Ranking of Popular Japanese Pop (J-Pop) Artists Among People in Their 50s [2026]

ChampionArisu22rank/position

Alice Champion

A dramatic rock ballad that really resonates with men in their 50s.

It’s also said to be surprisingly easy to score well on in karaoke.

The overall vocal range is D3 to G#4, which is basically on the lower side, so if you sing calmly you shouldn’t rush the tempo and it should be easy to sing.

In the chorus, all three members of Alice sing in harmony at once, so you’ll need to firmly confirm the main melody.

To sing with a rich, rugged tone, try resonating fully in your mouth and imagine projecting a beam from your whole mouth—this will give your voice more depth.

Opening your mouth vertically may also help.

Give it a try and sing it with your best voice!

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Kubota Mami

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Two People’s Summer Story – NEVER ENDING SUMMER –Sugiyama Kiyotaka & Omega Tribe23rank/position

FUTARI NO NATSU MONOGATARI -NEVER ENDING SUMMER- (2018 Remix)

A landmark of city pop by Kiyotaka Sugiyama & Omega Tribe, this song paints a sweet yet bittersweet love story set on summer shores.

Against backdrops of sandy beaches and marinas, the fleeting arc of a romance—from first meeting to parting—is rendered beautifully with an urbane, sophisticated sound.

Released in March 1985, it was featured in a JALPAK ’85 TV commercial for Japan Airlines, reached No.

5 on the Oricon charts, and achieved the remarkable feat of ranking No.

2 for the year on The Best Ten.

An eternal classic that pairs perfectly with summer memories, it’s a song to accompany seaside dates and quiet moments spent reflecting on an unforgettable love.

Dancing HeroOginome Yōko24rank/position

Yoko Oginome / Dancing Hero (Eat You Up) MV [New Dance Ver.]

An upbeat disco-style track you can belt out on vibe and momentum.

The range runs from A3 to C#5, with a higher section at the end, but once you lock into the rhythm, it feels great to sing.

It’s also perfect for getting the crowd going at karaoke! When you sing it, it’s best to articulate the first beat clearly.

If you project your voice solidly at the start, the rest will come out smoothly and it should feel comfortable to sing.

If you’ve got bandwidth while singing, try learning a few light dance moves—falling into the groove makes it even easier to keep the rhythm and feel even better performing it!

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Kubota Mami

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Wine Red Heartanzenchitai25rank/position

Wine Red No Kokoro

A gem of a love song that portrays an adult romance where reason and instinct intersect.

Its melody, passionate yet tinged with a certain fragility, and Koji Tamaki’s sweet, aching vocals resonate deeply.

When we look back on the loves of our past, perhaps the memories of forbidden romances we all may have experienced will vividly return.

Released in November 1983, this track became Anzen Chitai’s first number-one hit on the Oricon charts.

It also drew major attention as the image song for Suntory Akadama Punch’s commercial and as the theme song for the drama “Machigai Darake no Otto Erabi” (“Choosing the Wrong Husband”).

I recommend this piece to those who have experienced profound love that touches on the subtleties of life, or to anyone who wishes to convey long-slumbering feelings in their heart to someone special.

Roppongi HeartbreakAn Ruisu26rank/position

ANN LEWIS W/PINX “Roppongi Shinju” A・A・OH! ’86 LIVE at Nakano Sunplaza

For women in their 50s, when you think of female rock singers, Anne Lewis is probably the first that comes to mind, isn’t she? Among her songs, the one that boasts overwhelming popularity and singability is Roppongi Shinju.

The vocal range of this piece is mid2D to hiA, which is quite narrow for a female song.

Because many of the pitches suit a male vocalist’s range, it’s easy for men to sing, while women will need to adjust the key.

However, there’s plenty of room to shift the key both up and down, so this shouldn’t be a barrier.

Singing it with a rough, gritty edge will heighten the excitement, so give that approach a try.

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Ryo

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RUNNERbakufū suranpu27rank/position

Bakufu Slump “Runner” MUSIC VIDEO (HD)

A heart-stirring anthem of encouragement themed around a track-and-field team, depicting young people who keep running with single-minded devotion.

Released in October 1988, it’s a medium-tempo rock number by Bakufu Slump.

Powerfully interwoven are its strong guitar riffs, exhilarating sense of speed, and the passionate vocals of Mr.

Sunplaza Nakano.

Featured as an insert song on the TV show “Tensai! Takeshi no Genki ga Deru TV,” it became a major hit, reaching No.

6 on the Oricon weekly chart.

Through evocative scenes that summon memories of youth, the song gently sings of bonds with friends and hope for the future.

A gem of a track that stands beside anyone about to take a new step forward.

B-BlueBOØWY28rank/position

B-Blue

This is a classic by the legendary rock band BOØWY, irresistible for its driving beat and razor-sharp vocals.

It’s said that the song weaves together contrasting images: the “blue” of night symbolizing solitude and the “blue” of the sky soaring toward the future.

Released in September 1986 as their fourth single, it was also included on the seminal album BEAT EMOTION.

Many will remember it as an insert song in the film 19: Nineteen, starring Shonentai.

Its cool sound—both nostalgic and fresh—adds a stylish touch to time that’s yours alone.