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Wonderful Music Rankings

[Ages 60s] Popular Japanese Music / J-POP Rankings [By Generation]

We’re excited to present the latest Top 100 rankings of Japanese music and J-POP for the 60s generation, all in one go, ordered by the highest number of plays!

Music’s true charm is how it brings back memories—songs you used to listen to or tracks that were once all the rage can instantly transport you back, connecting with your own experiences.

Why not take a moment to immerse yourself in the music—and in yourself?

Our playlist is updated every week.

[60s] Popular Japanese Music & J-POP Rankings [By Generation] (11–20)

A Dangerous Pairsawada kenji15rank/position

A masterpiece that brilliantly portrays the bittersweetness of adult romance.

This song, which tells of parting with an older woman, showcases Kenji Sawada’s charm to the fullest.

Released in April 1973, it reached number one on the Oricon weekly chart for the first time in his career and sold a total of 651,000 copies.

The lyrics were written by Kazumi Yasui and the music was composed by Kunihiko Kase.

Yasui’s own experiences are reflected in the lyrics, delicately expressing the complex emotions of love.

Coupled with Sawada’s sultry vocals, it’s a track that deeply resonates with listeners.

Recommended for those troubled by adult relationships or anyone who wants to immerse themselves in a wistful mood.

Sinbad on the Shorepinku redii16rank/position

Set against a summer seaside backdrop, this is Pink Lady’s fourth single, portraying the feelings of a woman falling in love.

It features an up-tempo rhythm and a catchy melody, with alluring elements of disco music.

Released in June 1977, it became Pink Lady’s first million-selling hit.

Reissued as a CD single in 1993 and 1996, the song has been beloved for many years.

In 2005, it was also used as the theme song for a Nippon TV drama, making it popular across generations.

It’s perfect for active scenes like summer drives or beachside barbecues.

A heart-thumping track that lets you relive nostalgic memories of youth.

threadNakajima Miyuki17rank/position

A timeless classic loved across generations, Miyuki Nakajima’s “Ito.” It’s a popular choice among men at karaoke and has been covered by many artists.

The song’s overall range is narrow—F3 to A#4—so if you focus on savoring the meaning of the lyrics, you can sing it well even without much volume.

Since the melody has many sustained notes, aim your breath straight toward your target to keep your voice steady.

Relax your shoulders so you can breathe deeply, and inhale while keeping your upper body loose.

Goodbyeofukōsu18rank/position

This is a pure love ballad that poignantly portrays the end of a romance, released as an Off Course single in December 1979.

With Kazumasa Oda’s warm yet translucent vocals and a heart-stirring melody, the song richly conveys the sorrow of parting.

Its gentle, relatable lyrics—about a first heartbreak or a bittersweet farewell to someone dear—have made it a beloved classic that quietly resonates with listeners.

It was also featured as an insert song in the first season of the TBS drama “Mr.

Kinpachi in Class 3B” and later included on the album “SELECTION 1978-81.” As a song that stands by you through the poignant end of love that comes with winter’s chill, it’s especially recommended for those facing a farewell with someone important.

Wine Red Heartanzenchitai19rank/position

Anzen Chitai - Wine Red no Kokoro (Wine-Red Heart)
Wine Red Heartanzenchitai

The wistful melody and Koji Tamaki’s distinctive vocals are striking, and I’m sure many people include Anzen Chitai in their repertoire.

I love them myself, so I think this is a song I’d be happy to hear sung with a deep, cool voice! The melody doesn’t have many parts where you need to belt, so there’s no need to strain your throat.

Sing calmly, almost like you’re speaking, and enjoy the atmosphere of the song.

The chorus does have a few slightly higher notes, so if you aim your voice properly at those spots, your breath will flow smoothly and you’ll be able to sing comfortably!

BoyhoodInoue Yosui20rank/position

“Shonen Jidai” is even featured in music textbooks.

I used to sing it in music class back in my school days.

The overall vocal range is C#3 to F4, and since it’s in textbooks, I feel like it’s a key that’s easy for anyone to sing.

When you sing it at karaoke, using a soft, airy tone like Yosui Inoue conveys a gentle atmosphere.

If you don’t land firmly on the ends of phrases and instead let them trail off, you can also express a sense of fragility.

For the opening, rather than imitating too much, it’s better to come in clearly—this adds contrast and makes it easier to listen to.

Try to sing with care for the words.

[60s] Popular Japanese Music / J-POP Rankings [By Generation] (21–30)

Rainy MidosujiŌyō Fifi21rank/position

A gem of a love song set on Osaka’s iconic Midosuji, portraying a bittersweet romance drenched in rain amid the bustle of the city.

Fifi Ouyang’s powerful yet delicate vocals vividly capture the pain of heartbreak and lingering attachment.

Released in September 1971, the song spent nine consecutive weeks at No.

1 on the Oricon chart and won the New Artist Award at the 13th Japan Record Awards the same year.

With Japanese lyrics by Haruo Hayashi set to an instrumental originally released by the American rock band The Ventures, this piece perfectly blends a rock-tinged rhythm with a wistful melody.

Why not revisit cherished memories and savor this timeless classic that resonates deep in the heart?