[For Men] These Songs Will Make You a Better Singer! Tracks That Are Effective for Karaoke Practice
Have you ever found yourself getting better at singing without even noticing, just by belting it out at karaoke? In fact, the songs you choose for practice can make a big difference in how quickly you improve! Songs that help you build vocal fundamentals, songs with easy-to-catch pitches, songs that expand your range, and songs that train your sense of rhythm—each type has its own benefits for practice.
By the way, the reason I learned to hit high notes was simply because I kept singing the same song over and over without giving up! In this article, we introduce a wide range of tracks that are perfect as karaoke practice songs—ones that naturally boost your singing skills while you have fun.
If you’re thinking, “I want to sing better!” be sure to use this as a reference!
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- [For Men] This song is perfect for hyping up the crowd at karaoke!
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- [Enka] Songs That Are Easy to Sing Even for the Tone-Deaf [Male Singer Edition]
- [Men in Their 50s, Gather Up!] Classic Karaoke Crowd-Pleasers & Easy-to-Sing Hits
[For Men] These Songs Will Make You a Better Singer! Effective Tracks for Karaoke Practice (111–120)
Lights Out feat. Jeremy QuartusNulbarich
Nulbarich is a band that’s gained popularity for its unique sound, which blends R&B and neo-soul into J-pop.
The band name is pronounced “Narubaritchi.” They have many great songs, but one I especially recommend is “Lights Out feat.
Jeremy Quartus.” It features a style that mixes jazz and hip-hop, with a neo-soul vibe in the chorus.
It’s like a fusion of various forms of Black music, making it a great pick for anyone looking to sharpen their groove.
[For Men] These Songs Will Make You a Better Singer! Effective Tracks for Karaoke Practice (121–130)
GAME OVERSIRUP
SIRUP is a singer-songwriter who’s gained popularity with slow-jam-focused R&B.
He hasn’t done much solo work recently due to many collaborations, but he’s just dropped a new track: “GAME OVER.” It’s authentic Black music, so you can feel a groove you won’t find in J-pop or Japanese rock.
With lots of falsetto and occasional ad-libs, it’s recommended for anyone who wants to develop vocal skills like overseas artists.
I love youback number
This is back number’s digital single, released in October 2022.
It was chosen as the theme song for the NHK morning drama series “Maiagare!” and was also selected as the entrance march for the 95th Commemorative National High School Baseball Tournament.
It’s a rock ballad that gently sinks into the listener’s heart.
At first listen, it might seem like a classic, straightforward ballad, but what elevates this staple style into something special is Iyori Shimizu’s vocals.
Though his tone is unadorned, he skillfully switches between chest voice, mixed voice, and falsetto throughout the song, beautifully conveying its world.
As a practice piece, it’s a bit on the advanced side, but it’s perfect for training smooth transitions between registers.
If you’re not confident with high notes, start by lowering the key and practice in a way that doesn’t strain your throat.
Robinsonsupittsu
Spitz’s 11th single, released in April 1995.
The rhythm is lively, and the melody is very poppy—easy to remember and sing—but when you actually try, the key is surprisingly high.
To sing it close to the original key, you’ll need solid fundamentals that let you produce clear, accurate high tones.
You also need to be able to switch smoothly between falsetto and chest voice in the closing phrase of the chorus.
In that sense, while it’s an easy song to learn and sing, it can also be considered suited for advanced singers.
It’s best to build your high range through basic vocal training, then practice by gradually raising the key from a lower one up to the original.
I think it’s one of the best songs for developing a stable high range and mastering shifts in vocal technique!
frustrating; irritating; impatientanzenchitai
The band led by Koji Tamaki, Anzen Chitai, still enjoys steady popularity and has strong support among younger generations.
Among their works, the song I especially recommend is Jirettai.
From the very beginning, it’s a high-voltage piece that fundamentally demands a high level of vocal power and projection.
That alone would be fine, but the vocal line is surprisingly monotone, so to keep it from sounding like mere repetition, you have to add embellishments throughout—just like Koji Tamaki would.
For these reasons, it’s a perfect song for training your ad-libbing skills.
one strokeTakahashi Yuu
This is a track from Yu Takahashi’s seventh full-length album, “PERSONALITY,” which was released on October 21, 2020.
It’s crafted into a very pleasant song with a bright major-key feel and a medium up-tempo groove.
Takahashi’s vocal performance throughout the track is strikingly confident and resonant, and if you practice and learn to sing this song well, you’ll surely develop the ability to recreate its big groove and driving feel.
Even if your voice cracks a little or you can’t quite reach the high notes, don’t worry too much—just enjoy singing it.
That kind of attitude is actually very important when it comes to singing!
GET BACKyuzu
Speaking of Yuzu, it’s all about Iwasawa’s beautiful high harmonies on top and Kitagawa’s steady lower harmonies, right? Everyone’s probably thought at least once, “I want to try harmonizing to a Yuzu song!” Yuzu’s harmonies are relatively easy to pick out, so they’re satisfying to listen to and make a great entry point to try.
In GET BACK, Kitagawa comes in with the lower part right from the start—it sounds so cool! There are also call-and-response sections unique to the duo, and in the chorus they switch between unison and harmony, making it a really fun song to sing as a pair! Lower harmonies can be hard to hear and tricky at first, but try practicing with resources like YouTube.
