Songs I want men in their 70s to sing: a roundup of tracks I'd like to hear at karaoke
When you go to karaoke, do you ever feel hesitant to sing only the songs you personally want, but also find yourself unsure what else to choose? In times like that, why not try songs that the people around you would love to hear? In this article, we’re introducing a selection of songs we’d love men in their 70s to sing—all in one go.
We focused mainly on well-known tracks that many people are likely familiar with.
There are plenty of songs that are especially cool when sung by men in their 70s, so please use this as a reference!
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Songs I’d like men in their 70s to sing: A collection of tracks I want to hear at karaoke (71–80)
Azusa No. 2karyūdō
Woven with care around the image of a train bound for one’s hometown, this song carries profound, relatable emotion alongside the warm, enduring vocals of Hunters.
Released in March 1977, it reached No.
4 on the Oricon Weekly Chart and led to winning the New Artist Award at the 19th Japan Record Awards.
Many artists, including Saya Asakura and Kaori Mizumori, have covered the song.
It’s a heartwarming piece perfectly suited for scenes of gazing at nostalgic landscapes from a gently rolling train window, lost in cherished memories.
a red handkerchiefIshihara Yūjirō
This is a narrative song that gently portrays the spring scenery of Japan’s northern country.
Against a backdrop of blooming acacia flowers, Yujiro Ishihara’s voice, depicting a bittersweet parting in love, leaves a deep, lingering resonance that touches the heart.
Released by Teichiku Records in October 1962, the work created a major buzz at the time.
In January 1964, it was also used as the theme song for a film of the same name starring Yujiro Ishihara, captivating many audiences alongside the movie.
Why not hum along and relive fond memories together? You’re sure to spend a lovely time as you recall days gone by.
Please enjoy a relaxing moment immersed in music under the gentle spring sunshine.
A Love Story in GinzaYūjirō Ishihara · Junko Makimura
Released in 1961, this song portrays the glittering streets of Ginza alongside a poignant love story between a man and a woman.
The duet by Yujiro Ishihara and Junko Makimura beautifully captures the subtle differences in their emotions, with vocals that resonate deeply with listeners.
Featured as an insert song in the film “Kaze-o-Yobu Otoko: From Town to Town” and followed by a film of the same title the next year, it became a major hit.
As an emblem of Ginza, a monument to the song was erected in 1990.
Blending a man’s powerful feelings with a woman’s sultry sentiments, this emotionally rich piece is perfect for moments when you want to talk about love or look back on cherished memories.
Songs I'd like men in their 70s to sing: A collection of karaoke tracks (81–90)
12th graderFunaki Kazuo
This lyrical song is filled with memories of youth, and Kazuo Funaki’s fresh vocals in a student uniform make a striking impression.
Set to a march-like, approachable melody, it gently recounts the joys and loneliness of school life and the partings with friends.
After its release in June 1963, the work achieved astonishing sales and won the New Artist Award at that year’s Japan Record Awards.
It was also adapted into a film, starring Kazuo Funaki himself, with scenes shot in his hometown of Ichinomiya City, Aichi Prefecture.
It’s a song meant to be hummed together as you reminisce about nostalgic youthful days.
Let’s sing along with cheerful handclaps.
Tokyo RhapsodyFujiyama Ichirō
A classic song representing 1936 (Showa 11) was born in a work set in Ginza, Kanda, Asakusa, and Shinjuku, portrayed in a pure and light foxtrot style.
Ichiro Fujiyama’s beautiful voice elegantly sings of urban scenes and a love story.
This piece, which vividly brings to mind the bustling districts of Tokyo at the time, became a massive hit, selling 350,000 copies.
It was Fujiyama’s first release after moving to Teichiku, and a film of the same title was later produced, cementing its status as a beloved song that symbolizes the Showa era.
It’s a perfect track for a calm moment or when reminiscing about the past.
Enjoy a heartwarming time discussing what Tokyo was like back then together with older listeners.
Blue MountainsFujiyama Ichirō
Released in 1949 as a duet by Ichirō Fujiyama and Mitsue Nara, this celebrated song symbolizes Japan’s postwar recovery and hope.
The lyrics, written by Yaso Saijō, overlay the dreams and aspirations of young people onto images of beautiful mountains, while the music was composed by Ryōichi Hattori.
Accompanied by fresh, vibrant vocals, it conveys expectations for a new era, like flowers blooming after a harsh winter.
It was also used as the theme song for a film released the same year based on a work by Yōjirō Ishizaka, and in 1989 it was ranked No.
1 on NHK’s “200 Songs of the Shōwa Era that Remain in Our Hearts.” This piece is a song that, while evoking fond memories, allows older listeners to reminisce together about the topics of that time.
Marilyn Monroe No ReturnNozaka Akiyuki
With a voice tinged with heartbreak and resignation that evokes the end of the world, this classic has been deeply etched into many listeners’ hearts.
Its weighty, socially reflective poetry blends beautifully with a chanson-like, elegant melody line, crafting a singular soundscape.
Interweaving Buddhist imagery and the changing seasons, Nosaka Akiyuki’s vocal performance is breathtaking as it quietly speaks of life’s impermanence and the cycle of rebirth.
Released by Nippon Columbia in 1971 and included on the album “Nosaka Uta Taizen I: Singing Sakurai Jun,” the song was also featured in the 1973 film “Contemporary Gangsters: The Three Blood-Cherry Brothers.” It’s a recommended piece for those seeking to touch a deeper truth of life, or to quietly reflect on their hearts on a still night.