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Wonderful Music Rankings

[Ages 60s] Popular Japanese Music / J-POP Rankings [By Generation]

We’re excited to present the latest Top 100 rankings of Japanese music and J-POP for the 60s generation, all in one go, ordered by the highest number of plays!

Music’s true charm is how it brings back memories—songs you used to listen to or tracks that were once all the rage can instantly transport you back, connecting with your own experiences.

Why not take a moment to immerse yourself in the music—and in yourself?

Our playlist is updated every week.

[60s] Popular Japanese Music / J-POP Rankings [By Generation] (81–90)

RomanceIwasaki Hiromi85rank/position

A classic by Hiromi Iwasaki that joyfully sings of a maiden’s heart falling in love, set to a lively melody.

Released on July 25, 1975 as her second single, it became a major hit, reaching No.

1 on the Oricon chart.

With lyrics by Yu Aku and music by Kyohei Tsutsumi—two masters who represent Japan’s music world—this song was born from their collaboration.

Iwasaki’s crystal-clear voice beautifully captures both the exhilaration and the bittersweet feelings of a woman in love.

It’s a heartwarming track that evokes the sweet and sour memories of youth.

A true gem of a song that everyone struggling with love should hear.

My boyfriend is left-handed.Asaoka Megumi86rank/position

Through Megumi Asaoka’s singing voice, her tender affection for her left-handed boyfriend gently comes through.

The song delicately portrays the feelings of a woman who loves those special parts of him as seen in his small gestures and actions.

Released in 1973, this track reached No.

1 on the Oricon charts and elevated Megumi Asaoka to a top idol representing the 1970s.

By focusing on the individuality of being left-handed, it sings of the depth of loving someone and the beauty of mutually embracing each other’s differences.

It’s the perfect song for when you want to relive the bittersweet memories of youth and feel anew the bond with someone dear.

As time goes bysawada kenji87rank/position

A gem of a ballad that depicts the wounded hearts of lonely men and women, gently wrapped in tender love.

The poignant lyrics about men and women burdened with exhausted hearts strike deep, and when combined with Kenji Sawada’s sultry vocals, they evoke profound emotion.

Released as an insert song for the drama “Akuma no Youna Aitsu,” which premiered in August 1975, this work became a major hit, topping the Oricon chart for five consecutive weeks.

The fusion of Yu Aku’s masterful lyrics and Katsuo Ohno’s lyrical melody produced a treasured classic that quietly stays by your side when you feel weary of life or uncertain about a relationship with someone dear.

The Wind RisesMatsuda Seiko88rank/position

Seiko Matsuda has many famous songs.

While “Kaze Tachinu” is a somewhat lesser-known track, it’s perfect for aiming for a high score at karaoke.

Its relaxed tempo and a vocal line without intricate pitch fluctuations are appealing; although the melody is relatively high, anyone can sing it easily with the right key adjustment.

If there’s one point to watch out for, it’s the pre-chorus (the B section).

Because it features a high phrase with a relatively wide upward pitch movement, you’ll need to consciously track the pitch carefully.

Forever with youKayama Yūzō89rank/position

When it comes to summer songs, many of them evoke clear skies, don’t they? The one I’d like to introduce is “Kimi to Itsumademo.” This song was created by Yuzo Kayama and is well known for having won the Japan Record Award and for being used as a movie theme song.

Its lyrics depict a love song set against a summer twilight, portraying the deep love and bond between a man and a woman.

Be sure to listen to it at dusk and let yourself drift into the mood.

Since it has been sung for many years, you can also enjoy comparing performances from its original era to more recent renditions.

cherrysupittsu90rank/position

An eternal classic released in April 1996, vividly capturing fresh feelings of love and delicate emotions.

With its breezy melody, it carefully portrays poignant scenes of romance that resonate in the heart, leaving a warm afterglow with listeners.

Becoming one of Spitz’s signature songs, it was also included on the album Indigo Chiheisen and reached No.

1 on the Oricon weekly chart.

The song has continued to be used in tie-ins, including TV commercials for NTT East Japan.

Depicting universally relatable themes of pure love and parting that everyone experiences, this track gently encourages those who carry unspoken feelings in their hearts.

[60s] Popular Japanese Music / J-POP Rankings [By Generation] (91–100)

Stars on EarthNakajima Miyuki91rank/position

Stars on the Ground / Miyuki Nakajima [Official]
Stars on EarthNakajima Miyuki

Miyuki Nakajima’s classic “Chijō no Hoshi” has earned support across a wide range of generations.

While the song is memorable for its incredibly powerful, almost growling vocals, the actual pitch movement isn’t that extreme.

The vocal range is compact, from mid1F to hiA#, and at BPM 100 the tempo is also relaxed.

Even so, the song achieves that level of impact not only through Nakajima’s singing style but also thanks to its strong composition.

Adding a shout at the opening lines brings you closer to the intensity of the original, so if you want to really heat up the karaoke room, try incorporating shouts and give it a shot.