Masterpieces by Gustav Mahler. Popular classical music.
We would like to introduce the works of Gustav Mahler, a composer and conductor renowned as a master of symphonies and songs, who was active in Vienna, Austria.
Today, many of Mahler’s works—such as Symphony No.
1 “Titan,” Symphony No.
2 “Resurrection,” and Symphony No.
8 “Symphony of a Thousand”—are frequently performed.
However, in his time, while he achieved great status as a conductor, it is said that it took quite a while for him to be recognized as a composer.
We’ve selected a number of masterpieces that reveal more of Mahler’s charm the more you listen.
Be sure to check them out.
Masterpieces by Gustav Mahler. Popular classical music (1–10)
Symphony No. 9 in D majorGustav Mahler
This work can be called Gustav Mahler’s testament, a monumental symphony.
Completed as the final piece of his life, it strongly reflects Mahler’s views on life and death.
Structured in four movements, each has its own distinctive character.
The first movement portrays the contrast between life and death; the second is based on Austrian folk dance.
In the third movement, humor and acerbity are fused, and the final movement unfolds with serene, profound music.
Composed in 1909, the piece was first made public after Mahler’s death.
It can be regarded as the culmination of Mahler’s musical output and has continued to move countless music lovers deeply.
It is a highly recommended piece for those who wish to listen quietly and reflect.
Symphony No. 5 in C-sharp minorGustav Mahler
This is a monumental symphony left by Gustav Mahler, the great master of the music world born in Austria.
A large-scale work of about 70 minutes comprising five movements, it unfolds a rich sonic landscape woven from the beautiful melodies of the strings and the powerful resonance of the winds.
In particular, the fourth movement, the Adagietto, was used in the film Death in Venice and has become synonymous with Mahler’s music.
Completed in 1902 and premiered on October 18, 1904, this work embodies Mahler’s reflections on his own life and on nature, and it deeply moves listeners’ hearts.
It is recommended not only for those interested in classical music but also for anyone who wishes to experience grand, expansive music.
Symphony No. 1 in D major “Titan”Gustav Mahler
This is the first symphony composed by Gustav Mahler, known by the nickname “Titan.” It so thoroughly depicts the inner landscape of human adolescence that one might even consider retitling it “Youth.” Like Tchaikovsky’s and Kalinnikov’s First Symphonies, it is an early work, yet it is a masterpiece of extraordinarily high refinement.
Among Mahler’s symphonies, its orchestration is just right in scale, and its duration is shorter than the others, making it the most frequently performed in orchestral concerts.
At its premiere it was presented as a “symphonic poem,” and when it was performed in 1893 it was given the title “Titan,” said to be taken from Jean Paul’s novel Titan, a favorite of Mahler’s.
Symphony No. 3 in D minorGustav Mahler
This symphony, which begins with eight majestic horns, draws you into the world of Gustav Mahler—the Austrian master composer—from the very first moment.
With each new work Mahler wrote, his pieces grew longer and his orchestration expanded; in this symphony alone, the strings require as many as 88 players, and whereas his First Symphony runs about 55 minutes, this six-movement work stretches to a remarkable hour and forty minutes.
It was once even listed in the Guinness Book of Records as the longest symphony in the world.
Yet unlike his previous two symphonies, which depict the inner drama of human experience, this piece reveals a strong empathy with and hymn to nature.
It was originally conceived in seven movements, a testament to the extraordinary ambition behind Mahler’s compositional vision.
Symphony No. 2 in C minor “Resurrection”Gustav Mahler
This is Gustav Mahler’s Second Symphony.
Whether nicknames make works more familiar, or familiarity and sympathy lead to nicknames, this symphony—following the “Titan”—is among the most frequently performed.
Often featured at memorial concerts for composers and great performers in the classical world, this “Resurrection” was, however, a title Mahler himself never used.
Compared to the First Symphony, the orchestration is expanded, marking a period when his forces were growing: it introduces an organ, an offstage band (banda), and incorporates voices in the fourth and fifth movements.
Mahler also wrote a piece called “Totenfeier” (Funeral Rites), which is the original version of the first movement; please be sure to listen to Totenfeier as well.
From the song cycle “Songs on the Death of Children”: “Now the Sun Rises Radiantly”Gustav Mahler
This piece is one of Gustav Mahler’s song cycles for voice and orchestra.
While “presentiment” or a “premonition” generally refers to a foreboding of misfortune, perhaps something was being intimated to Mahler on a deeper level.
Four years after composing this work, Mahler suffered the tragedy of losing his beloved daughter Maria to scarlet fever at the age of four.
Although Mahler experienced many bereavements among close family members—such as his brother’s suicide—this song, with a certain irony, powerfully portrays the figure of a father mourning his daughter.
Whereas songs are usually accompanied by piano, this work uses an orchestra, whose accompaniment lends a more cinematic quality and deepens the sense of melancholy.
Symphony “The Song of the Earth”Gustav Mahler
It is a symphony with vocal parts for two soloists composed by Gustav Mahler in 1908.
The Song of the Earth was completed after the Eighth Symphony and, strictly speaking, should have been given the number “No.
9.” However, mindful that Beethoven and Bruckner both died after writing their Ninth Symphonies, Mahler chose not to assign a symphony number and instead titled the work “The Song of the Earth.” It is a six-movement symphony based on poems from The Chinese Flute (Die chinesische Flöte), a collection compiled by the German poet Hans Bethge.