Johann Strauss II | Introducing Famous and Classic Pieces
Johann Strauss II, a leading Romantic composer who was active in Vienna, Austria.
Focusing on dance music such as the Viennese waltz and the polka, a Czech folk dance, he was known as the “Waltz King” and the “Sun of Vienna.”
Moreover, having produced masterpieces in operetta as well, he was also called the “King of Operetta,” enjoying immense popularity not only in Austria but throughout Europe.
In this article, we introduce some of Strauss II’s famous and staple pieces.
Why not immerse yourself in his dazzling music?
Johann Strauss II | Introducing Famous and Classic Pieces (1–10)
batJohann Strauss II
Among Johann Strauss II’s Viennese operettas, this work is known as the “king of operettas.” In Vienna and other German-speaking countries, it is traditionally performed on New Year’s Eve at opera houses, often featuring star singers.
Perpetual MotionJohann Strauss II
Composed in 1861, Perpetuum Mobile is a piece that gives the impression of moving forever.
Also known as a “perpetual motion” work, it is characterized by a continuous stream of notes played at a steady tempo, employing virtuosity in a form that can, in principle, repeat infinitely.
Showcasing Johann Strauss II’s originality and sense of humor, this work remains fresh today and continues to be loved by many.
It is frequently performed at New Year’s Concerts and is highly recommended for those seeking light, delightful music.
The Blue DanubeJohann Strauss II
Composed in 1867, this famous piece is known as a quintessential Viennese waltz.
It was originally written as a male chorus work, but was later arranged for orchestra, gaining even greater popularity.
The piece was intended to lift the spirits of the people of Vienna, who were disheartened by defeat in the Austro-Prussian War.
Its lyrics praise the beauty of the Danube River, the lives of the people, and prayers for a hopeful future, conveying Johann Strauss II’s desire to influence society through music.
With its graceful melody and profound meaning, this work is highly recommended for anyone interested in classical music.
The Gypsy BaronJohann Strauss II
It is the most famous operetta after Die Fledermaus.
Johann Strauss II’s work premiered in Vienna the day before his 60th birthday.
Emperor Franz Joseph I of Austria was so taken with The Gypsy Baron that he summoned Strauss to the imperial box and praised him.
In Japan, the Takarazuka Revue staged a modern musical remake of the work in September 2010.
The Voice of SpringJohann Strauss II
Composed by Johann Strauss II in 1882, this work is characterized by a bright, hopeful melody that seems to celebrate the arrival of spring.
It exists in an orchestral version and a version with soprano solo, both featuring brilliant lines that evoke the breath of spring.
The lyrics depict the lark’s song, soft air, and a pleasant breeze sweeping across the fields, praising nature’s awakening.
Widely loved as one of Strauss II’s representative pieces, it is also performed as part of ballets and operettas.
It’s recommended for those who want to feel the coming of spring or lift their mood with something cheerful and optimistic.
Pizzicato PolkaJohann Strauss II
A piece co-composed by Johann Strauss II and his brother Josef in 1869.
It is a light, humorous work performed entirely pizzicato.
In the middle section, a glockenspiel joins in, adding an even more comical touch.
A popular staple of the Vienna Philharmonic’s New Year’s Concert, it is often played as an encore.
Its bright, cheerful atmosphere is charming, making it enjoyable even for newcomers to classical music.
It has also been used in commercials and anime, and is beloved by a wide audience.
Commemorative PoemJohann Strauss II
At Johann Strauss II’s debut concert, he premiered the waltz “Gedicht zur Feier,” the “Debut Quadrille,” the polka “To Your Heart’s Content,” and the waltz “Please Favor Us.” In particular, the waltz “Gedicht zur Feier” so captivated the audience that it was encored 19 times.
Other Japanese titles for it include “Epigrammatic Poem,” “Commemorative Song,” and “Aphorisms.” The debut concert was a great success, and newspapers hailed it with the words: “Good night, Strauss I; good morning, Strauss II!”