Piano Masterpieces: Music you’ll want to listen to and play—beloved classic works

Barcarolle No. 12 in E-flat major, Op. 105-2Gabriel Fauré

Gabriel Fauré – Barcarolle No. 12, Op. 106bis

Composed in 1921, this piano piece features a flowing 6/8 rhythm and the warm sonority of E-flat major.

It evokes a gentle lyricism and profound spirituality.

Its graceful melodic lines are interwoven with the refined harmonies characteristic of French music, leaving a pleasant resonance.

While one can enjoy the subtlety of the harmonic progressions and modulations, the piece remains playable with fundamental technique.

It is recommended for those who wish to engage deeply with music in a quiet setting or savor the delicate expressions of French musical style.

It is sometimes selected for music university examinations and competitions, making it valuable from an educational standpoint as well.

Barcarolle No. 4 in E-flat major, Op. 36Gabriel Fauré

Fauré, Nocturne n. 4 in E flat major, op. 36

This is a beautiful work in which warm harmonies and Fauré’s distinctive melodies blend exquisitely within a gently flowing atmosphere.

Published in 1884 by the French publisher Hamelle, the piece was dedicated to his friend, the Countess of Mercy-Argenteau.

The descending perfect fourth that evokes the sound of bells is striking, and the serene mood is superbly fused with lyrical expression.

The middle section introduces a minor-key episode, creating a pronounced contrast with the tranquil opening.

Technically, its relaxed tempo makes it approachable, allowing performers to explore Fauré’s sound world while practicing.

Highly recommended for those who wish to experience the elegance and delicacy of French music.

Brilliant WaltzGlenda Austin

[Recommended for Piano Recitals] Brilliant Waltz ♫ Glenda Austin / Valse Brillante, Glenda Austin

Set to a brilliant and elegant waltz rhythm, this piece captivates listeners as jazz elements are skillfully interwoven.

While the flowing melodies are enhanced with modern arrangements, the refined character of the music draws out the performer’s expressive abilities.

Glenda Austin’s works are often adopted as teaching materials in piano studios and music education settings, and are frequently chosen for recitals and competitions.

This piece, which values the distinctive feel of the waltz while combining technical challenges with musical enjoyment, is an ideal choice for upper elementary-level learners.

Piano Sonata No. 8 “Pathétique,” Second MovementLudwig van Beethoven

Piano Sonata No. 8 “Pathétique” Second Movement – Beethoven — Beethoven – Pathétique Piano Sonata No. 8 Op. 13-2 – Classical Piano – CANACANA

Characterized by a gentle, song-like melody, this piece unfolds at a relaxed tempo in A-flat major and 2/4 time.

Structured in ternary form, it draws out a lyrical charm through the recurring, simple yet emotionally rich main theme.

Beyond its evocative use in the film “Immortal Beloved,” its melody is also quoted in Billy Joel’s “This Night,” reflecting a crossover with pop music.

While expressive and richly nuanced, the work is not overly demanding technically, making it suitable even for upper elementary school recital programs.

Its calm atmosphere belies its musical depth, making it an ideal choice for those who wish to study music earnestly.

Piano Sonata No. 8 “Pathétique,” 3rd movementLudwig van Beethoven

Beethoven – Piano Sonata No. 8 “Pathétique,” 3rd Movement – CANACANA

A piece with a powerful, passionate character and an imposing aura that is truly captivating.

From its striking opening, the gripping melody recurs throughout, alternating between tension and release to naturally draw listeners into its musical world.

Highly acclaimed since its publication in 1799 and still performed worldwide today, the work stands out for its dynamic expressiveness and rich shifts in tone color.

It has frequently appeared in TV shows and films, and its influence is such that Billy Joel even quoted its melody in “This Night.” Designed to showcase the piano’s full appeal, it’s an ideal choice for ambitious performers looking to refine rapid passages and expressive nuance.

Waltz EtudeWilliam Gillock

[Gillock] Piano “Waltz Etude” Sheet Music

A captivating classical piece with a beautiful triple meter, it enchants the audience from the opening with a lively and dazzling waltz rhythm.

Beginning in G major, the middle section modulates to E-flat major, where the tempo relaxes and settles, lending the entire work a profound expressiveness.

Demanding both delicate touch and powerful expression, this piece—released in 1972—fully showcases the piano’s expressive range.

Its blend of graceful melody and brilliance makes it an ideal choice for recital performance.

With inventive technical features throughout, it is a superb work that rewards practice by deepening musicality.

Offering the chance to experience the waltz’s rhythmic character and the color changes brought by modulation, it is perfectly suited for upper elementary school recital programs.

Sonatina No. 1, Movement I, Op. 20-1Friedrich Kuhlau

Sonatina No. 1, 1st Movement, Op. 20-1 / Kuhlau / Piano / Sonatina No. 1 in C major, Op. 20-1 / Kuhlau / Piano / CANACANA

This is a C-major piece distinguished by a clear structure and an approachable melody.

Marked by a lively tempo and lucid melodic lines, it was published in Leipzig in 1819 and carries a sparkling, uplifting character.

In the first movement, a bright and vigorous main theme is woven into sonata form and unfolds alongside smooth, lyrical melodies.

Each phrase conveys a hopeful expression, and the rhythmic vitality—suggestive of a child’s growth—leaves a strong impression.

Performing with a clear tone and mindful, moderate dynamic contrasts enables richer expressivity.

This piece is recommended for those who want to fully savor the charm of Classical-era music or who enjoy bright, brilliant musical styles.