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Piano Masterpieces: Music you’ll want to listen to and play—beloved classic works

Piano Masterpieces: Music you’ll want to listen to and play—beloved classic works
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Piano Masterpieces: Music you’ll want to listen to and play—beloved classic works

Do you have any memorable piano pieces that make you feel healed when you listen to them, or that you’d like to play someday?

A favorite piece can soothe a mind clouded by stress or anxiety.

In this article, we’ve carefully selected world-famous piano works from among the classics that could become your go-to soothing track.

Even if you’re not very familiar with classical music, we’ve chosen only well-known pieces you’ve likely heard somewhere before, so please enjoy reading to the end!

[Piano Masterpieces] Want to Listen & Play! Beloved Classical Works (1–10)

Pavane for a Dead Princess in G majorMaurice Ravel

Ravel / Pavane for a Dead Princess / Performed by Rentarō Daidōji
Pavane for a Dead Princess in G majorMaurice Ravel

One of the most famous classical pieces, Pavane for a Dead Princess in G major.

A masterpiece by Maurice Ravel.

I think it’s a piece you often hear at piano recitals.

The key point of this work is the left hand in the B section.

For those whose hands can just barely stretch a ninth, it may feel quite difficult.

If octaves are a weak point for you, this piece might seem hard to approach, but that’s also where it really shines.

It’s not overwhelmingly difficult overall, so I encourage you to give it a try.

Heroic Polonaise in A-flat major, Op. 53Frederic Chopin

Thanks! 500,000 People – Heroic Polonaise – Chopin – Polonaise No. 6 “Heroic” Op. 53 – Chopin – Classical – Piano – CANACANA
Heroic Polonaise in A-flat major, Op. 53Frederic Chopin

Among Frédéric Chopin’s works, the Polonaise in A-flat major, Op.

53—known as the “Heroic”—is regarded as a masterpiece of considerable difficulty, corresponding to an advanced level.

It features many challenging passages, such as the right-hand fourths written in sixteenth notes that appear early on, the unison ascending figures, and the left-hand octaves.

Despite the difficulty, it is a highly rewarding piece to listen to.

If you’re an intermediate player aiming for an advanced level, why not challenge yourself with this work?

Two Arabesques No. 1 in E majorClaude Debussy

Debussy / Two Arabesques: No. 1 in E major / Performed by Masako Nakai
Two Arabesques No. 1 in E majorClaude Debussy

Among Claude Debussy’s works, the especially famous masterpiece is Two Arabesques, No.

1 in E major.

It’s one of the Debussy pieces most often heard at piano recitals.

The difficulty is toward the higher end of the intermediate level.

The key point of this piece is how you apply force.

“Arabesque” means a decorative pattern; accordingly, the piece emphasizes an impersonal, patterned quality in performance, which requires the technique of maintaining a consistent strength throughout.

In that sense, it’s a piece that demands considerable hand stamina, similar to “Feux follets.”

Fantaisie-Impromptu in C-sharp minor, Op. 66Frederic Chopin

Chopin / Fantaisie-Impromptu in C-sharp minor, Op. 66 / Performed by Rutsuko Yamagishi
Fantaisie-Impromptu in C-sharp minor, Op. 66Frederic Chopin

Frédéric Chopin’s masterpiece, “Fantaisie-Impromptu.” This time, I’d like to introduce “Fantaisie-Impromptu in C-sharp minor, Op.

66.” Among the pieces known as “Fantaisie-Impromptu,” this one is especially famous and is considered advanced in difficulty.

In section A, the right and left hands play rapid, independent passages.

In section B, a beautiful melody unfolds.

The A section, in particular, is highly challenging.

Precisely because it’s so demanding, it’s a piece that makes a strong impression when performed, so why not set it as a goal in your piano practice?

Grand Etudes after Paganini, No. 3 ‘La Campanella’Franz Liszt

Franz Liszt — Grandes études de Paganini, No. 3 in G-sharp minor, “La Campanella,” S.141
Grand Etudes after Paganini, No. 3 'La Campanella'Franz Liszt

Franz Liszt’s masterpiece, Grandes études de Paganini No.

3 “La Campanella.” It’s one of the most famous piano pieces, so I imagine many of you know it.

The difficulty is at the very highest level, and even advanced players can slip and make mistakes if they lose focus.

All the more reason it’s incredibly rewarding to listen to.

The key challenges of this work are its numerous leaps and the extremely high degree of finger agility it demands.

There are no shortcuts—you can only build your skills steadily—but I encourage you to set this piece as a goal and devote yourself to practicing the piano.

Songs Without Words, Book V, Op. 62, No. 6, Spring SongFelix Mendelssohn

Spring Song (Mendelssohn) – Lieder ohne Worte, Op. 62, No. 6 in A major – Spring Song
Songs Without Words, Book V, Op. 62, No. 6, Spring SongFelix Mendelssohn

Felix Mendelssohn’s masterpiece “Songs Without Words, Book 5, Op.

62, No.

6, Spring Song.” While Mendelssohn is best known for the “Wedding March,” this time I would like to highlight “Spring Song.” The charm of this piece lies in its exquisitely refined, beautiful melody.

In terms of difficulty, it’s just within reach for beginners—about the level of Czerny 30.

However, if we’re talking about delivering a truly beautiful performance, it ranks among the upper tier of intermediate pieces.

If you want to cultivate your sensitivity and expressive power, I encourage you to take it on.

Italian Concerto, BWV 971J.S.Bach

Bach / Italian Concerto, Movement I, BWV 971 / Performed by: Rentaro Daidoji
Italian Concerto, BWV 971J.S.Bach

Johann Sebastian Bach’s masterpiece, the Italian Concerto BWV 971, is renowned as a work for advanced players.

At a glance the score may seem simple, but once you actually play it, you’ll find it unexpectedly difficult and it demands intense concentration.

Rather than showcasing overt virtuosity like La Campanella, it is a piece that builds physical stamina, much like Feux follets.

If you want to strengthen your fundamental piano skills, I highly recommend tackling this work.

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