A must-see for low-voiced women! Popular songs that are easy to sing at karaoke
These days, many songs for both women and men are in higher keys, so there are probably many women with lower voices who feel, “I can’t find songs I can sing because my voice is low,” or “I’m looking for lower-key songs for karaoke.” Forcing yourself to sing songs that don’t suit your natural voice can hurt your throat, and it can be stressful when you can’t sing the way you want.
But don’t worry! There are plenty of songs that sound captivating even with a low voice.
In this article, we’ll introduce lots of songs that women with lower ranges can sing comfortably and confidently.
Find your new favorite track!
- [Karaoke] A roundup of songs that are easy for women to sing!
- Female vocal songs where women with low voices can shine
- Karaoke songs that are easy to sing even if you’re not confident in your pitch (for women in their 50s)
- [For women] Songs with a narrow vocal range that are easy to adjust the key for!
- Easy-to-sing songs recommended for women in their 20s with low voices | Also great for getting a good reaction at karaoke!
- Karaoke songs that are easy to sing even with a low voice (for women in their 30s)
- [Calling all low-voiced women in their 40s!] Songs that are easy to sing at karaoke
- [Women in Their 40s] Even If You’re Tone-Deaf, You Can Sing! Karaoke Songs That Fit a Woman’s Vocal Range
- Recommended for teenage girls! Easy-to-sing karaoke songs
- Even if you’re tone-deaf, it’s okay! Easy karaoke songs for women
- Karaoke songs that make it easy to score 100 points [for women]
- [For Women] Easy-to-Sing and Crowd-Pleasing Karaoke Songs
- [Karaoke] A compilation of Vocaloid songs that are easy to sing even for people with low voices
Women Artists (241–250)
Please understand me.aimyon
“Wakatte Kureyo” is one of Aimyon’s earliest songs, included on her first indie mini-album “tamago,” released in 2015.
The lyrics from a male perspective are striking, and apparently Aimyon actually wrote this song in her mid-teens.
With a subtly Japanese-flavored piano intro, the song has a distinctly Aimyon, 2000s-style medium-tempo ballad vibe, and it’s amazing to think she wrote it as a teenager—her exceptional talent as a singer-songwriter really shines.
Beyond the singable melody line, the overall pitch sits on the lower side, so a man with a higher voice could likely sing it in the original key.
Jealousy toward catsaimyon
The song “Jealousy of the Cat” is characterized by its calm melody.
Because the vocals include some percussive elements, a certain sense of rhythm is required, but the overall vocal line is simple.
The challenging parts are the ad-libs in the pre-chorus and the falsetto in the chorus.
Regarding the pre-chorus, the ad-libs are not as intricate as authentic R&B; they’re closer to the level of an enka-style kobushi, so you should be able to master them with repeated practice.
If you find the chorus falsetto difficult, it’s recommended to adjust the key to one where falsetto is easier for you to produce.
BEST POSITIVElecca
Lecca, who was active as a reggae singer in the late 2000s, has a low vocal register that gives her a distinctive richness uncommon among Japanese artists.
Women who were in their late teens or twenties back then and are now in their thirties probably have a few of her songs in their repertoire.
Among her tracks, the one I especially recommend is BEST POSITIVE.
The reggae elements are subtle here, and the album is arranged as easy-to-sing pop throughout.
With its narrow vocal range and mid-tempo pace, it should be effortless for women with lower voices to sing.
Put ‘Em UpAmuro Namie
This is Namie Amuro’s 24th single released under her solo name, issued in July 2003.
During the era when she was racking up million-selling hits produced by Tetsuya Komuro, she actually had more allure in her mid-to-low vocal range than in the high notes often featured in Komuro’s melodies.
On this track, produced by Dallas Austin, the sound design is such that you could almost call it Western music with Japanese lyrics, which helps showcase the full appeal of her lower register.
To sing this song well, it really comes down to how naturally you can deliver Japanese lyrics with a Western-style groove.
BohemianKatsuragi Yuki
This was Yuki Katsuragi’s seventh single, released in May 1983.
It’s crafted as a rock song that brings out the full appeal of Yuki Katsuragi, whose husky singing voice is so compelling.
That powerful voice could easily hold its own against male vocalists! It would also be an excellent karaoke choice for women with lower voices.
However, no matter how attractive Yuki Katsuragi’s husky tone may be, please do not try to sing in a way that deliberately damages your own voice.
Speaking as a vocal coach, I want to strongly emphasize and caution you on that point.
Women Artists (251–260)
vexing lipsTakahashi Mariko
Mari Takahashi released her 18th single in May 1992.
Known for her calm and very “mature” voice and singing, Takahashi is highly acclaimed—and this song showcases that charm to the fullest.
It’s also a great choice for karaoke, not only for those who struggle with high notes but also for anyone wanting to project a sophisticated, adult feminine vibe.
Come to think of it, I’ve directed and recorded male singers covering this song several times in the past, and it brought out a different side of its appeal compared to a female vocal.
I can definitely recommend it as a women’s song that also works beautifully when sung by men.
The eve of revolutioneill
eill is a female singer-songwriter known for her stylish musicality.
While she falls under the pop genre, her sound is distinctly Western-influenced.
With a rhythmic feel uncommon in Japanese music, she continues to release innovative tracks.
Among her works, the one I especially recommend is Kakumei Zenya (The Night Before the Revolution).
It blends synth-pop and electropop, maintaining a downcast mood throughout.
The A melody sits very low, and the higher parts appear from the B section.
However, since the vocals are delivered in a whispery style, there’s no need to project a big voice on the high parts.
For these reasons, it’s a song that’s relatively easy to sing overall.