A roundup of classic Showa-era kayō songs: a comprehensive introduction to timeless tracks loved across generations.
Songs released in the Showa era—what we call Showa kayokyoku—are truly full of timeless masterpieces!
If you’re an adult born in the Showa period, you probably know just how wildly popular Showa kayokyoku was with the entire nation back then.
Meanwhile, even for younger people born in the Heisei era and later, there are still plenty of Showa kayokyoku songs you hear all the time today, and I’m sure many of you can sing quite a few of them without looking at the lyrics.
In this article, we’ll introduce a whole lineup of Showa kayokyoku classics that have continued to be loved across generations.
Take this opportunity to listen again with fresh ears and immerse yourself fully in the world of kayokyoku.
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Summary of classic Showa-era kayōkyoku hits: a comprehensive showcase of timeless songs loved across generations (11–20)
Let yourself go with the flow of timeTeresa Ten
A signature song by Teresa Teng, known as the diva of Asia.
The lyrics are striking for expressing a powerful devotion to a loved one, even as one surrenders to the flow of time.
Her voice, imbued with deep love and aching tenderness, moves the hearts of many.
Released in Japan in 1986, it quickly became a hit.
A Chinese-language version was also produced, turning it into a classic beloved across Asia.
Its universal themes and emotional expression resonate across generations, and it continues to be covered by many artists today.
It’s a song I especially recommend to anyone who has experienced heartbreak or parting.
Imperial Regent Declarationsadamasashi

This is a classic song that humorously captures a man’s true feelings on the eve of marriage.
When it was released in July 1979, it sparked debate over gender roles, yet also won support from listeners who didn’t usually buy pop songs, becoming a major talking point.
It reached as high as No.
2 on TBS’s “The Best Ten.” At concerts, it’s customary for the audience to sing along to the ending section.
The charm lies in how, beneath the clumsy words, you can sense his single-minded desire to protect his family and his deep affection.
It’s perfect for anyone who wants to convey feelings that are usually too embarrassing to say out loud—through this song.
17 years oldMinami Saori

A song depicting the sparkle of youth and the stirrings of first love became Saori Minami’s debut single, released in 1971.
Her clear, translucent vocals blend beautifully with the fresh melody crafted by Kyohei Tsutsumi, propelling the track to a major hit that ranked high on the Oricon charts.
It garnered numerous awards, including the New Artist Award at the 13th Japan Record Awards.
The lyrics, exquisitely expressing the delicate emotions of a 17-year-old girl, resonated with many and have continued to be cherished across generations.
This work sings of a yearning to affirm love by the sea and a powerful longing for the object of one’s affection, evoking a vivid snapshot of youth in the listener’s heart.
March of 365 StepsSuizenji Kiyoko

When it comes to iconic Showa-era kayōkyoku, this song by Kiyoko Suizenji is a standout classic! More than half a century after its release, it continues to be loved by many.
As an anthem for life, it conveys the importance of always facing forward and keeping on walking.
The lyrics, infused with Buddhist teachings and the spirit of tea ceremony, carry deep meaning.
Released in November 1968, it became an instant hit.
The following year, it was selected for the NHK Kōhaku Uta Gassen and as the entrance march for the National High School Baseball Invitational Tournament, earning widespread affection.
The piece delivers a positive message that the small steps we take each day will eventually lead to great achievements.
It’s a song we’d love anyone who’s striving—or in need of encouragement—to hear!
Tsugaru Strait Winter SceneIshikawa Sayuri

As one of the most iconic songs of the Showa era, it continues to be loved by many to this day.
Sayuri Ishikawa’s vocals brilliantly capture the emotions of those crossing the Tsugaru Strait.
Released in April 1977, it created a huge buzz, including being performed at that year’s NHK Kohaku Uta Gassen.
The lyrics weave in images of the snowy scenery at Aomori Station and people quietly returning north, vividly conveying what travel on the Seikan Ferry was like at the time.
It’s a song I especially recommend to those living away from their hometowns or those who love to travel.
If you listen to it during the bone-chilling winter season, it will resonate with you even more.



