Masterpieces of the Romantic Era: A sweeping introduction to soul-stirring, celebrated gems!
The new musical trend that spread across Europe in the 19th century, known as the Romantic movement.
Often called “the most dazzling era in the history of classical music,” the Romantic era saw many composers—foremost among them Chopin and Liszt—leave behind a wealth of masterpieces that have been celebrated for generations.
In this article, we highlight some of the most famous works from the Romantic era, particularly those with high recognition and popularity.
We introduce them alongside insights into each composer’s characteristics, the background in which the pieces were created, and key points to listen for in the works.
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Masterpieces of the Romantic Era: A Sweeping Introduction to Soul-Stirring Gems (11–20)
Triumphal March from the opera AidaGiuseppe Verdi
The Triumphal March is a piece that appears in Act II, Scene 2 of the opera Aida, composed by Giuseppe Verdi.
Part of it is well known as a soccer chant, so even those unfamiliar with classical music may have heard it.
The piece features fanfare trumpets, and a distinctive aspect is that they are performed on stage rather than in the orchestra pit.
String Quartet No. 2, Movement 1Alexander Borodin
Known as a masterpiece brimming with lyrical beauty, this string quartet captivates with its sweet, lovestruck melodies and delicate fragility.
Highlights include the theme that begins in the cello and passes to the first violin, as well as the lively interplay among the instruments.
It is also a highly rewarding piece for performers.
Begun in July 1881 and completed by September—a remarkably swift pace—the work overflows with a warm resonance filled with love.
It is an ideal choice for those who wish to savor beautiful melodies and rich expressiveness.
“Grandes études de Paganini,” No. 6: “Theme and Variations”Franz Liszt
A masterpiece that fuses a graceful, dignified melody with dazzling piano virtuosity.
It brilliantly arranges Paganini’s violin piece for piano and was released to the world in a revised edition in 1851.
Preserving the elegance of the original while fully drawing out the piano’s unique expressive power, it weaves a magical sound that captivates listeners.
With exquisitely crossed hands, flowing chains of arpeggios, and a seamless execution that belies its technical demands, the performance embodies musical artistry.
Though the playing time is a relatively brief two minutes, this work combines rich musicality with advanced technique, offering a quintessential taste of pianistic delight.
It is an ideal piece for those who wish to command the stage or challenge the possibilities of the piano.
Twelve Etudes in All Minor Keys No. 2 in D minor, in a Morossian rhythmCharles Valentin Alkan
This is a solo piano piece distinguished by a powerful triple-meter rhythm.
Its weighty, chordal sonorities—crafted with an ear to the metrical patterns of ancient Greek poetry—evoke an orchestral grandeur.
Published in 1857, the work spans about 8 minutes and 30 seconds, offering a captivating showcase for the piano’s expressive range.
For those who have practiced diligently, it’s a piece that allows you to demonstrate your full abilities.
With its massive chords and dynamic development, it’s highly effective in performance and sure to captivate listeners.
An excellent choice for performers seeking an impactful recital piece or aiming for a rich, orchestral-like resonance on the piano.
Piano Sonata No. 21 in B-flat major, D 960 — Movement III: Allegro vivace con delicatezzaFranz Schubert
A masterpiece whose jewel-like melodies set the heart free.
Completed in September 1828, this work is especially captivating in its third movement, where a light touch is paired with delicate structural nuance.
An eight-bar theme is developed with finesse, and through successive modulations the music moves from a bright B-flat major to its parallel key, B-flat minor, leaving a striking impression of richly colored emotion.
The shading of the melody—born of its distinctive rhythmic pulse and harmonic progressions—deeply moves the listener.
Throughout, Franz Schubert’s inventive modulation techniques and masterful handling of rhythm shine.
This piece is highly recommended for those seeking the deeper flavors of classical music, and for anyone captivated by the structural beauty of piano repertoire.
Piano Quintet in A major, Op. 114, D 667 “Trout” — III. Scherzo: PrestoFranz Schubert
This is a bright, light chamber piece performed at a very fast tempo.
The violin playfully bounces through a cheerful theme, with the other instruments responding in turn, evoking creatures frolicking in a spring brook.
Composed in 1819 when the composer was 22, the work was created at the request of a mining engineer who was an avid cellist.
Its waltz-like energy born of a triple meter, the deft interplay between piano and strings, and the rich sonorities of the lower instruments captivate listeners.
Once used as the departure melody on the platform of JR East’s Joban Line Iwaki Station, this work is widely cherished as a masterpiece of chamber music.
It’s a perfect choice for those who want to feel joy and vitality through music, or who wish to experience a piece that expresses the breath of nature and everyday delight in sound.
Masterpieces of the Romantic Era: A sweeping introduction to soul-stirring gems of famous works (21–30)
Piano Quintet in A major, Op. 114, D. 667 “Trout” — IV. Theme and Variations: AndantinoFranz Schubert
A chamber music masterpiece performed by the uniquely scored ensemble of piano, violin, viola, cello, and double bass.
Composed in 1819 at the request of a wealthy local mining engineer, this work captivates with its bright, sprightly melodies and colorful variations.
In five variations, it vividly depicts a tale of a trout swimming in a clear stream and the crafty fisherman trying to catch it.
Conversational interplay that deftly draws out each instrument’s character, along with tonal shifts from minor to major, grips the listener’s heart.
A familiar classic also known from JR East’s Joban Line Iwaki Station departure melody and TV Asahi’s “Matsuko & Ariyoshi’s Angry New Party.” A piece I can wholeheartedly recommend to anyone interested in chamber music or piano music.