[40s] Popular Japanese Music / J-POP Rankings [By Generation]

SaudadePorunogurafiti15rank/position

Pornograffitti “Saudade” MUSIC VIDEO

Among people in their early 40s, Porno Graffitti could be considered a very popular music group.

Many might associate them with a high-pitched vocal image, but surprisingly, their songs tend to have a relatively narrow vocal range.

One of their most popular tracks, Saudade, is also set within a fairly limited range of mid2B to mid2G#.

Because it features many slightly rapid phrases, it’s a good idea to plan your breathing carefully between lines.

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Ryo

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Robinsonsupittsu16rank/position

Spitz / Robinson

The moment that introductory guitar arpeggio starts to play, many of you probably find the scenes from those days vividly coming back, don’t you? This is a song by Spitz that I want you to listen to when you feel like pausing for a moment amid the hustle of work and home life.

Released in 1995 as their 11th single, it became a massive hit that put their name on the map.

It’s also well known for being used as the ending theme of the variety show “Imada Koji no Shibuya-kei Uraringo” and as an insert song in the drama “Hakusen Nagashi.” Masamune Kusano’s high, crystal-clear voice and the bittersweet yet warm melody are sure to gently comfort a tired heart.

Included on the album “Honey,” this classic is a song that resonates all the more deeply now that we’re adults.

I don’t want to let go.T-BOLAN17rank/position

I Don’t Want to Let Go

The four-piece rock band T-BOLAN, which brightened the 1990s, released “Hanashitaku wa Nai” as their second single.

It was used as an insert song for the Fuji TV drama “Hotel Woman.” While it wasn’t a runaway hit, the sultry delivery and melody of the chorus linger in your memory, don’t they? Even though they weren’t a visual-kei band, they left an impression of having a certain allure, and the straightforward lyrics bring back memories of a time when human connections felt deeper.

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miyabi

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JAMTHE YELLOW MONKEY18rank/position

THE YELLOW MONKEY – JAM

For rock fans in their 40s, many of you probably once admired THE YELLOW MONKEY.

The band, known for producing numerous classics, has a particularly moving ballad I’d like to recommend—one that resonates deeply.

While portraying laments and inner conflict toward an absurd society, this song carries a message of holding on to hope and continuing to live.

Kazuya Yoshii’s soul-stirring vocals are sure to set your heart ablaze every time you listen.

Released as a single in February 1996, it was used as the ending theme for the music program “Pop Jam.” It also drew attention when it was performed on the 2016 “Kohaku Uta Gassen.” It’s a masterpiece that men in their 40s, especially those feeling pressure at work or at home, should hear—a song that fuels you for tomorrow.

TRUE LOVEFujii Fumiya19rank/position

TRUE LOVE / Fumiya Fujii

Singer-songwriter Fumiya Fujii, who also took the nation by storm as the lead vocalist of The Checkers.

Written, composed, and produced by him, this ballad gently sings of memories with a lover who has gone.

The acoustic guitar tones and Fujii’s tender, comforting voice slowly seep into a taut heart.

Released as a single in November 1993, it became a major hit as the theme song for the Fuji TV drama “Asunaro Hakusho,” and was later included on the album “Angel.” It’s a track you’ll want to listen to leisurely with a warm cup of tea when the daily grind leaves you feeling breathless.

It’s sure to become a talisman-like song that quietly loosens your heart.

Rose of PassionTHE BLUE HEARTS20rank/position

[Official] THE BLUE HEARTS 'Rose of Passion' [6th Single (1990/7/25)] THE BLUE HEARTS / Jyounetsu no Bara

Released on July 25, 1990, this signature song—written and composed by vocalist Hiroto Kōmoto—became the band’s first to reach No.

1 on the Oricon chart.

It was used as the theme song for the TBS drama “High School Graffiti 2” and in commercials, and its driving punk rock sound and upbeat lyrics have continued to be loved across generations.

A distinctive feature is that the chorus appears only once in the latter half of the song, which I think really hits listeners hard.

I want to sing solidly building up to that chorus.

By the way, I always thought the beginning was the chorus, so I was surprised when I realized it wasn’t…! The opening is also very important, and it seems best to sing it clearly and crisply.

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Kubota Mami

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frecklesJUDY AND MARY21rank/position

[4K] Judy and Mary WARP Tour Final (07/24) Freckles (Sobakasu)

A legendary four-piece rock band synonymous with the category of female-vocal rock bands, JUDY AND MARY’s ninth single.

Used as the opening theme for the TV anime Rurouni Kenshin -Meiji Swordsman Romantic Story-, the song’s lyrics and arrangement were deliberately crafted to be unrelated to the anime itself, which likely shocked many listeners at the time.

The cute vocals riding over the eccentric arrangement instantly take many in their forties—regardless of gender—back to their youth.

It’s a massive hit and the band’s only million-selling single.

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Hoshino Takashi

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