[For Intermediate Players] Challenge Yourself! Recommended Masterpieces That Shine at Piano Recitals

“Butterflies,” Op. 2, No. 12: “Final Scene and the Returning Brothers”Robert Schumann

Schumann. Papillons Op. 2 nº 12. Finale. Partitura e Interpretación

The twelfth piece, the finale of Robert Schumann’s Op.

2 Papillons, is an elegant miniature depicting the end of a masquerade ball.

Published in 1831, it delicately portrays the ball’s conclusion and the participants’ journey home.

Light yet sentimental in atmosphere, it is notable for its quotation of the traditional “Grandfather’s Dance” melody.

In the closing measures, the sound gradually fades, evoking the image of the ballroom lights being extinguished one by one.

This piece is recommended for pianists who have mastered the basics and wish to explore the rich expressiveness of the Romantic era.

Savor Schumann’s poetic world while cherishing the music’s narrative quality.

Impromptu, Op. 90 No. 4Franz Schubert

Impromptu in A-flat major, Op. 90 No. 4 (Schubert) – Schubert – Impromptu in A-flat major, Op. 90 No. 4 – pianomaedful

An impromptu by Franz Schubert, captivating for its graceful melodies and richly expressive harmonies.

Composed in 1827, this work is renowned as a masterpiece that epitomizes Schubert’s mature period.

It begins with arpeggios, and in the middle section the tonality shifts, drawing listeners into a dreamlike musical journey.

Its delicate yet powerful melody will further enhance the performer’s expressive range.

It’s also a highly recommended piece for those looking to refine their piano technique.

Nocturne No. 20, KK IVa/16 “Posthumous”Frederic Chopin

Nocturne No. 20 “Posthumous” in C-sharp minor – Chopin – Chopin: Nocturne in C-sharp minor (No. 20) – Classical Piano – CANACANA

Frédéric Chopin’s Nocturne No.

20 in C-sharp minor, KK.

IVa/16 (“posthumous”), which drew attention for its performance scene in the film The Pianist, was in fact composed not in his later years but when Chopin was around 20.

It bears the label “posthumous” because it was published after his death, in 1875.

Its haunting, unforgettable melody captures the hearts of many and stands as a classic masterpiece.

Performed with deep emotion on a recital stage, it is sure to draw the audience in.

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Suite “Dolly,” Op. 56 No. 2 “Mi-a-ou”Gabriel Fauré

[Piano Solo Version] Fauré: Suite “Dolly” Mi-a-ou, Op. 56-2 [Arr. by Cortot]

This charming piano duet was created as a gift for a young girl.

Composed in June 1894 to celebrate a delightful second birthday, it features a pleasantly waltz-like rhythm and exudes a lively, spirited atmosphere.

Its bright, bouncing melody evokes the innocent laughter and smiles of children, wrapping listeners in a warm, gentle feeling.

While it possesses the elegance and delicacy characteristic of French music, its technical demands are kept modest, making it ideal for piano learners.

It’s a perfect choice for those who wish to enjoy a duet with family or friends, or who want to perform music with a warm, heartfelt character.

Fantasiestücke, Op. 12 No. 2: FlyingRobert Schumann

Schumann: Fantasiestücke, Op. 12, Aufschwung / Tomomi Okumura

Robert Schumann’s masterpiece “Fantasiestücke, Op.

12 No.

2: Aufschwung (Soaring).” It’s a piece you often hear at piano recitals, so many of you may already know it.

The real highlight of this work is, above all, the presence of the left hand.

Rather than a washed-out accompaniment, the low register must be played so that the sound doesn’t become muddy, supported by precise pedal work.

In addition, from measure 17 onward, the right hand presents challenges for players with smaller hands.

Although the technical level is around intermediate, it’s a highly effective and impressive piece to listen to, so be sure to check it out.

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Two Rhapsodies, Op. 79 No. 2Johannes Brahms

Brahms: Two Rhapsodies, Op. 79 – No. 2 in G minor / Piano: Riyoko Iida

Here’s a piece I highly recommend for intermediate players aiming to become advanced: “Two Rhapsodies, Op.

79 No.

2.” It’s not really suitable for beginners, but for intermediate players it’s relatively low in difficulty while offering plenty of valuable experience.

No.

2 is easier to perform than No.

1, and if you can firmly grasp the chords and octaves, it will sound very impressive.

There’s not much to read in the score and the finger turns are simple, so if you’ve just moved from beginner to intermediate, be sure to check it out.

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Impromptu, Op. 90 No. 2Franz Schubert

Impromptu in E-flat major, Op. 90 No. 2 (Schubert) – Schubert: Impromptu in E-flat major, Op. 90 No. 2

One of Franz Schubert’s most captivating works is Impromptu Op.

90 No.

2.

With its flowing triplet scales and beautiful melody, it leaves a strong impression.

The dramatic contrast between major and minor keys draws listeners in.

Composed in 1827, this piece shines on the recital stage, combining elegance with expressive depth.

It’s also a work where you can really feel your technique improving—why not give it a try?