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[2026] A roundup of popular theme and opening songs from TV period dramas

An important genre in the history of Japanese film and television drama is the jidaigeki period drama.

Originally developed in cinema, jidaigeki later declined as a boom, but it went on to find a new home on television and has continued to produce many classics.

Many actors became popular stars through jidaigeki, and unforgettable theme tunes and songs are also indispensable when talking about the genre.

This article presents a roundup of representative jidaigeki theme music and theme songs.

It also includes dramas produced from the 2000s onward, so it’s something viewers of all generations can enjoy!

[2026] A Roundup of Popular Theme and Title Songs from TV Period Dramas (41–50)

Kin-san of Toriyama

Go with the flowItsuki Hiroshi

The song written and composed by Hiroshi Itsuki is a striking piece that combines powerful enka with heartrending lyrics.

It portrays the resolve to find hope while accepting life’s hardships and loneliness.

Released in March 1982, the song was used as the theme for the period drama “Tōyama no Kin-san,” which began airing the same year and ran for a total of 198 episodes starring Hideki Takahashi.

Itsuki himself made guest appearances in the series, drawing additional attention.

This work, one of Itsuki’s signature songs, teaches the importance of holding on to unwavering love and hope while going with the flow of life.

It stands as a gentle yet powerful message of encouragement to everyone struggling with life.

Ukiyo-e Female Nezumi Kozō

Hurry like the windHirata Takao to Serusutāzu

Hurry Like the Wind (Takao Hirata and the Celstars) ~ Ukiyo-e Lady Nezumi Kozō
Hurry like the windHirata Takao to Serusutāzu

This song by Takao Hirata and the Cellstars was released in June 1972 as the theme for Fuji TV’s popular period drama Ukiyoe Onna Nezumi Kozō.

It features a brisk yet wistful melody line, with memorable lyrics that depict a stance of breaking free from existing restraints to live freely.

The arrangement, characteristic of Showa-era kayōkyoku, blends elements of jazz and blues, which adds to its charm.

From its release, the track gained strong support among listeners and captivated many with its distinctive energy and melody.

Takao Hirata and the Cellstars also performed at the 23rd NHK Kōhaku Uta Gassen, cementing their status as representatives of the golden age of Showa kayōkyoku.

It’s a highly recommended song for anyone who wants to savor the nostalgic atmosphere of the Showa era.

Shin Gokubemonocho

The Black Panther of EdoSugi Ryōtarō

Sugihiro Taro “The Black Panther of Edo”
The Black Panther of EdoSugi Ryōtarō

Imbued with the spirit of Showa-era kayōkyoku, this work is a masterpiece that fully captures a man’s melancholy and sense of justice.

It portrays a man with burning eyes in a desolate corner of the city, expressed through an emotive vocal performance and poetic lyrics.

Released in October 1976, the song was used as the theme for the TV drama Shin-Gonin Torimonocho starring Ryo Tarō Sugi, and it created a major buzz.

It’s also included on the album GOLDEN☆BEST Ryo Tarō Sugi 1975–1989 Hit & Cover Collection, making it irresistible for enka fans who love the nostalgic scent of the Showa era.

Sing it at karaoke and it’s guaranteed to light up the room!

Song of Osen the Traveling SparrowMatsuyama Yōko

Song of Osen, the Wandering Gambler · Yoko Matsuyama
Song of Osen the Traveling SparrowMatsuyama Yōko

This is the theme song of the period drama “Tabigarasu Kurenai Osen,” which depicts the whimsical travels of the female drifter Osen, played by Yoko Matsuyama, and the female pickpocket Ogin, played by Reiko Oshida.

It began airing on October 6, 1986, originally scheduled for six months, but due to its immense popularity it was extended and ran for a full year.

Ōoku: The Inner Chambers — The Birth [Arikosu & Iemitsu Arc]

DEEPNESSMISIA

MISIA – DEEPNESS (Music Video)
DEEPNESSMISIA

Armed with her overwhelming vocal prowess, MISIA continues to dominate Japan’s music scene.

Since her debut in 1998, her achievements in blending Black music—such as R&B and soul—into J-POP are immeasurable.

Released in November 2012, this work served as the theme song for the TBS Friday drama “Ooku: The Inner Chambers — The Birth [Arikoto/Iemitsu Arc].” It is MISIA’s 27th single, a love ballad that portrays deep emotions for a cherished person.

The anecdote that she studied the original manga to understand the drama’s worldview before production speaks to MISIA’s earnest dedication.

The lyrics, depicting the subtleties of human relationships and inner conflict, resonate deeply with those of us living today.