[For Men] These Songs Will Make You a Better Singer! Tracks That Are Effective for Karaoke Practice
Have you ever found yourself getting better at singing without even noticing, just by belting it out at karaoke? In fact, the songs you choose for practice can make a big difference in how quickly you improve! Songs that help you build vocal fundamentals, songs with easy-to-catch pitches, songs that expand your range, and songs that train your sense of rhythm—each type has its own benefits for practice.
By the way, the reason I learned to hit high notes was simply because I kept singing the same song over and over without giving up! In this article, we introduce a wide range of tracks that are perfect as karaoke practice songs—ones that naturally boost your singing skills while you have fun.
If you’re thinking, “I want to sing better!” be sure to use this as a reference!
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- Karaoke songs where even men with low voices can aim for high scores
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- [For Men] This song is perfect for hyping up the crowd at karaoke!
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[For Men] These Songs Will Make You a Better Singer! Effective Tracks for Karaoke Practice (111–120)
Robinsonsupittsu
Spitz’s 11th single, released in April 1995.
The rhythm is lively, and the melody is very poppy—easy to remember and sing—but when you actually try, the key is surprisingly high.
To sing it close to the original key, you’ll need solid fundamentals that let you produce clear, accurate high tones.
You also need to be able to switch smoothly between falsetto and chest voice in the closing phrase of the chorus.
In that sense, while it’s an easy song to learn and sing, it can also be considered suited for advanced singers.
It’s best to build your high range through basic vocal training, then practice by gradually raising the key from a lower one up to the original.
I think it’s one of the best songs for developing a stable high range and mastering shifts in vocal technique!
frustrating; irritating; impatientanzenchitai
The band led by Koji Tamaki, Anzen Chitai, still enjoys steady popularity and has strong support among younger generations.
Among their works, the song I especially recommend is Jirettai.
From the very beginning, it’s a high-voltage piece that fundamentally demands a high level of vocal power and projection.
That alone would be fine, but the vocal line is surprisingly monotone, so to keep it from sounding like mere repetition, you have to add embellishments throughout—just like Koji Tamaki would.
For these reasons, it’s a perfect song for training your ad-libbing skills.
one strokeTakahashi Yuu
This is a track from Yu Takahashi’s seventh full-length album, “PERSONALITY,” which was released on October 21, 2020.
It’s crafted into a very pleasant song with a bright major-key feel and a medium up-tempo groove.
Takahashi’s vocal performance throughout the track is strikingly confident and resonant, and if you practice and learn to sing this song well, you’ll surely develop the ability to recreate its big groove and driving feel.
Even if your voice cracks a little or you can’t quite reach the high notes, don’t worry too much—just enjoy singing it.
That kind of attitude is actually very important when it comes to singing!
Seeds of joyMrs. GREEN APPLE
This is a long-lost track that was first revealed as a secret track on the venue-exclusive mini-album “Introduction” on July 5, 2014, and was later officially included on the 10th anniversary best-of album “10” released on July 8, 2025! The melody line is gentle and sung with clear articulation, so even beginners should find it easy to match the pitch bar.
For the A and B sections, deliver your voice carefully as if you’re speaking, making sure your sound is firmly on the mic! The chorus kicks in at around the 3-minute mark, and the overall energy ramps up significantly.
There should be ample opportunities to breathe between phrases, so take a solid breath for each phrase and project your voice as you exhale.
If you tense up, you’ll end up chest-breathing instead of using your diaphragm and it’ll get uncomfortable, so stay calm and focus on relaxed breathing!
KobukuroIma, sakihokoru hanatachi yo
This is a song that was used as the theme for NHK’s Sochi Olympics in 2014.
Many of you are probably familiar with it.
Although it’s a song by Kobukuro, “Ima, Saki Hokoru Hanatachi yo” has a very clear vocal melody, making it easy to sing even solo.
As for how to feel the rhythm, taking it slowly and relaxed works well, but doubling the tempo also makes it easier to sing and is recommended.
The overall vocal range of the song is C3 to F#4, so most men should be able to sing it comfortably in chest voice.
Also, since it’s a ballad, creating contrast between the lower parts of the verses (A and B sections) and the lift in the chorus will enhance expressiveness and help boost your score.
Try to keep your facial muscles lifted so your pitch doesn’t drop while you sing!
fuse (detonating fuse)Tegoshi Yūya
Dōkasen (Fuse) was released as a digital single on July 9, 2025.
Chita Henry, who worked on Vibration from Yuya Tegoshi’s first best-of album Yuya Tegoshi SINGLES BEST released on May 14, 2025, also wrote and composed Dōkasen.
The verses (A and B sections) are relatively calm and sit in a range that’s fine in chest voice, but the melody shoots up into a much higher range for the chorus, making it a great pick for those confident with high notes.
Most of the high notes are in falsetto—and a powerful falsetto at that—so you’ll want to really project them.
Before singing, take a deep breath, and aim your voice as if you’re launching it diagonally upward from your head with a crisp “swoosh!” Alternatively, imagine resonating the back part of your head as strongly as possible—one of these images may make it easier to hit the notes.
Try both and see which works better for you.
plazmaYonezu Kenshi
As the theme song for ‘Mobile Suit Gundam GQuuuuuuX -Beginning-‘, it’s a track where the synthetic machine-like sounds really stand out! Kenshi Yonezu handled everything himself—lyrics, composition, arrangement, production, and even the artwork—making it one of his most dedicated works of 2025.
The vocal range is C3 to C5, which I think is a comfortable height for men to sing mainly in chest voice without strain.
There are falsetto parts here and there, but they’re used in those signature “this is the moment!” spots typical of Yonezu, so make sure to align precisely with the pitch bar.
For the fast sections, avoid mumbling and pronounce the vowels clearly.
Also be careful not to over-enunciate.
Approach it like a tongue twister: articulate the initial consonants cleanly and focus on locking in with the rhythm.