Songs I want men in their 70s to sing: a roundup of tracks I'd like to hear at karaoke
When you go to karaoke, do you ever feel hesitant to sing only the songs you personally want, but also find yourself unsure what else to choose? In times like that, why not try songs that the people around you would love to hear? In this article, we’re introducing a selection of songs we’d love men in their 70s to sing—all in one go.
We focused mainly on well-known tracks that many people are likely familiar with.
There are plenty of songs that are especially cool when sung by men in their 70s, so please use this as a reference!
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Songs I’d like men in their 70s to sing: A collection of tracks I want to hear at karaoke (71–80)
You are more beautiful than a rose.Fuse Akira
This is a single released in January 1979 that sings about the memories of a wonderful romance.
Woven by Akira Fuse’s clear, expansive vocals, the story vividly depicts the emotional moment of noticing how a cherished person has changed after meeting again for the first time in a while.
The chorus melody is striking, and the gentle, heartwarming tone of the song is truly appealing.
The track was featured in a Kanebo Cosmetics commercial and gained widespread popularity.
It is a classic performed four times on the NHK Kouhaku Uta Gassen, first showcased at the 30th Kouhaku.
In 2012, it was also used in a Lotte Fit’s gum commercial.
How about spending some time slowly immersing yourself in the music while flipping through a photo album of memories? It’s a heartwarming song that brings forth a tender feeling of thinking about someone special—highly recommended.
Otomi-sanKasuga Hachirō
A quintessential enka classic of the Showa era, this song poignantly depicts the bittersweet fate of a man and a woman.
Based on a Kabuki play, the story artfully portrays vivid Edo-period scenery and the complex emotions of the two lovers.
Incorporating elements of Okinawan music and kachāshī, its lively rhythm paired with Hachiro Kasuga’s clear, soaring vocals creates a pleasing resonance.
Released in August 1954, it sold 400,000 copies in just four months and was later covered by many artists, including Mina Aoe and Harumi Miyako.
Evoking warm nostalgia, it’s a perfect piece for recreation—easy to sing together with cheerful handclaps.
Sexual Violet No. 1Kuwana Masahiro
It captivates with a rock sound emblematic of the 1970s and a sultry male vocal.
Depicting a passionate relationship between a man and a woman that exudes a bewitching sensuality, the piece is adorned with Takashi Matsumoto’s sophisticated lyrics and Kyohei Tsutsumi’s masterful melodic lines.
Released in 1979 as a campaign song for Kanebo Cosmetics, it topped the Oricon chart for three consecutive weeks.
Also included on the album “Communication,” it continues to enchant countless listeners.
Masahiro Kuwana’s wild, husky voice and mature allure vividly convey a world steeped in the melancholy of love.
It’s a perfect track for parties or karaoke—ride the catchy rhythm and sing along, and everyone is sure to feel their spirits lift.
Cape ErimoMori Shinichi
Shinichi Mori delivers this celebrated song, whose depiction of spring in the northern country resonates deeply, with his distinctive husky voice.
It begins with an image of warming past sorrows by the fireplace, and carefully portrays the process of putting one’s heart in order amid a gentle, everyday life.
It conveys the importance of stepping away from the bustle of the city and reexamining the happiness found in a simple life.
Released in 1974, this work was born from an unconventional collaboration with Takuro Yoshida and won the Japan Record Award.
If you listen to the song slowly under the mild spring sunlight, nostalgic memories will naturally come back to you.
It’s also nice to share old stories over coffee with someone dear.
It’s okayHikawa Kiyoshi
Life brings various hardships and joys, and Kiyoshi Hikawa delivers a warm, gentle song that embraces them all.
Released in 2019, this work expresses the sadness and feelings of love that everyone experiences through his beautiful vocals.
Like the moon setting and the sun rising, its hopeful message—that tomorrow will surely come—resonates in the heart.
Also included on the album “Shin Enka Meikyoku Collection 9,” this piece is perfect for singing along at recreational gatherings.
Its friendly, singable melody and uplifting lyrics are part of its charm.
Hanjirō of the Hakone Eight RiHikawa Kiyoshi
This work fully conveys the appeal of a traditional traveling-swordsman enka.
Its lyrics delicately depict the loneliness, melancholy, and inner conflict of a drifter, and when combined with Kiyoshi Hikawa’s emotionally rich vocals, you can’t help but be drawn in.
The lone-wolf protagonist, sword in hand, is moved by the warmth of the people he meets in post towns and by his feelings for his mother—truly touching.
Released in February 2000, it became the first debut song in history to win the Grand Prize at the 33rd Japan Lyricist Awards.
It was also used in Taisho Pharmaceutical’s Tiovita Drink commercial.
This piece is recommended for older listeners who love enka.
It’s even more enjoyable when everyone claps along while singing.
spring’s dry windIzumiya Shigeru
A work that sharply portrays social pressure and loneliness was included on the 1973 album “Light and Shadow” and later released as a single.
Shigeru Izumiya wrote and composed the song, with production by Kazuhiko Kato.
Interweaving the north wind of spring with the hardships of daily life, it delicately expresses the conflict between the self and society.
The power and message of folk music resonated with many artists, leading to covers by numerous musicians, including Anarchy, Keisuke Kuwata, and Masaharu Fukuyama.
I hope you will cherish moments when we share the feelings in our hearts through music.
This work contains many deeply moving words, and those who have rich life experience—especially older listeners—will surely grasp its essence.