Recommended for men in their 30s: Karaoke songs that were a hit back in the day
For men in their 30s, you’re likely starting to take on more responsibility at work, and even if you don’t actually like singing that much, you may be finding more occasions where you have to go to karaoke for work-related socializing.
In this feature, we’ve put together a selection of easy-to-sing songs recommended for men in their 30s who aren’t usually that keen on singing.
It should also be helpful for those who think, “I actually like singing, but I’m not good at it…,” and end up hesitating to sing at karaoke and the like.
Some of the individual song articles include brief tips and advice on how to sing them well, so please make good use of this piece.
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- Karaoke songs recommended for men with low voices or who are good at singing in a low register
- Recommended Japanese pop songs for karaoke for men in their 30s
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- Here are foolproof picks! Flirt-worthy karaoke songs recommended for men in their 30s
- For men in their 30s: Nostalgic music. Recommended popular songs
- Karaoke songs where even men with low voices can aim for high scores
- Even if you’re tone-deaf, it’s okay! Easy karaoke songs for men in their 40s
- [Anime Songs] Anime tracks recommended for men in their 30s to sing at karaoke
- Must-see for men: Songs that look cool if you can sing them at karaoke—numbers that women can’t help but be captivated by.
- [For Men] This song is perfect for hyping up the crowd at karaoke!
- Karaoke songs for men in their 40s: a curated selection of hit tracks women want to hear!
- [For Men in Their 20s] Easy-to-Sing Oldies & Recent Songs for Karaoke
[Recommended for men in their 30s] Karaoke songs that got everyone hyped back in the day (131–140)
Artificial flowers laughACIDMAN

ACIDMAN’s major-label debut song “Zōka ga Warau” (“Artificial Flowers Laugh”).
Released at the exceptional price of 300 yen, it became a nationwide hit thanks to its buzz and solid musicality.
If you’re a man who likes bands from the late 30s era, you’ve probably heard it at least once.
The singable point of this track is its simple vocal line that you can deliver roughly without any problem.
Because the chorus feels like it’s about to surge but never quite does, the overall range is surprisingly narrow.
There’s no vibrato or operatic-style shouts either, so simply singing with a rough, raspy tone like in the original will be more than enough to make it work.
monologueHata Motohiro × Matayoshi Naoki

Since his debut in the mid-2000s, Motohiro Hata has been active as one of the leading singer-songwriters in the Japanese music scene.
He’s known for his innate singing voice—often described as a “voice made of steel and glass”—marked by a slightly husky quality and delicate high tones.
He has many fans among fellow musicians, and there are surely people who practice karaoke every day aspiring to his voice.
The song we’re introducing today, Hitorigoto, is a distinctive collaboration between Hata and Naoki Matayoshi.
Matayoshi wrote the lyrics and also performs a spoken reading at the beginning of the track.
Overall, it’s an acoustic, singer-songwriter piece tinged with melancholy.
To be honest, a song like this does demand a high level of expressive ability, but because it’s built on a simple melodic line, it will sound good if you focus on delivering Matayoshi’s literary lyrics as if you’re speaking to the listener.
If possible, try to recreate it including the spoken introduction!
pure whiteFuji Kaze

Fujii Kaze’s new song “Masshiro.” When you think of Fujii Kaze, his music is striking for its foundation in Black music genres like R&B, soul, and neo-soul, but this work is characterized by a dream pop-like finish.
The vocal range is on the narrower side for his songs, which alone makes it quite easy to sing, but the most distinctive feature is the vocal line.
In this track, the vocal line moves very gently in pitch, and the groove isn’t heavily emphasized either.
Among his songs, it’s one of the easiest to sing, both rhythmically and in terms of the vocal line.
HAPPYSaitō Kazuyoshi

Kazuyoshi Saito is a renowned singer-songwriter with a career spanning over 30 years, admired by many fellow musicians for his unique, uncompromising stance that resists trends.
A devoted Loudness fan and former metalhead in his youth, Saito possesses a broad musical range that defies categorization, excelling in rock, pop, and ballads alike.
His subtly awkward, deeply expressive vocals and lyrics are also irresistibly appealing.
Released in April 2025, Saito’s “HAPPY” is an anthemic track propelled by rough-edged guitar sounds, written as the theme song for the TV program “Saturday LIVE News Zigzag.” It’s a song you’ll definitely want to try at karaoke: its wistfully moving melody is sure to resonate across generations.
The rapid-fire vocal line that appears in the chorus takes a bit of practice, but once you get used to it, it isn’t difficult—so sing it repeatedly until you can deliver it smoothly!
When the cherry blossoms bloomFujimaki Ryota

Ryota Fujimaki, known as the vocalist of Remioromen, is now also actively working as a solo artist and has produced several notable songs.
Among his tracks, the one I especially recommend is Sakura no Hana ga Saku Koro (When the Cherry Blossoms Bloom).
Perhaps because his musical style hasn’t changed, this piece has a classic J-pop finish.
The vocal range is about average, and since there are no sudden pitch jumps or advanced techniques required, it’s definitely a song where it’s easy to aim for a perfect score.



