A roundup of classic Showa-era kayō songs: a comprehensive introduction to timeless tracks loved across generations.
Songs released in the Showa era—what we call Showa kayokyoku—are truly full of timeless masterpieces!
If you’re an adult born in the Showa period, you probably know just how wildly popular Showa kayokyoku was with the entire nation back then.
Meanwhile, even for younger people born in the Heisei era and later, there are still plenty of Showa kayokyoku songs you hear all the time today, and I’m sure many of you can sing quite a few of them without looking at the lyrics.
In this article, we’ll introduce a whole lineup of Showa kayokyoku classics that have continued to be loved across generations.
Take this opportunity to listen again with fresh ears and immerse yourself fully in the world of kayokyoku.
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Collection of classic Showa-era kayō songs: A comprehensive introduction to timeless tracks loved across generations (61–70)
Spring of the AccordionNakano Tadaharu

This is a song by Tadaharu Nakano, a figure who brightened the Showa-era music scene.
Accompanied by the gentle tones of the accordion, its light, springlike melody sinks into the heart.
Included on the album “Onko Chishin: Showa’s Great Singer Tadaharu Nakano,” released in July 2021, this piece showcases Nakano’s signature refined vocals—befitting an artist who was active before the war and helped popularize jazz chorus in Japan.
It conveys the excitement of new encounters and adventures inspired by the cheerful spring weather.
It’s a perfect track for starting a new chapter in life or turning over a new leaf.
The nostalgic yet hopeful vocals are sure to lift your spirits.
Please don’t say goodbyeGorin Mayumi

Released in March 1978, this song feels like a prelude to her later hit “Koibito yo.” Compared to “Koibito yo,” it has a more up-tempo rhythm.
While it is a heartbreak song, it doesn’t emphasize darkness.
I think it’s a masterpiece that showcases her vocal prowess.
High-Teen BoogieGorin Mayumi

This is the seventh single, released in 1982, which also served as the theme song for the film High Teen Boogie.
With lyrics by Takashi Matsumoto and music by Tatsuro Yamashita, it’s a number brimming with a sense of speed and youthful energy.
Try singing it while appreciating its high level of quality.
The Flowers and the Old ManItō Kiyoko

Originally composed for Hitoshi Ueki’s solo album, the song spread widely after Kiyoko Ito covered it in 1967 with her wistful vocal style.
It’s a great song, though a bit understated—people from that era might remember it if prompted, but they probably wouldn’t recall who sang it.
Nevertheless, it’s a classic that has also been covered by Monta Mino and Kotaro Satomi.
It’s a song that makes you wonder: if flowers had hearts, is this how they would express themselves?
Light Blue RainYagami Junko

Despite the high pitch, what moves me most is Junko Yagami’s overwhelming, frighteningly stable vocal ability.
I heard the lyrics came to her on a whim while walking in Harajuku.
Is that how it is for all singer-songwriters? It’s amazing to come up with an idea so effortlessly, quickly turn it into a song like this, and have it become a hit.


