Songs I want men in their 70s to sing: a roundup of tracks I'd like to hear at karaoke
When you go to karaoke, do you ever feel hesitant to sing only the songs you personally want, but also find yourself unsure what else to choose? In times like that, why not try songs that the people around you would love to hear? In this article, we’re introducing a selection of songs we’d love men in their 70s to sing—all in one go.
We focused mainly on well-known tracks that many people are likely familiar with.
There are plenty of songs that are especially cool when sung by men in their 70s, so please use this as a reference!
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Songs I'd like men in their 70s to sing: A collection of karaoke tracks (81–90)
The Longed-For Hawaii RouteHaruo Oka
As a classic that lit a bright light in postwar Japan, one of Haruo Oka’s signature works is beloved by many.
With its lively melody and yearning for an unseen paradise, the song was released by King Records in 1948.
Its lyrics beautifully express a longing for unknown lands and the exhilaration of setting sail, resonating deeply with people of the time.
Owing to its popularity, it was adapted into a film by Shintoho in 1950, starring Haruo Oka himself, with Hibari Misora as co-star.
It’s a tune that lets you hum along with friends and bask in wonderful memories.
Perfect for music recreation at day-service centers, it’s a classic that everyone can enjoy together.
Otomi-sanKasuga Hachirō
A quintessential enka classic of the Showa era, this song poignantly depicts the bittersweet fate of a man and a woman.
Based on a Kabuki play, the story artfully portrays vivid Edo-period scenery and the complex emotions of the two lovers.
Incorporating elements of Okinawan music and kachāshī, its lively rhythm paired with Hachiro Kasuga’s clear, soaring vocals creates a pleasing resonance.
Released in August 1954, it sold 400,000 copies in just four months and was later covered by many artists, including Mina Aoe and Harumi Miyako.
Evoking warm nostalgia, it’s a perfect piece for recreation—easy to sing together with cheerful handclaps.
Sexual Violet No. 1Kuwana Masahiro
It captivates with a rock sound emblematic of the 1970s and a sultry male vocal.
Depicting a passionate relationship between a man and a woman that exudes a bewitching sensuality, the piece is adorned with Takashi Matsumoto’s sophisticated lyrics and Kyohei Tsutsumi’s masterful melodic lines.
Released in 1979 as a campaign song for Kanebo Cosmetics, it topped the Oricon chart for three consecutive weeks.
Also included on the album “Communication,” it continues to enchant countless listeners.
Masahiro Kuwana’s wild, husky voice and mature allure vividly convey a world steeped in the melancholy of love.
It’s a perfect track for parties or karaoke—ride the catchy rhythm and sing along, and everyone is sure to feel their spirits lift.
It’s okayHikawa Kiyoshi
Life brings various hardships and joys, and Kiyoshi Hikawa delivers a warm, gentle song that embraces them all.
Released in 2019, this work expresses the sadness and feelings of love that everyone experiences through his beautiful vocals.
Like the moon setting and the sun rising, its hopeful message—that tomorrow will surely come—resonates in the heart.
Also included on the album “Shin Enka Meikyoku Collection 9,” this piece is perfect for singing along at recreational gatherings.
Its friendly, singable melody and uplifting lyrics are part of its charm.
Hanjirō of the Hakone Eight RiHikawa Kiyoshi
This work fully conveys the appeal of a traditional traveling-swordsman enka.
Its lyrics delicately depict the loneliness, melancholy, and inner conflict of a drifter, and when combined with Kiyoshi Hikawa’s emotionally rich vocals, you can’t help but be drawn in.
The lone-wolf protagonist, sword in hand, is moved by the warmth of the people he meets in post towns and by his feelings for his mother—truly touching.
Released in February 2000, it became the first debut song in history to win the Grand Prize at the 33rd Japan Lyricist Awards.
It was also used in Taisho Pharmaceutical’s Tiovita Drink commercial.
This piece is recommended for older listeners who love enka.
It’s even more enjoyable when everyone claps along while singing.
a red handkerchiefIshihara Yūjirō
This is a narrative song that gently portrays the spring scenery of Japan’s northern country.
Against a backdrop of blooming acacia flowers, Yujiro Ishihara’s voice, depicting a bittersweet parting in love, leaves a deep, lingering resonance that touches the heart.
Released by Teichiku Records in October 1962, the work created a major buzz at the time.
In January 1964, it was also used as the theme song for a film of the same name starring Yujiro Ishihara, captivating many audiences alongside the movie.
Why not hum along and relive fond memories together? You’re sure to spend a lovely time as you recall days gone by.
Please enjoy a relaxing moment immersed in music under the gentle spring sunshine.
12th graderFunaki Kazuo
This lyrical song is filled with memories of youth, and Kazuo Funaki’s fresh vocals in a student uniform make a striking impression.
Set to a march-like, approachable melody, it gently recounts the joys and loneliness of school life and the partings with friends.
After its release in June 1963, the work achieved astonishing sales and won the New Artist Award at that year’s Japan Record Awards.
It was also adapted into a film, starring Kazuo Funaki himself, with scenes shot in his hometown of Ichinomiya City, Aichi Prefecture.
It’s a song meant to be hummed together as you reminisce about nostalgic youthful days.
Let’s sing along with cheerful handclaps.
Tokyo RhapsodyFujiyama Ichirō
A classic song representing 1936 (Showa 11) was born in a work set in Ginza, Kanda, Asakusa, and Shinjuku, portrayed in a pure and light foxtrot style.
Ichiro Fujiyama’s beautiful voice elegantly sings of urban scenes and a love story.
This piece, which vividly brings to mind the bustling districts of Tokyo at the time, became a massive hit, selling 350,000 copies.
It was Fujiyama’s first release after moving to Teichiku, and a film of the same title was later produced, cementing its status as a beloved song that symbolizes the Showa era.
It’s a perfect track for a calm moment or when reminiscing about the past.
Enjoy a heartwarming time discussing what Tokyo was like back then together with older listeners.
Blue MountainsFujiyama Ichirō
Released in 1949 as a duet by Ichirō Fujiyama and Mitsue Nara, this celebrated song symbolizes Japan’s postwar recovery and hope.
The lyrics, written by Yaso Saijō, overlay the dreams and aspirations of young people onto images of beautiful mountains, while the music was composed by Ryōichi Hattori.
Accompanied by fresh, vibrant vocals, it conveys expectations for a new era, like flowers blooming after a harsh winter.
It was also used as the theme song for a film released the same year based on a work by Yōjirō Ishizaka, and in 1989 it was ranked No.
1 on NHK’s “200 Songs of the Shōwa Era that Remain in Our Hearts.” This piece is a song that, while evoking fond memories, allows older listeners to reminisce together about the topics of that time.
Song of Seeing Spring OffNoguchi Goro
This is a famed song by Goro Noguchi that gently expresses delicate emotions in a springtime love story.
With an elegant voice, it tenderly embraces the bittersweet feelings of young people parting as the warm spring weather arrives.
Its beautiful melody and lyrical words resonate deeply in our hearts.
Released in December 1978, the song carefully portrays a poignant love story.
It’s a piece you can sing together with older adults, sharing memories while reflecting on farewells and new encounters with those dear to you.