A masterpiece by Richard Wagner. Popular classical music.
We’ve put together a collection of masterpieces by Richard Wagner, the 19th-century German composer known as the “King of Music Drama”! He wrote the librettos for most of his own operas and was known not only as a composer but also as a man of letters, making him one of the figures who exerted broad influence across Europe in the latter half of the 19th century.
True to his title as the King of Music Drama, he wrote a great many music dramas; however, he also left works such as the Symphony in C major, as well as numerous piano pieces and songs.
Those familiar with wind bands may recognize Wagner’s name from “Elsa’s Procession to the Cathedral.” This time, we’ve selected some of Wagner’s greatest works.
Please give them a listen!
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Richard Wagner’s masterpieces. Popular classical music (51–60)
Elsa’s Procession to the Cathedral from the opera LohengrinRichard Wagner
Wagner, famous for grand and dramatic works such as the Ride of the Valkyries.
This piece is no exception—it’s monumental—but the woodwind melody at the beginning also conveys a pure, understated beauty.
It gradually builds in intensity, and the climax is, as expected, majestic.
Opera ‘The Valkyrie’Richard Wagner
As the Romantic era entered its later phase, musical expression reached its limits, pushing Western tonal harmony—based on functional harmony since the Classical period—almost to the point of collapse, and works with extremely long performance times also appeared.
“Ride of the Valkyries,” a piece from the opera Die Walküre, is one of the most widely known works in Wagner’s music.
Wedding MarchRichard Wagner
Would Wagner’s Wedding March be a clear example when we think of organ-centered music? I think this piece evokes the image of a wedding held in a small chapel with a solemn atmosphere.
The sound of the organ really focuses the mind, doesn’t it?
Arrival at the Black Swan (Album Leaf), WWV 95Richard Wagner
Richard Wagner’s “Ankunft bei den schwarzen Schwänen, WWV 95” evokes a scene that is both mysterious and romantic.
Composed in 1861, this piece reveals a gentle, elegant side that sets it apart from Wagner’s large-scale operas, yet beneath the surface one can glimpse the passion and dramatic qualities that permeate his music.
It’s a beautifully wistful work that also conveys a certain warmth—recommended not only for classical music enthusiasts but also for those beginning to explore the allure of piano pieces.
Masterpieces by Richard Wagner: Popular Classical Music (61–70)
Wagner: Tristan und Isolde, Act 1 (complete) — Nilsson / conducted by SoltiRichard Wagner
This is a pastoral song by Wagner, a great composer who worked across a range of musical genres, not limited to pastoral music.
Compared to his other works, it is performed with a somewhat subdued rhythm, and it is characterized by lyrics that frequently express sorrow and grief.
Prelude to Die Meistersinger von NürnbergRichard Wagner
With its resplendent timbre ringing out, this is one of Richard Wagner’s signature works.
Marked by a majestic atmosphere and festive sonorities, it is a perfect piece for award ceremonies.
Premiered in Munich in June 1868, the work serves as the prelude to a comic music drama set in 16th-century Germany, depicting a harmony between tradition and innovation.
Completed after more than 20 years of conception, it is a monumental composition that distills Wagner’s artistic vision.
Used at ceremonies or celebrations and other auspicious occasions, it will instantly elevate the mood of the event.
Liebestod (Isolde’s Love-Death) from Tristan und IsoldeRichard Wagner
Tristan und Isolde is a very famous opera composed by Richard Wagner between 1857 and 1859.
The influence this work has had on artists around the world is far too great to recount here, but what I will introduce in this article is the piece Isolde’s Liebestod, arranged by Franz Liszt in 1867 from the original aria that crowns the finale of Act 3 of Tristan und Isolde.
As a work used at the climax, it is highly renowned and is not only frequently performed as an independent piece, but also often used in films and television.
One is astonished by Liszt’s brilliance in expressing Wagner’s solemn and weighty worldview with a single piano and ten fingers.
Of course, even without knowing the story of Tristan und Isolde, listeners can have a moving experience that stirs the emotions; nevertheless, it is certain that knowing the original will allow one to be even more deeply moved.
