Hit songs in Japan in the late 1960s
When we think of Japan in the late 1960s, we picture an extremely vibrant era: the country had entered the period of rapid economic growth later dubbed the “Izanagi Boom,” and Expo ’70 was held in Osaka.
Musically, it was also a time when waves like the electric guitar craze, the Group Sounds boom, and the folk song boom produced numerous works that left a lasting imprint on listeners and powerfully influenced Japan’s music scene for years to come.
In this special feature, we present famous songs from Japan’s late-Showa 40s era (the 1965–1974 period).
We’ve tried to select as wide a range as possible so that both those who experienced the time in real time and those of later generations can enjoy it.
We hope you enjoy it.
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Hit Songs of Japan in the Late 1960s to Early 1970s (21–30)
Ha-ha-haZa Rindo & Rindāzu
A lively pop tune by The Linds & Linders, released in August 1968, carried by a snappy rhythm and bright melody.
As one of the Kansai region’s representative Group Sounds acts, the song was featured in a popular TV commercial for Nobel Confectionery’s “Amand Kiss,” boosting its recognition even in the Tokyo metropolitan area.
As a signature number from a leading Kansai GS group, the single’s B-side includes the lyrical ballad “Four Days’ Love.” This track was later included in the January 2000 album “The Linds & Linders Meets The Youngers: Complete Singles,” winning over a new generation of fans.
Recommended for those who want to feel the spirit of the Group Sounds heyday or bask in the nostalgia of their youth.
The Song of KemekoZa Dātsu
Released on February 1, 1968, this work carries the sweet-and-sour scent of youth.
Born from a ninth grader turning his feelings for a classmate into verse, it sets a refreshing melody to a tale of tender love for a girl gifted in chemistry.
The bright, comical tune overlays lyrics brimming with pure affection for a girl smiling in the laboratory, striking a chord with students of the time.
The Darts’ vocal version reached No.
2 on the Oricon chart and sold a total of 600,000 copies.
It has been featured on Fuji TV’s “Owarai Tag Match” and the anime “Kemeko Deluxe!”, and has been covered by numerous artists.
Embracing the memory of first love that everyone has known, this song continues to resonate with the hearts of eternal boys and girls.
Hit songs in Japan from the Showa 40s (31–40)
A summer to rememberYamaguchi Momoe
This was Momoe Yamaguchi’s fifth single, released in June 1974 (Showa 49).
It was a hit that won awards such as the Popularity Award at the 16th Japan Record Awards and the Broadcast Music Award at the 5th Japan Kayō Awards.
The title and lyrics may give off a slightly sexual vibe, but they are said to be an expression of “true sincerity.” That said, considering that Momoe Yamaguchi was 15 years old at the time of release, the lyrics are quite provocative, aren’t they (laughs)? Personally, I had the impression that her voice was that of a more composed, mature woman, but listening again now, I find that her voice from this period still retains many very girlish qualities, which feels quite fresh.
There are parts, such as in the lower register of the melody, where the pitch seems a bit unstable, but perhaps that, too, is part of the song’s charm.
Love FugueZa Pīnattsu
This is the 22nd single by The Peanuts, the female duo of Emi Ito and Yumi Ito, released in August 1967 (Showa 42).
Although the song title includes the word “Fugue,” there aren’t actually any fugue-like elements in the melody or arrangement; it was probably meant to evoke the back-and-forth of a romantic chase.
The dramatic intro that opens with the grand sound of timpani and the contrast with the main part of the song feels fresh and fun.
And of course, the duo’s powerful vocals are not overshadowed by those timpani.
Let’s go, Shake!Terauchi Takeshi & Banīzu
A happy tune from March 1967 that weaves together a seaside coming-of-age romance and the explosive sound of electric guitar.
A classic that epitomizes the golden era of Group Sounds, it won fervent support in dance halls and go-go clubs, symbols of youth culture.
Known as a signature work by Takeshi Terauchi and the Bunnys, it was included on the album “Let’s Go ‘Fate’” and won the Arrangement Award at the 9th Japan Record Awards.
The energetic sound born from Terauchi’s exceptional guitar technique and the band’s tight cohesion makes this a gem that conveys the essence of surf rock.
Highly recommended for anyone who wants to relive the radiance of youth or explore the history of Japanese rock.
No-No BoyZa Supaidāsu
This song fuses sophisticated chord progressions influenced by the British beat with a soul-stirring rock ’n’ roll sound.
The musical style crafted by Hiroshi Kamayatsu opened up new possibilities for Japan’s rock scene at the time.
Released as a single by Philips Records in February 1966, it was also featured in the Nikkatsu film Youth A-Go-Go that same year.
With catchy, love-themed phrases repeated throughout, it leaves a deep impression on listeners.
Boasting an innovative melody line and a stylish vibe, this track is recommended for those who want to relive the bittersweet memories of their youth, as well as music fans eager to savor a classic that represents the golden era of Japanese rock.
Please, God!Za Tenputāzu
A youthful prayer, staking sweet feelings on God, resounds alongside a heartfelt longing for love.
The Tempters’ passionate message is vividly colored by Kenichi Hagiwara’s husky voice and the band’s unified performance.
Released in March 1968, the song reached No.
2 on the Oricon chart and was also used in a Kanebo cosmetics commercial.
Its sound, infused with blues and R&B elements, continues to shine as a symbol of the golden age of Group Sounds.
This classic, which gently embraces the hearts of youth troubled by love, is perfect for moments when you want to be honest with your pure feelings or reaffirm your thoughts for someone special.