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Wonderful Music Rankings

[Ages 60s] Popular Japanese Music / J-POP Rankings [By Generation]

We’re excited to present the latest Top 100 rankings of Japanese music and J-POP for the 60s generation, all in one go, ordered by the highest number of plays!

Music’s true charm is how it brings back memories—songs you used to listen to or tracks that were once all the rage can instantly transport you back, connecting with your own experiences.

Why not take a moment to immerse yourself in the music—and in yourself?

Our playlist is updated every week.

[60s] Popular Japanese Music / J-POP Ranking [By Generation] (71–80)

I just can’t stopYamamoto Rinda71rank/position

Linda Yamamoto – Can't Stop No Matter What (Official Audio)
I just can’t stopYamamoto Rinda

This is a classic by Linda Yamamoto, distinguished by its passionate samba rhythm that makes your heart dance from the very first listen.

The song, which captures the unstoppable rush of emotions when falling in love, made a vivid impact on the music scene at the time.

Released as a single in June 1972, it became a major hit with over 300,000 copies sold and was also included on the album “Dōnimo Tomaranai” released the same year.

It went on to win the Composer’s Award at the 14th Japan Record Awards, and years later was used as the ending theme for the anime “Legends: Reincarnated Dragon King Legend.” Give it a listen when you want to boost your mood on a summer drive or revisit a nostalgic page of your youth.

ShipwreckNakamori Akina72rank/position

An emotionally rich ballad depicting a woman’s heart adrift in deep loneliness after losing the one she loves.

Originally released by Tokiko Kato in 1984, the song was covered by Akina Nakamori in 1987 and performed at the 38th NHK Kōhaku Uta Gassen.

While her mind tells her to “give up,” her emotions overflow and drive her to want to chase after her beloved—feelings that Nakamori’s sultry vocals express to perfection.

The song won the Gold Prize at the 29th Japan Record Awards and topped the Oricon charts, achieving an astonishing 410,000 copies sold.

It has also inspired numerous covers by renowned artists such as Kaori Momoi and Tomomi Kahala.

A gem of a masterpiece to listen to alone, quietly, when heartbreak leaves you on the verge of breaking.

Yoko of the Port, Yokohama, YokosukaDaun Taun Bugiugi Bando73rank/position

This song captivates with lyrics that unfold like a spoken narrative and a rock sound rooted in the blues.

Set in the two port towns of Yokohama and Yokosuka, its story of a man searching for a missing woman poignantly captures his sorrow, leaving a deep impression on listeners.

Incorporating the American talking blues style crafted by Ryudo Uzaki, its innovative arrangement favors speaking over singing, bringing a fresh breeze to the music scene of the time.

Since its release in April 1975, the work spent five consecutive weeks at No.

1 on the Oricon weekly chart.

With a recitative, storytelling delivery, it’s a song that even those lacking confidence in their vocal technique can enjoy performing.

Why not let yourself drift with its unhurried flow and sing while picturing the scenery of the harbor towns?

The Bride of SetoKoyanagi Rumiko74rank/position

Seto no Hanayome – Rumiko Koyanagi (1972) 1979 · HD1080P
The Bride of SetoKoyanagi Rumiko

Seto no Hanayome is a heartwarming ballad that has been loved across generations.

Rumiko Koyanagi’s characteristically clear vocals are striking and gently nestle close to the listener’s heart.

Its relaxed melody lingers in the ears, evoking memories of days gone by.

The lyrics beautifully weave together hope for a new life with a touch of loneliness, making it a song that resonates with people of all ages.

It’s often chosen as a karaoke staple and feels familiar and approachable.

While it stirs nostalgia for the past, it also gives you the courage to face the time ahead with positivity.

A song that offers the healing power inherent in the act of listening—truly a masterpiece worthy of the name.

Like the flow of a riverMisora Hibari75rank/position

A gem of a masterpiece released in April 1989 by Hibari Misora, this song extols the beauty of living by surrendering yourself to the waves of life.

It was the final track released in her lifetime, created with a message for younger generations.

Personally chosen by Hibari herself, the song likens the flow of life to a river, expressing the importance of believing that peaceful times will eventually come, even when faced with hardships and challenges.

Highly recommended for those who want to enjoy a heartfelt moment at karaoke.

This work offers a chance for self-reflection—why not make your time at karaoke even more special with this song?

Midnight Door ~ Stay with MeMatsubara Miki76rank/position

"Midnight Door ~ Stay With Me" / Miki Matsubara Official Lyric Video
Midnight Door ~ Stay with MeMatsubara Miki

The bittersweetness of the night that resonates with her lustrous singing voice invites you into the world of urban mood music.

Miki Matsubara’s debut single is a gem that sets lingering feelings for a former lover to a disco-style rhythm.

Its appeal lies in the sophisticated atmosphere woven by an urban sound that evokes adult romance and polished English phrases.

Released in November 1979 and included on the album “POCKET PARK,” the track became a major hit, reaching No.

28 on the Oricon charts.

It’s recommended for moments when you want to immerse yourself in precious memories while picturing a city nightscape like a scene from a film.

It’s also cherished as an adult love song that can be sung with a smooth, mellow mood.

Pink sighTakahashi Mariko77rank/position

Mariko Takahashi’s classic “Momoiro Toiki.” It features a distinctly exotic melody and, while it carries elements of mood kayō (mood enka), it also incorporates contemporary J-pop characteristics.

The piece sits within a relatively narrow vocal range of mid1 G# to high C.

Since the most frequent pitch is around mid2 G#, most women should be able to sing it without difficulty.

As the song prioritizes mood, it’s recommended to sing with careful dynamics.

If a phrase ends with a consonant, letting it fade out as a voiceless sound can be an effective touch.