Fuyumi Sakamoto’s famous and popular songs

Around the season of urizun (the early springtime in Okinawa, literally “the time when melons begin to grow”)Sakamoto Fuyumi

Urizun Season – Fuyumi Sakamoto

The second release of 2002 (Heisei 14) was “Urizun no Koro,” released on September 4.

As the title suggests, it has an Okinawan flavor.

However, “urizun” refers to the most pleasant season in Okinawa, from spring to early summer, so I wonder if they intentionally shifted the release timing.

Come to think of it, “Yozakura Oshichi” was also released in September.

It peaked at No.

43 and sold 21,000 copies.

In a dreamSakamoto Fuyumi

In a Dream / Fuyumi Sakamoto / Hideyang Cover

In 1995, she released two singles: Uzushio, released on June 7 (peaked at No.

30, 61,000 copies sold), and this song, released on December 13.

It’s a cover of a song by Kiyoshi Kobayashi.

The original was the theme song for a period drama, but she interpreted Kobayashi’s world of masculine melancholy in her own way.

It feels like she was challenging herself with various styles of music around this time.

It peaked at No.

67 and sold 22,000 copies.

Woman of the Land of FireSakamoto Fuyumi

The 10th Woman of the Land of Fire — Fuyumi Sakamoto

Released on April 12, 1991 (Heisei 3).

Returning the setting to Kyushu, this song passionately conveys a woman’s emotions.

It peaked at No.

19 and sold 172,000 copies.

She also appeared at the year-end Kōhaku (her fourth time) with this song.

Notably, her close friend Ayako Fuji made her first Kōhaku appearance that year.

Kaori Kozai debuted in Heisei 2 (1990), Natsuko Godai in Heisei 4 (1992), and Yoko Nagayama in Heisei 5 (1993), marking the beginning of a glamorous era for young female enka artists.

A Man’s Love StorySakamoto Fuyumi

I sang Fuyumi Sakamoto’s “Otoko no Jouwa.”

Released on June 7, 1989 (Heisei 1).

In the third year since debut.

A classic masculine enka song that carries on the world of “Abare Daiko” and “Iwai-zake.” It finally broke into the Oricon Top 10, peaking at No.

7, with sales of 281,000 copies.

On The Best Ten, it climbed as high as No.

13, coming close to the Top 10, marking a remarkable rise amid a slump in enka.

The sun rises.Sakamoto Fuyumi

I sang Fuyumi Sakamoto’s “Hi wa Noboru” (The Sun Rises).

Released on May 11, 2005 (Heisei 17).

It’s a song very characteristic of Fuyumi Sakamoto, along the same lines as her more manly, chivalrous style from three years earlier.

Right after her debut she often sang about the subtleties of men’s and women’s hearts, but around this time she began incorporating plenty of natural imagery into her lyrics—things like spring, summer, autumn, winter, and flowers such as yamakawa-bana.

It peaked at No.

27 and sold 35,000 copies.

wind chimeSakamoto Fuyumi

Fuyumi Sakamoto - Wind Chimes

The first release of 2000 was “Yasha Kaikyō” (peaked at No.

38, 24,000 copies sold), in which she delivered a powerful performance of a weighty, profound theme.

“Fūrin,” released six months later on September 6, explored a completely different world, focusing on feelings toward one’s mother—similar to the world of “Cosmos (Akizakura).” With a melody that matched the autumn atmosphere, she performed “Fūrin” at that year’s Kōhaku.

It peaked at No.

39 and sold 22,000 copies.

Love is a dance of fire, a dance of bladesSakamoto Fuyumi

Love is a dance of fire, a dance of swords — Fuyumi Sakamoto with Natsuko Godai & Ayako Fuji

Released on April 28, 1993 (Heisei 5).

It passionately conveys a woman’s emotions in a style similar to “Hi no Kuni no Onna.” Sales gradually began to stall, peaking at No.

26 with 65,000 copies sold.

That year’s Japan Record Award went to Kaori Kozai’s “Mugon-zaka,” and it was a period when other female enka artists were slowly but steadily encroaching.

Migratory Birds of HarimaSakamoto Fuyumi

No. 69. Migratory Birds of Harima (Fuyumi Sakamoto)

Released on September 8, 2004 (Heisei 16).

Following the previous work “Kimagure Dōchū,” this is an enka about a traveler’s journey.

This time, it highlights the Harima color of the Seto Inland Sea.

The previous year, Kaori Mizumori broke through with “Tottori Sand Dunes” and appeared on the Kōhaku Uta Gassen, after which she came to be called the queen of local-theme songs.

It was a period when the entire enka world seemed to conform to the trend of regional songs, which also tied in with tourism.

It peaked at No.

24 and sold 67,000 copies.

chivalry (manly valor); manly spiritSakamoto Fuyumi

Otokogi

Released on January 17, 2002 (Heisei 14).

Since his debut, he has sung songs themed around men—starting with “Otoko no Jowa” and “Otoko-bore”—while also continuing a line of life-affirming anthems such as “Taishi,” “Kaze ni Tatsu,” and “Rin to Shite.” This song seems to have been created with both of those currents in mind.

It also features local place names from Kyushu, giving it a back-to-basics feel—perhaps a culmination of his work to date.

It peaked at No.

37 and sold 53,000 copies.

That year, he suffered from pancreatitis, which affected his health, and he suspended his activities for a while.

man crushSakamoto Fuyumi

Fuyumi Sakamoto “Manly Admiration”

Released on April 22, 1992 (Heisei 4).

The setting is Kansai/Osaka.

Although the song portrays a masculine world similar to “Otoko no Jōwa,” she delivers it with a gentle, feminine touch.

Being originally from Wakayama, her Kansai dialect expressions are impeccable.

It peaked at No.

16 and sold 168,000 copies.