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A roundup of classic Showa-era kayō songs: a comprehensive introduction to timeless tracks loved across generations.

A roundup of classic Showa-era kayō songs: a comprehensive introduction to timeless tracks loved across generations.
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Songs released in the Showa era—what we call Showa kayokyoku—are truly full of timeless masterpieces!

If you’re an adult born in the Showa period, you probably know just how wildly popular Showa kayokyoku was with the entire nation back then.

Meanwhile, even for younger people born in the Heisei era and later, there are still plenty of Showa kayokyoku songs you hear all the time today, and I’m sure many of you can sing quite a few of them without looking at the lyrics.

In this article, we’ll introduce a whole lineup of Showa kayokyoku classics that have continued to be loved across generations.

Take this opportunity to listen again with fresh ears and immerse yourself fully in the world of kayokyoku.

Showa-era Kayō Classics Roundup: A comprehensive look at timeless songs loved across generations (1–10)

foreignerKUBOTA Saki

Saki Kubota "Ihōjin" Animated Music Video
foreignerKUBOTA Saki

With its strikingly exotic vibe, the song captures listeners’ hearts, enhanced by Saki Kubota’s sultry vocals.

Released in October 1979, it was also featured in a Sanyo Electric commercial and reached No.

1 on the Oricon chart in December of the same year.

It became a massive hit, selling over one million records.

The song’s allure lies in its foreign, evocative melody and lyrics that resonate deeply.

It may be the perfect track for those looking to heal the pain of heartbreak or feeling the loneliness of a new environment.

Until we meet againOzaki Kiyohiko

Kiyohiko Ozaki Until the Day We Meet Again 1971
Until we meet againOzaki Kiyohiko

When it comes to classic Showa-era kayō songs, this is the one! It’s known as Kiyohiko Ozaki’s signature work.

The lyrics, which depict a man and woman who have resolved to part ways, convey a sense of aesthetic beauty.

The vivid detail of erasing each other’s names from the nameplate and setting off on new paths is especially striking, making it easy to imagine the characters’ emotions.

Released in March 1971, the song won the Grand Prize at both the 13th Japan Record Awards and the 2nd Japan Kayō Awards.

It was also selected as the entrance march for the 44th National High School Baseball Invitational Tournament in 1972.

It’s a song I recommend to anyone who has experienced a breakup or is trying to move on from parting with someone important.

Cotton HandkerchiefŌta Hiromi

Hiromi Ohta “Cotton Handkerchief” Music Video (Animation by Ai Nina)
Cotton HandkerchiefŌta Hiromi

This song by Hiromi Ohta is known as a masterpiece that bridged folk and kayōkyoku (Japanese pop).

Its standout feature is its innovative lyric structure: a dialogue between a man and a woman themed around a long-distance relationship.

Released in 1975, it became a massive hit, selling 867,000 copies.

Created by the duo of Takashi Matsumoto and Kyohei Tsutsumi, it captured the hearts of many listeners.

It’s recommended not only for those who have experienced long-distance love, but also for anyone who has gone through a farewell with someone dear.

Love MemoryMatsuzaki Shigeru

It is a song that celebrates the depth and beauty of love.

Released in August 1977, this track is Shigeru Matsuzaki’s 14th single and is widely known as one of his signature songs.

It looks back on bittersweet memories with a loved one and sings about the essence of love.

Emphasizing the importance of loving one another, it asks what true joy in life is.

The song gained attention when it was used in a commercial for Ezaki Glico’s Almond Chocolate, and it also marked his first appearance at the 28th NHK Kōhaku Uta Gassen.

It’s a heartwarming piece to listen to while thinking of someone you love.

Lingering Snowiruka

Originally written and composed by Shozo Ise of the group Kaguya-hime, who also sang it himself.

The following year, in 1975, Iruka covered the song and it became a big hit.

It’s a classic that captures the colors of the Showa era, with beautifully poignant lyrics about seeing off a girl as she leaves for the city.

It might be nice to compare and enjoy the unique qualities of both Shozo Ise’s and Iruka’s versions.