[For Men] These Songs Will Make You a Better Singer! Tracks That Are Effective for Karaoke Practice
Have you ever found yourself getting better at singing without even noticing, just by belting it out at karaoke? In fact, the songs you choose for practice can make a big difference in how quickly you improve! Songs that help you build vocal fundamentals, songs with easy-to-catch pitches, songs that expand your range, and songs that train your sense of rhythm—each type has its own benefits for practice.
By the way, the reason I learned to hit high notes was simply because I kept singing the same song over and over without giving up! In this article, we introduce a wide range of tracks that are perfect as karaoke practice songs—ones that naturally boost your singing skills while you have fun.
If you’re thinking, “I want to sing better!” be sure to use this as a reference!
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- For Men in Their 50s: No Worries If You’re Tone-Deaf! A Curated Selection of Easy-to-Sing Karaoke Songs
[For Men] These Songs Will Make You a Better Singer! Effective Tracks for Karaoke Practice (111–120)
YOU GOTTA RUNL’Arc〜en〜Ciel
L’Arc~en~Ciel, one of Japan’s most iconic bands, has been making waves since recently resuming their activities.
“YOU GOTTA RUN” is their new song.
The intro is loud and aggressive, reminiscent of VAMPS, but the moment the vocals start, the unmistakable L’Arc flavor comes through, making it a highly captivating track.
Hyde’s uniquely rich, high-register voice—something rarely heard in contemporary Japanese pop—offers a great reference for anyone looking to improve their fundamental vocal technique.
Be sure to add it to your repertoire.
BO$$YTravis Japan
Travis Japan is a boy group gaining worldwide attention.
Their performances are as compelling as the best of K-pop, and their vocals are highly praised.
Among their songs, the one I especially recommend for improving your singing is “BO$$Y.” It features a wide vocal range, from gritty low tones to clear falsetto, and its irregular structure helps develop your sense of rhythm.
Be sure to add it to your repertoire.
Deceptive LoveShido
From the Japanese visual-kei band SID, this song is included on their 11th album, “Umibe.” “Damasiai” was released digitally in advance of the album.
While many selections in this article are relatively advanced, I think this track makes an ideal practice song even for beginners at singing or karaoke.
The vocal melody itself doesn’t have many particularly difficult parts, so practice to faithfully reproduce this slightly side-to-side, groovy rhythm.
It’s perfect for developing your sense of rhythm and feel for the beat.
Since it’s an up-tempo song, be careful not to let your singing get ahead of the beat.
Indigo WaltzKubota Toshinobu
Toshinobu Kubota’s masterpiece “Indigo Waltz.” Many people probably associate him more with “LA LA LA LOVE SONG” or “Missing,” but if you’re serious about improving your vocal skills, I definitely recommend “Indigo Waltz.” There are two main reasons.
First, it’s in 3/4 time, a rhythm many Japanese singers find challenging.
Second, it features lots of long tones and vocal improvisation.
Since many recent songs shy away from powerful vocals and sustained notes, it’s better to tackle pieces like this if you want to build real vocal ability.
Give it a try.
Become my boyfriend and be gentle with me.Okamura Yasuyuki
Yasuyuki Okamura is a singer-songwriter who was active in the 1980s and 1990s and has recently been drawing renewed attention.
Influenced by the great artist Prince, he’s known for a genre-defying musical style and a distinctive, well-regarded vocal delivery.
His classic track “Become My Boyfriend and Be Kind” is perfect for learning about groove.
Blending funk and hip-hop into a kind of disco music, this piece is ideal for practicing how to catch the feel with your instincts rather than through theory.
Until we meet againOzaki Kiyohiko
This was Kiyohiko Ozaki’s second solo single, released on March 5, 1971.
The greatest appeal of Ozaki’s singing lies in his richly resonant, canzone-like vocal style, which can be fully appreciated in this song.
In particular, the high notes in the chorus showcase that charm to the fullest.
Also, considering that, unlike today, it was impossible back then to apply pitch correction to recorded vocal tracks, his superb intonation is nothing short of astonishing.
While it may be quite difficult to acquire this kind of vocal production and pitch sense through self-study alone, I believe this song is an excellent practice piece for anyone aiming to improve their singing.
For your next step up, be sure to cultivate vocal skills that approach Ozaki’s own!
Cinderella BoySaucy Dog
When this song was released, didn’t everyone try singing it? Listening closely, the A and B sections often hit around the song’s lowest note, E3, so the melody feels relatively calm.
But the chorus jumps all the way up to E5, so when you actually sing it, the leap in pitch can be quite startling.
Getting the pitch right in that section is crucial.
It’s a bittersweet song overall, so it may work well to avoid holding out the ends of phrases and instead leave a lingering aftertaste.
Pauses are also important—treat the silence as part of the rhythm to bring out the mood.
Give it a try!
