
The only tricky part is the B-melody, where there’s a section that needs to be sung a bit fast.
When you actually sing it, be careful not to rush the rhythm there—stay true to the tempo and groove.
The key isn’t very high, so even women with lower voices should be able to sing it in the original key without any problem.
However, if you do sing in the original key, practice smoothly switching into falsetto in the parts where it appears.
Women artists (161–170)
Unraveling Love ~A Little Courage~Kuraki Mai

This is the 15th digital-only single by Mai Kuraki, released in October 2023.
It was selected as the opening theme for the anime Detective Conan.
Kuraki, who debuted at age 17 in 1999 and earned high praise for her vocal ability, delivers an even more mature performance in this track, released roughly a quarter century after her debut.
Her singing showcases a richly resonant, captivating lower-to-mid register.
I especially recommend women who are strong in the lower range try recreating this deep, resonant vocal at karaoke.
The track features a distinctive four-on-the-floor beat, so it’s best to feel that accent clearly and sing with an overall light touch.



