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[Spring Songs Born in the Showa Era] A Curated Selection of Kayōkyoku That Colored the Times and Timeless Classics Still Sung Today

When the first reports of cherry blossoms start to arrive, is there a melody you find yourself humming without thinking?Spring is a season of meetings and partings, and also the time when many masterpieces were born.In the Shōwa era, songs that colored spring were delivered without cease—from the lyrical prewar pieces, to the energetic kayōkyoku of the high-growth years, and on to dazzling pops.Nostalgic spring songs from Shōwa continue to resonate in many hearts across generations even today.In this article, we introduce a wide range of springtime songs born in the Shōwa period, from kayōkyoku that capture the spirit of their times to timeless gems still sung today.Please enjoy them as you picture the scenes from back then!

[Spring Songs Born in the Showa Era] A Select Collection of Kayokyoku That Colored the Times & Timeless Classics Still Sung Today (51–60)

spring hazeIwasaki Hiromi

Released in 1979, Hiromi Iwasaki’s single “Haru Oboro” captured the hearts of many listeners with a wistful yet beautiful melody and lyrics perfectly suited to spring in the Showa era.

The song seamlessly blends Michio Yamagami’s delicate, emotive lyrics with Kyohei Tsutsumi’s flowing melody.

In the lyrics, the protagonist’s lover visits her parents to ask for permission to marry, only to be bluntly turned down.

The subtle tension between the two afterward and her aching feelings resonate deeply.

Song of Seeing Spring OffNoguchi Goro

A poignant ballad that delicately portrays the moment spring slips away.

Goro Noguchi’s soaring vocals beautifully capture the bittersweetness of youth and the resolve to set out on a new journey.

Released in December 1978, the song reached No.

14 on the Oricon chart and No.

8 on The Best Ten, and it ranked 46th on the 1979 year-end chart.

Created by the duo of Yū Aku and Kyōhei Tsutsumi, it tells a story of a man and a woman set on a rainy spring day.

With Noguchi’s tender, empathetic singing, this track deeply moves listeners with its portrayal of a heartrending relationship.

Maiden’s SpringAwaya Noriko

This is a song by Noriko Awaya, a pioneer of chanson in Japan who was also affectionately known as the “Queen of Blues.” Otome no Haru (Maiden’s Spring) was released in 1934 (Showa 9), with music by Yuji Koseki and lyrics by Yoshifumi Shimada.

Strongly imbued with the atmosphere of the Showa era, its gentle sound by the Columbia Orchestra is striking, evoking the warmth of spring.

The lyrics depict a woman in scenes related to spring, expressing moments such as gazing into the distance in contemplation and shedding tears.

A Letter Waiting for Springyoshida takurou

This is a classic song by Takuro Yoshida that portrays a man and a woman, far apart from each other, sharing their feelings through letters.

Released in October 1979, it peaked at No.

52 on the Oricon Weekly Singles Chart.

Inspired by real letters exchanged between director Shunichi Jinyama and his wife Naoko, the song conveys the ache of longing, carried by Yoshida’s warm voice and melody.

Included on several renowned albums, such as ONLY YOU 〜since coming For Life〜 and Yoshida Takuro Best 60, it remains beloved across generations.

It is a song that resonates with those in long-distance relationships or anyone whose heart is filled with thoughts of someone dear, evoking a gentle tenderness and wistfulness like waiting for the arrival of spring.

[Spring Songs Born in the Showa Era] A curated selection of kayōkyoku that colored the times and timeless classics still sung today (61–70)

A snap in yellow-green (moegi)anzenchitai

The Showa-era classic “Moegiiro no Snap” was released on February 25, 1982, as the song that marked Anzen Chitai’s major-label debut.

Koji Tamaki’s delicate yet resolute talent for songwriting, poured into this track, became the foundation of Anzen Chitai’s diverse musicality.

And its crystal-clear melody, like a harbinger of spring, still feels fresh even today! Be sure to listen closely while paying attention to the beautiful lyrics that paint springtime scenes.

cherry blossom frontKoyanagi Rumiko

Cherry Blossom Front by Rumiko Koyanagi
cherry blossom frontKoyanagi Rumiko

Released in 1976, Rumiko Koyanagi’s “Sakura Zensen” paints a gentle yet wistful portrait of new beginnings arriving with the onset of spring.

The lyrics delicately trace scenes from a journey across Japan alongside subtle shifts of the heart, where reflections on what has been lost intertwine with hopes for the new season.

It’s a song to listen to while dreaming of spring, with Koyanagi’s warm vocals offering close comfort.

Especially when the cherry blossoms are in full bloom, when you’re embarking on a new chapter, or when you feel the loneliness of loss, this song will surely be a powerful ally.

Spring-colored airmailMatsumoto Noriko

Noriko Matsumoto’s debut single “Haruiro no Air Mail” is a classic J-pop song released with the arrival of spring in 1985.

Written and composed by EPO, the song cleverly captures the fluttery excitement of the changing seasons through the motif of an airmail letter.

It expresses feelings for a lover far away, and its ache and anticipation resonate deeply with listeners.

With its light, catchy melody and Matsumoto’s refreshing vocals, it conveys a sense of innocence and the beginning of a new season.

As spring arrives, why not listen to this song and let your heart skip a beat?